New Dark Electro-Pop from LESANDS

I figured I’d throw the whole world for a loop by dropping this catchy hit from LA’s LESANDS.  Honestly, I’m digging it, though I can see just the faintest hints of a dub step influence hiding in the song.  But, the construction is pretty interesting in and of itself, not to mention the faint haunting of the vocals from the background.  It’s not my typical fare, and I accept that, but I just want it to be Friday already so I can get my dance on somewhere about town.  You dig?

[audio:https://austintownhall.com/wp-content/uploads/2012/08/Prism.mp3]

Download:LESANDS – Prism [MP3]

Quirky Pop from Jesus H. Foxx

Sometimes you stumble upon something that musically intrigues you, and while you might not give it much attention at first, it eventually finds its way into your brain.  When I first heard this track from Jesus H. Foxx, I found the construction quite fascinating, but I moved on for the time being.  But, now that the band has released Endless Knocking, their new album, I’ve got to support the group.  They’re a Scottish act, and the vocals have a deep resonance that reminds me of a gone-but-not-forgotten Arab Strap.  Be sure you listen in here, and stay until the end, as there’s an interesting touch in wait.

[audio:https://austintownhall.com/wp-content/uploads/2012/08/jesus-h.-foxx-So-the-Wind-Wont-Blow-it-All-Away.mp3]

Download:Jesus H. Foxx – So the Wind Won’t Blow it All Away [MP3]

Killer Pop Tunes from Zebra Hunt

You’ve gotta depend on your Internet friends when it comes to discovering the scene across the country, so I’m glad Toby over at Finest Kiss in Seattle turned me onto this band Zebra Hunt. The three-piece outright definitely has some Oceanic hints in their works, but I also see a modern bent in the recording process, allowing for the central melody to really burst through here. They’ve got a short little EP that you can download for free over at their BANDCAMP page, and I promise you’ll be spending the rest of your day listening to these three gems.  Have fun here folks.

[audio:https://austintownhall.com/wp-content/uploads/2012/08/Zebra-Hunt-Zebra-Hunt-01-Half-Right.mp3]

Download:Zebra Hunt – Half Right [MP3]

Chilled Tune from New Animal

I’m always down to help represent for our friend Rob over at Old Flame Records.  He’s just released this new single from Atlanta’s New Animal, and I’m really digging this lead single.  For a duo, it’s got a real dense feeling to it, with multiple layers, both instrumentally and vocally.  As the song slowly unfolds, the two pile upon more sounds, creating a rather interesting pop collage.  If you like what you hear, you can grab the single from Old Flame, or you can wait a bit, as they plan to release a limited edition tape soon.

[soundcloud url=”http://api.soundcloud.com/tracks/51164424″ params=”auto_play=false&show_artwork=false&color=ff7700″ width=”100%” height=”166″ iframe=”true” /]

Show Preview + Interview: Fergus and Geronimo

What? You don’t have your own copy of Funky Was the State of Affairs yet? What are you waiting for? It’s one of the most interesting listens of the year, and the band makes their way into Austin at Beerland on Friday night, ready to share their talents with us all. We caught up with the band trying to get the story on their life and their latest release.

ATH:  On Funky Was the State of Affairs you seemingly steer clear of the folk art rock spectrum you were lumped into on the first release.  Was the progression natural or did you actively seek to distance yourself from your past?

F&G: Interesting, because I also saw the folk rock comparison being drawn. I don’t get it. But to answer your question, it’s both.  This band started as friends making music pretty randomly; without too much thought given to cohesion or style. Our first output was really just a collection of songs that didn’t fit with our bands at the time. Both of us are fairly prolific songwriters. When it came time to do the first Lp we had the opportunity to define the bands identity a bit. We were already tired of being lumped into the indie/garage/lo-fi labels that were popular at the time. Music is so much more fun when you stop trying to please others and just do what you’re gonna do. Fergus & Geronimo is a good outlet for me to be a bit more daring than I am in my other bands.

ATH:  Thematically speaking, what’s the most important aspect of the new record you hope people take away after listening? Do you feel that message is being well received by the regular earthlings such as myself, or have we missed the point?

F&G: I don’t really want to make any suggestions about what the audience should take away from the record. Let them glean what they will, because at this point I’m not sure if I even intended any narrative for it. I definitely don’t think its a record for everybody. I mean, there is a reason that this band isn’t headlining festivals, we can only survive in the very small margins of independent rock music that we do. Music is not a universal language, thank god.

ATH:  I think I unjustly lumped you in with bands like White Denim when you first burst onto the Texas scene.  Who do you guys see as your musical contemporaries, be them past or present?

F&G: I identify with bands that are fiercely individualistic. Funkadelic, Sparks, Devo, Quintron, Beck. I’ve never heard White Denim. 

ATH:  When bands create a piece of work like Funky…. I always wonder whether or not the group is taking a jab at listeners.  Do you guys feel like there’s any relevance to that comment, or did you set out just to create a record where you could have the most fun in the studio?

F&G: Yeah I think by nature we Are slightly confrontational.  But, most of the art I enjoy is cut with a healthy dose of aggression. I can feel how somebody might feel alienated by this record and deem it as being tedious. But, that happens all the time, people ask that artists understand them rather than seeking to understand their art.

ATH:  Do you guys feel like you’re appreciated in Texas, or do you have a bigger response from audiences outside of your home state?  I always feel like Texans have a tendency to look the other way until their bands make a bigger name for themselves.

F&G: As much there as anywhere else I suppose, I haven’t noticed any place that has more F&G fans than others really.  I would say our biggest fans are our close friends, many of which are in Texas.

ATH:  If there’s a statement song on Funky Was the State of Affairs, one where you establish the mood/theme/etc for the whole record, which track do you think that is?

F&G: I think it would be the titular track.

ATH: You guys are obviously in the midst of a good long tour.  What’s the one thing you miss the most about being in the comfort of your own home?

F&G: Well it’s only day three so I haven’t really started missing anything yet.  I’m sure the answer for me is alone time.

ATH:  What advice do you have for all the young upstart bands in Texas?  What should their goals be?

F&G: Just do your thing And have fun. Freak life is a beautiful thing, embrace it.

If you like what you hear, you can catch Fergus and Geronimo rocking things out Friday night at Beerland.  Thanks to J. Baxter for help setting up the interview! Pick up Funky Was the State of Affairs now at Hardly Art.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/Fergus+Geronimo_RomanTick.mp3]

Download:Fergus & Geronimo – RomanTick [MP3]

Soft Gem from King Creosote

One of the things I hate about the US is that it’s really hard to get the good vinyl from the UK without paying a hefty sum.  If it weren’t so, I’d definitely have my house filled with the beautiful sounds of Kenny Anderson, aka King Creosote.  Today, he’s releasing his newest collection of tunes, a three song EP titled To Deal With Things.  On this particular tune, Anderson quietly enters the fold, letting his vocals brood and build, just before the drums slightly pick up the pace.  For me, there’s not a more mesmerizing voice these days, especially when it’s accompanied by the dark undertones of the music present. Enjoy.

[audio:https://austintownhall.com/wp-content/uploads/2012/08/Ankle-Shackles.mp3]

Download:King Creosote – Ankle Shackles [MP3]

Show Preview: Wild Nothing @ Red 7 (8/29)

Date Wednesday, August 29th
Location Red 7
Doors 900 pm
Tickets $10 from Transmission

I’m sure you’re probably tired of us always raving about Wild Nothing, but I promise you this is a show you need to be at.  I was skeptical at first, knowing the group was mostly a bedroom project, but Jack and his buds totally killed it that night, making me a life-long fan for sure.  I know all of us at ATH couldn’t do anything but rave about it for a good solid month.  Plus, two great ATX bands will help get you in the mood: Boy Friend and Super Lite Bike.  Please get there early to support all the bands…it’s always appreciated.

[audio:https://austintownhall.com/wp-content/uploads/2012/01/Nowhere.mp3]

Download:Wild Nothing – Nowhere [MP3]

New Rocker from The Demon Beat

You all know I love my rock n’ roll given to me with a nice little punch in the face, which is exactly how I feel with this new jam just released by The Demon Beat.  The group’s preparing to release their new album, Less is Less, which comes out in September via Funny/Not Funny Records.  I feel like the group’s got a solid garage rock feel, but the vocals have a bit of a scratchy drawl, prompting me to give into these guys more punk rock leanings.  It’s definitely an energy filled hit, so I hope it helps keep your day real.

[audio:https://austintownhall.com/wp-content/uploads/2012/08/02-02-Teenage-Wasteland.mp3]

Download:The Demon Beat – Teenage Wasteland [MP3]

Wild Nothing – Nocturne

Rating: ★★★★☆

Perhaps one of the greatest things about listening to Wild Nothing is being aware that the project began as an intimate bedroom affair, possibly not even meant for mass consumption.  But, as with all good things, it’s made its way to our ears, and with Nocturne the sounds have become more fleshed out, creating a more dynamic sound that bodes well for Jack and friends.

With a title like Nocturne, you immediately get a darker image than what you might have gotten from the early works such as Gemini.  “Shadow” works with that meaning, both in title and in its emotional pull.  Sure, there’s still a bit of an angular guitar chiming in, but the lush string arrangements bring out an undercurrent of heavier sentiment.   Similarly, the title of “Midnight Song” implies the exact sentiment, but there’s something more energetic lurking here.  I’m not sure if it’s the guitar sounds, or Jack’s vocals, but I feel as if there’s more emphasis in this tune; it’s a personal standout for me.

But, one of the things I like from this new recording by Wild Nothing is the smallest of tweaks that demonstrate a branching out of sorts for the group.  If you skip through the album to “Paradise” you’re going to find an entirely different guitar line than what you’re used to from the band.  It’s almost as if Jack switched up his homage to C86 bands, trading it in for some Northern Soul guitar licks.  That being said, the electronic wash present on the track, and the deeper vocal tones still tie it nicely into the thematic darkness of the entire album.  It’s a good song to contrast with earlier numbers like “Only Heather,” which gains its energy from the frenetic pace of the drumming here.  I can see how the vocals have a similar weight to them, but the guitars are much brighter, and your toes won’t be able to avoid a bit of tapping as you listen to the record at your desk.

Personally, I think there’s sort of a magical quality to Nocturne, and I don’t mean in the sense that it’s going to possess your soul, though it just might.  Lyrically and emotionally it seems to carry with it an other-worldly quality that combines bits and pieces of the group’s earlier works with touchstones of its contemporaries.  Yet, with all those bits and pieces, something inevitably captures you, pushing your thoughts beyond the mundane.  Perhaps wistful is a fitting term to use here, as the title and the mood are affected by a feeling of sadness; I honestly don’t know how to put my finger on it, but I think listeners will completely understand the sentiment after a few runs through.

For those that expected Nocturne to be a complete return to where Wild Nothing left off with Gemini, you might be disappointed.  It’s definitely an album consumed by the nature of the title, offering a fair balance between beauty and the vague hints of darkness.  Light splashes of energy come and go, but what you’re left with is a record that immediately transports you beyond your status quo; such is the quality of truly great music that can consume us wholly, yet still maintain its intimate qualities.

[audio:https://austintownhall.com/wp-content/uploads/2012/08/08-Paradise.mp3]

Download:Wild Nothing – Paradise [MP3]

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