Cats on Fire – All Blackshirts to Me

Rating: ★★★★½

Having followed Finnish act Cats on Fire for quite some time, I was a little surprised with my initial run through of All Blackshirts to Me. But, having spent several days wrapped up in the record, I can say with affirmation that this is the most accomplished recording the band’s put together yet, which will surely have fans of any sort of indie-pop raving over the group.

“Our Old Centre Back” begins the affair, making light-hearted comparisons between football (soccer) and art/life.  Sadly, the lyrics seem to indicate that the centre back wins the heart of Mattias desire, rather than the narrator himself.  The solemn attitude definitely is something that sticks with you throughout the run of the album.  It’s followed by “My Sense of Pride,” which more closely resembles the recent output of Cats on Fire; it has the jangle and the pacing of previous works, but Bjorkas still seems forlorn.  It’s a personal sentiment that should be clear with just one quick glance at the title, All Blackshirts to Me. 

What I really enjoy about these purveyors of pop is that this time around they’re not rushing the songs or the sentiment.  Several of the tracks border on the 4 minute mark, or go beyond, which allows the emotional to be built up slowly.  “There Goes the Alarm” is one such song, barely trickling along, repeating lyrics time and time again.  It’s as captivating a song as the band has composed, and even in its brooding softness, you cannot escape the affecting qualities. Still, other longs songs like “A Few Empty Waves” have the ability to sweep you away, no matter what point of the song you choose to focus on.  This track opens with an acoustic strumming and Bjorkas laments, but it quickly jumps into the majestic, as the rest of Cats on Fire joins in with drums and electric guitar.  There’s something about the vocal delivery and the musical composition itself that grabs you and takes you away into some other state–a true sign of musical genius/prowess.

Perhaps the greatest success in All Blackshirts to Me lays in the sequencing of the tracks.  You can get tracks with the angular stomp like “After the Fact,” used to pick up the speed of the record, but then they’ll slow it down beyond where they’ve gone before with another number like “1914 and Beyond,” a track draped around a nice piano backbone.  No matter where the album turns, or where you jump in, several minutes of listening will take you all over the map, yet still maintain the intended emotion of the record’s entirety.

Personally, I think I’m more in love with this Cats on Fire effort than with anything they’ve done before, which is saying quite a bit.  From the personal sentiment to the discussions of European economics, it all fits uniquely within the spectrum of All Blackshirts to Me.  If you’re looking for something spectacular yet emotionally moving, then do what feels right, and fall in love with the latest release from this Finnish act.

[audio:https://austintownhall.com/wp-content/uploads/2011/12/My-Sense-Of-Pride.mp3]

Download:Cats on Fire – My Sense Of Pride [MP3]

All Blackshirts to Me is available through Soliti Music (Europe) and Matinee Recordings (US).

Friday Top 5: Austin Artists to Watch in 2012

Usually the year begins in January, but I typically don’t get my musical gears started until after SXSW.  So I started thinking about the Austin scene, and honestly, I think it’s really struggling right now (and I don’t quite know who to blame).  But, I wanted to give a shout out to five bands that I think are going to make a huge impact this year in Austin and/or Texas, at least that’s what I’m hoping to see from them.  These aren’t in any particular order, so just go with it, and if you see that one of these bands is playing…do Austin a favor and actually go watch them play. Oh, and we included one Houston act because they’re here all the time and we love them. Deal with it.

 

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Sprawling New Song from Lost Left

Lost Left is a three-piece, recording their music somewhere between London and Glasgow.  They’ve just put up their new record, Levollinen, which has really caught my attention.  It’s full of these extended soundscapes, crafted with truly remarkable melodies that come in and out, and then in again.  It takes a truly willing ear to listen to this record in its entirety, but the reward you receive will have you reeling.  It’s some of the more emotional compositions I’ve stumbled upon this year, and the band’s currently offering it up for the convenient Name Your Price.  If you’re looking to lose yourself this weekend, this is the perfect place to find yourself.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/01-Thank-You-For-The-Lung-1.mp3]

Download:Lost Left – Thank You For The Lung [MP3]

Great Garage Jangle-r from Blooper

It’s taken me almost a full week to completely recover from SXSW, but luckily I can go to our friend Toby’s site, Finest Kiss, and catch up on the good stuff he’s stumbled upon in his neck of the woods (Seattle).  This track he ran by Blooper is superb, and reminds me a lot of basically every sweet jam I’ve been rocking in my house for the last several years.  There’s a bit of swing within the jangle, and an infectious aura that sucks you in.  The band’s working on a new EP as of now, but they’ve also got a free Ballard Avenue EP you can grab to wet your appetite while you wait if you go HERE.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/Blooper-SecretSong.mp3]

Download:Blooper – Secret Song [MP3]

Quirky Pop Gem from Volcano!

Beginning with an odd stutter-step propulsion, this new track from Chicago’s Volcano! moves into a space occupied by few in the indie spectrum.  The group’s combination of electronics and off-kilter timing makes for a hard pill to swallow; it’s immediacy is not apparent, but repeated listens find you warming to the spastic pop gem. The group are set to release Pinata, their third record, on June 12th via the Leaf Label, and it’s shaping up to be a listening experience you aren’t likely to find anywhere else. Seriously, a patient ear will lead you to the immense pleasure this track has to offer.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/01-Piñata-1.mp3]

Download:Volcano – Pinata [MP3]

New Song from S Carey

A few years back S. Carey released All We Grow, which I felt was a highly underrated, or unnoticed, album.  It got some press for his participation with Bon Iver, but having seen him live since then, I think he definitely deserves some recognition on his own.  Perhaps he’ll achieve that goal when he releases his Hoyas EP via JagJaguwar  in May.  Based on this first listen, he’s still building his own little soundscapes, often based around small loops and intricate instrumental flourishes.  I suppose this could fall under the electronica spectrum, but you know Carey’s probably writing all these little elements himself.  Regardless, sounds pretty solid.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/01-Two-Angles-1.mp3]

Download:S. Carey – Two Angles

New Dream Pop from Little Chords

If you dig hard enough, you can find some really incredible groups putting out records on bandcamp.  That’s how I discovered this great number from Little Chords, an act hailing from Vancouver. After doing my research, I was shocked to find out that it’s Jamison from Teen Daze, who’s winning over a lot of people on the Internet.  This Little Chords effort isn’t as dance heavy, instead reminding me of the bedroom works of Jack from Wild Nothing.  You can find this song, as well as other on the new record just released called Afterlife. It’s definitely repeated spin worthy.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/03-Always_Never.mp3]

Download:Little Chords – Always/Never [MP3]

More Hooks from Literature

We’re nearing the release date of Literature‘s Arab Spring (April 10th), which will be our first AustinTownHall Records release, working with our friend Chris over at Square of Opposition.  Sure, I’m easily biased as I believe whole-heartedly in this record, but I wanted to share another track to convince you that you’ll need a copy in your hands!  “14 Seconds” opens the album, setting the mood for a jangling indie pop record that inevitably gets you to swing your hips as the record completely sucks you in.  You definitely need to head HERE to get your pre-order on before you have to hunt down this brilliant release!

[audio:https://austintownhall.com/wp-content/uploads/2012/03/01-14-SECONDS.mp3]

Download:Literature – 14 Seconds [MP3]

Catchy Pop Number from Boxer the Horse

How many bands have you heard of from Prince Edward Island? Well, if you haven’t, you need to mark Boxer the Horse down on your list as band to adore.  The quartet are back with their second album, French Residency, and it’s a gem.  A lot of the record really harkens back to the innocent pop of the Lucksmiths, but I couldn’t resist throwing this number out there, as it’s definitely one of those you can play over and over. You might also find a bit of Pavement in the vocals/lyrics, just as the guitars cascade with bliss, grabbing you by the ears and rocking you out. I’ve been jamming this one all day long.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/Boxer-the-Horse-French-Residency-03-Rattle-Your-Cage.mp3]

Download:Boxer the Horse – Rattle Your Cage [MP3]

The Wedding Present – Valentina

Rating: ★★★★☆

Eight albums into their career, or into the career of David Gedge, The Wedding Present are still just as strong as ever.  Gedge may not be one of the household names, but his band is well-regarded in most circles; Valentina is an album that will definitely sustain that status, and might even build a bit upon it.  In the end, who really cares as long as he’s still making great music.

“You’re Dead” begins the 8th studio recording with the formulaic drive that’s led me to fall head over heels in love with The Wedding Present; it begins with a quiet build-up, then blasts away during the chorus, giving us the loud element, then returning.  It’s back and forth, with Gedge’s discordant guitar ringing as loud as ever. What long time fans, and hopefully new ones, will adore is that his playful songwriting is still intact, including this song’s (and album’s) best lyric: “you appall me/okay, call me.”  Who says loud rock songs can’t be fun?

There’s a bit of a reservedness in Gedge’s writing this round, though the last while has seen him dabbling in such waters (Cinerama especially).  “Meet Cute” definitely isn’t a reserved quiet song, as the guitar’s do unleash that brash forcefulness I love, but something about it shows a bit more thoughtfulness in delivery of the vocals.  It’s interesting; the music is as loud as its ever been, but the lyrical content has the lovelorn DG at his best, providing what some might deem simple relationship wisdom–personally no one does it better!

Valentina still packs the punch you expect from a Wedding Present effort.  “Back a Bit..Stop” rings in your ears with that angular guitar playing from the moment you press play on the track.  This is the first time, too, that I really noticed the remarkable drumming on a Gedge album (not saying it’s ever been bad). Charles Layton pounds away to perfection, completing the band’s sound like you haven’t heard before. It’s definitely an added bonus to the entire listening experience.

Perhaps the most remarkable thing about the current Wedding Present line-up is how dynamic the group sounds.  Pepe le Moko’s female vocals, which Gedge has used in the past, still give an extra level to the sonic style of the group.  “Fidelio” is one such track where her playful backing vocals give an extra flourish to Valentina. And of course, the quartet still has those long burners that you adore, such as “Mystery Date” or “Dear Caught in the Headlights,” the former being one of the slowest burners you’ll find in David’s catalogue.  It would be interesting to see where they would all be now if the current line-up had started things initially.

The Wedding Present is perhaps one of my favorite groups, period.  Their songs appeal to me on the musical and lyrical level, which isn’t something I always get nowadays.  Sure, not every song here is a definite stand-out, but every single one is better (to me) than most of the other music that’s currently out there.  Valentina just proves what we all knew all along: David Gedge is simply incredible, and we should all be thankful he doesn’t seem interested in going away any time soon.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/02-You-Jane.mp3]

Download:The Wedding Present – You Jane [MP3]

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