Jeremy Jay – Splash

Rating: ★★★★☆

2010 is going to be a busy year for Jeremy Jay.  His first album of the year, Splash, is just being released, while there is another album slated for release later in the year, not to mention his work on the movie Belle Epine.  Will all the work distract his natural knack for writing amazingly introspective pop numbers?  By the sounds of this album, Jeremy is still going strong, and he shows no signs of slowing down.

JJ begins the album with “As You Look Over the City,” which one can assume is his own personal narrative about his recent move to London, demonstrating his ability to approach the subject matter from third-person.  His guitar never seems over-bearing, and the accompaniment by his band always seems perfectly fitting to his deep croon.

While many will accuse Jeremy of staying in the same vein as his last two albums, there are definitely differences.  Point of evidence one: “It Happened Before Our Time.”  This is the first time he’s really messing with his vocal delivery, changing the pitch and the tone, both going a long way to evoke the mood of the song.  When his voice lightly echos in the background of the song, you can tell that he’s really pushing the boundaries of what he can do.  Then you have the second piece of evidence, ” Splash,” which has a quicker paced guitar line, sort of reminiscent of a more nostalgic version of The Thermals.  All the while his voice lands quietly atop his music, as it always seems to do.

One of the best things about Jeremy Jay is that while he sounds so familiar, he definitely has a taste all his own.  You can see his constant form of wondering, especially in the way that he writes his lyrics.  Take, for example, “Someday Somewhere,” where the chorus itself evokes that sense of search, or that sense of longing for something. He’s often in his own world, dancing around, using that speak-sing approach that was made known by his mentor of sorts, Calvin Johnson.  You combine that approach with his lyrics and you are left wondering, but in an involved sort of way, as listeners should be.

Everything about Splash really does sound familiar, but as the album takes a turn near the end, starting with “Why is This Feeling So Strong,” you get the feeling that Jeremy Jay is about to make his move; at times it almost feels as if he’s about to let loose a power chord to just blow you away, yet as always, he refrains.   He’s got one more album coming out this year, and the way he’s pushing his sound, who knows exactly where that record will end up, but we can only hope that he continues to put out consistently enjoyable collections of songs such as this.

[audio:https://austintownhall.com/wp-content/uploads/2010/05/01-As-You-Look-Over-The-City.mp3]

Download: Jeremy Jay – As You Look Over The City [MP3]

New Tunes from Television Personalities

Listening to this new track from Television Personalities has really made my week.  While I’ll admit that Dan Treacy’s vocals don’t sound as sharp as they once did, you can still see how they evoke the purest emotion.  Perhaps it is this reason that has made the group one of the best cult bands, often missing mass popularity by mere minutes.  But, just take one listen to this song, wait until the rest of the instrumentation really takes hold of the song, and tell me that you don’t like it.  Well, lucky for you (and me!) there will be many more songs coming out on the groups next album A Memory is Better Than Nothing, which is supposed to come out in June. Get into it; they could’ve been bigger than the Beatles.

[audio:https://austintownhall.com/wp-content/uploads/2010/05/05-television_personalities-funny_he_never_married.mp3]

Download: Television Personalities – Funny He Never Married [MP3]

More New Tunes from The Drums

Let’s face it, I’ve been all about The Drums ever since I discovered their beach-pop jangle “Let’s Go Surfing,” but we’re nearing the time for the release of their debut self-titled album.  Recent days have posted a clever video with the great track “Forever & Ever Amen,” which led me to go to the band’s site where they were offering the song we’re offering today.  Honestly, I really like the song, if not for the very fact that it’s not nearly as jangly and bouncy as their previous work, which means their debut could be all over the map. Personally, I think that means we can expect great things from the band this June.

[audio:https://austintownhall.com/wp-content/uploads/2010/05/08-It-Will-All-End-In-Tears-1.mp3]

Download: The Drums – It Will All End In Tears [MP3]

Cats on Fire – Dealing in Antiques

Rating: ★★★★★

Just a disclaimer, this is a collection album, including rarities, B-Sides, covers and a new track, all of which date as far back as 2002.  That being said, Cats on Fire is probably the one band that deserves your attention that you’ve possibly overlooked (mistake!).  If this is the case, then Dealing in Antiques is a great starting point, a place to find your footing as your obsession begins to grow.  For those of you already in the know, you have to be ecstatic to have access to these wondrous tunes.

You’ll know immediately that this group is willing to go out on a limb, as the being this collection with “Your Woman,” a cover of the hit by White Town. Still, keeping true to their form, there is a bit more of a jangle in the chorus guitar chord, giving more of a smooth bounce than the original provided with its club-banger tendencies.  They then lead you into 19 more tracks, each one worthy of your careful listening ear.

“Poor Students Dream of Marx” establishes the band’s sound as far back as 2004, and we’re lucky that they had such foresight to see their own greatness, even so early on in their career.  Personally, the way the guitar is played throughout the entire song just really gets me, especially when it picks up speed and difficulty.  Steady percussion keeps pace, allowing the guitar to cut in and out of the song, all of which accompany Mattias Bjorkas voice (imagine Morrissey-mixed with Jarvis Cocker, except more of a warmth tone as opposed to blatant sexuality).

However, not a band to be pigeon-holed, the group offers tracks like “Something Happened.”  There’s a bit of a gentle strumming along the guitar here, yet it all has a more country feel, almost folk-ish, showing that the band isn’t all about pristine jangle pop (though they knock that genre out of the park).  They immediately follow that with “On His Right Side,” which is one of those tracks that exhibits the beauty of this collection, as understated piano walks quietly in the background of Bjorkas and a heavily strummed guitar.  As Bjorkas reaches for that falsetto, you can’t help but to tingle just a bit; these are the sorts of moments that create cult followings.

As much as you’d liked to ignore the Morrissey similarity between Bjorkas and the man himself, a song like “You Will Find Me Where You Left Me” does definitely bring the aged crooner to mind.  Yet, there is a certain solemnity to the way Mattias sings throughout this song, as if he’s not seeking your understanding, merely evoking his own personal sentiment.  “Honey Your Baby” probably doesn’t do much either to distance Cats on Fire from The Smiths either, yet you have to really leave all that aside, as the sharpness of Marr is not quite as present here, instead replaced by a warmer, gentler guitar.   If you ask me, this is where the band achieves their bread and butter, asking you to fall in love alongside the record, rather than to merely listening to a story of another man falling in love.

Really, if you want a perfect record, this is probably as close as you can come.  You’ve got your jangle pop tunes, as previously mentioned, yet you’ve got slow burners such as “They Produced a Girl,” one of the band’s earliest songs on this collection.  The vocal quality is a bit dense, but its the perfect juxtaposition to the rest of the record, showing how what was rough merely needed a bit of polishing before creating gem after gem.  And to close out the record, they offer a new track, “The Hague.”  One listen to this track will make you salivate immediately for the next album, as this one surely isn’t enough.

If it weren’t for great little labels like Matinee Recordings, many people would probably not have the access to Cats on Fire, which would be tragic.  Listening to Dealing in Antiques gives the aura of a band beginning an enduring cult following.  You want all your friends to love this album, yet at the same time, you feel as if you’ll lock these tunes away forever.  Such is the way a quiet legacy is built, and such is the one you have before you after looking through the closet of this wonderful band from Finland.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/cats04.mp3]

Download: Cats on Fire – The Hague [MP3]

New Tunes from Menomena

It’s been almost three years since we’ve heard any new material from Menomena.  They’re set to release their new album Mines on July 27th on Barsuk Records.  Based on this opening track it’s going to be another record of driving riffs and odd time changes, all built to please.  There is a sneaking suspicion that this record will make lots of year end lists, just as Friend or Foe, the group’s last project.   And on the mic, check it.

[audio: https://austintownhall.com/wp-content/uploads/2010/05/Menomena_-_Five_Little_Rooms-1.mp3]

 Download: Menomena – Five Little Rooms [MP3]

The Depreciation Guild – Spirit Youth

Rating: ★★★☆☆

While many of the indie rock followers will surely be all about The Depreciation Guild due to the main gig of its two core members, that being The Pains of Being Pure at Heart, that’s about the only similarity.  Sure, the mood of the music, and a bit of the texturing due share a close proximity to their other band, Spirit Youth steps out of the shadows and into its own space.

Electronic beats open the album on “My Chariot,” which is just an indicator that Kurt and Christoph (PoBPA touring guitarist) have a map all their own to follow.  Musically, it has a lot more of a bedroom aesthetic to the vocal quality than one would come to expect.  It’s really reminiscent of the same sort of vocals you heard on many of the more pop friendly albums of the early 90s.  It’s the same ground they’ll live in on “Crucify You,” and the dynamic doesn’t do much to distance itself.

But, in a sense, they mix it up on “Blue Lily” by opening up with a more prominent guitar piece.  Then almost immediately they bring in the warmth by adding the vocal texture.  Here you might see that often the vocals are a tool, never really stepping out from the instrumentation.  But, the guitar definitely serves its purpose in the background of the song, and that might remind some of Republic-era New Order, though a heavier atmosphere hangs over these songs.  This is the sort of place that it seems The Depreciation Guild hangs their hats.

Almost every song from here on out fuses a little bit of careful programming with guitars that ring out through the far off horizon of the song.  At times, such as in  “Trace,” those little parts really hang there, creating a dense electro-guitar collage of atmospherics, but without the vocals to brighten the moment, these songs really just seem to hang in air for the most part, almost like a pop-oriented fog. Don’t get me wrong, however, there are a few moments when the beats really do the song justice, like in “A Key Turns.”  A calm mood established itself early, and every noise on the song, including the vocals, is accented by the beats (the most creative on the album thus far).  It makes the perfect song for sitting outside as a storm drives itself into your town.

Oddly, there are a few heavy moments, or at least heavy in regards to the general sound of Spirit Youth.  The albums title track and “Through the Snow” have the benefit of harder hitting guitar pieces.  While the band manages to keep that quiet sensibility here, the chords of the guitar bring in a heavier punch, changing the overall quality of the tunes, and in fact, making them rising above the rest.  It would have been nice to see those numbers placed randomly earlier on in the album, rather than slotted in near the end.

All in all, Spirit Youth is an enjoyable listen, albeit one that does tax the listener a bit.  You’re caught in a world, unsure of whether or not you want to try and unravel the key to the lyrics (which are quite good) or just immerse yourself in the depth of sound that The Depreciation Guild have presented you with here. It’s not an easy choice, and that’s probably the biggest fault with the album: you have to make a choice on which instrument is the most important to follow, music or vocals.  Still, stepping out of from The Pains of Being Pure at Heart is never a bad thing entirely, especially when you can craft generally heartfelt songs that will keep you glowing inside.

[audio:https://austintownhall.com/wp-content/uploads/2010/04/02-crucify-you.mp3]

Download: Depreciation Guild – Crucify You [MP3]

A2W: FreshMillions!

We spend a lot of our time focusing on the rock around Austin, but rest assured, we love to shake it just as much as the next guy does.  Recently, the Austin scene has been boosted by the rise of FreshMillions! , and their main guy Geoff Earle.  They’ve been hitting the town with the likes of Focus Group and L.A.X. (who they will be supporting May 19th), making a name for themselves with electrifying shows that leave the audience drenched in sweat and coated in euphoria.  Not to mention that a lot of people love the fact that Bryan Ritchie of The Sword (and Skate or Die) helped produce the record, but as much as we love Bryan, you have to know that those groove-tastic bass lines and electric shine were all there beforehand.  Be sure to check out the band’s self-titled debut record, and attend one of their live shows because pretty soon, the whole town will be aboard this dance-a-riffic party bus of fun.

[audio: https://austintownhall.com/wp-content/uploads/2010/05/02-The-Helicopter-1.mp3]

Download: Fresh Millions – The Helicopter [MP3]

L.A.X @ The Parish (5/20)

Date Thursday, May 20th
Location The Parish
Doors 900p
Tickets $8 @ the Door

We’ve been playing a lot of the A EP from local group L.A.X, and it’s time that you get your hands on the album yourself.  Luckily for us all, the CD release for the band has finally arrived, and you can find yourself in a hot mess by heading to the Parish this Thursday night.  Expect to find yourself sweaty and smiling by the time you leave, not to mention the fact that you’ll have a brand new disc to spin around the house.  Get there early as you’ll really want to see A2W FreshMillions, as well as Missions. Hope to see you there supporting the local scene.

[audio:https://austintownhall.com/wp-content/uploads/2010/05/01-Im-Sorry.mp3]

Download: L.A.X. – I’m Sorry [MP3]

New Tunes from Light Pollution

James Michael Cicero surely has a lot going on in brain.  Just listening to the latest single from his group Light Pollution gives you hints that despite all the madness and cacophony that there is an underlying since of beauty, and that becomes visible with extended listens to the underlying melodies and various hooks.  The group has their debut album, Apparitions, scheduled for release on June 15h on Carpark.  Judging by this song, it wlil be chock-full of experimental wonderment.

[audio:https://austintownhall.com/wp-content/uploads/2010/05/lightpollutionohivory.mp3]

Download: Light Pollution – Oh Ivory [MP3]

Band of Horses – Infinite Arms

Rating: ★★½☆☆

The week of May 16th features several artists, long considered favorites by many indie rock fans, returning to the fold with new albums.  Not only is Band of Horses coming back with their new album, Infinite Arms, but they are also coming in with a new record label, having completed their agreement for Sub Pop.  Would the change signify a distinctive shift in sound, or would we get more of the same?

On the opening track, “Factory,” you get the since that things haven’t changed too drastically since the last album, Cease to Begin.  It’s got that slow paced Americana, expanded by the addition of string arrangements, and accompanied by Ben Birdwell’s exquisite vocals.  He’s got something in the way his voice seems to fall off with just the tiniest vocal inflection, and it always gets me.  Similarly, one of the other singles, “Laredo,” approaches the most-rocking moments of the album, with a steady percussion beat creating the backbone of the tune.  Oddly, the melody and the structure seem super-connected to “No One’s Gonna Love You” off their last record, but then again, even with Birdwell’s strong vocals, the band does have a tendency to blend into itself.  Still, this is a bit of re-hash in these eyes.

From here Infinite Arms takes a jump into a more folk-driven sound.  Pace is slowed down a bit for numbers like “Blue Beard” and “Infinite Arms.” Each song has some gentle strumming, and the latter sound has some recording effects that give you the feeling that it was all recorded in some backwoods area.  Don’t get me wrong, these songs have some strengths, particularly the recording of “Infinite Arms,” but there just isn’t some grand statement that is being made.  In the past, there was always a Band of Horses track that made you wonder why this band wasn’t absolutely huge.  Everything comes off really mild-mannered, and for some that will be a bit disheartening.

Give or take two tracks (“Dilly” and “Northwest Apartment”) the record really kind of stays in the vein of slow-core Americana.  Honestly, this is probably the disappointing element.  Yes, they always dabbled in folk elements, but nothing quite like the woodsy “Trudy.” It lacks lyrical depth as well, but that’s sort of par for the course with this collection of songs.   Where is the balance of swirling melodies that raise into the heavens, only to crash down in some sense of quiet?  It’s not there at all, and in fact, the most rocking you get on the latter half of the album is “Northwest Apartement,” aptly named for its blatant Built to Spill sonic allusions.

Don’t get me wrong, as Infinite Arms is a pleasant enough record.  There are a few moving tracks that will still do enough to satisfy old fans, but then the rest of the record really feels like the group is just sort of treading water. Band of Horses seems to have run out of ideas, or in changing directions, the group doesn’t seem quite as confident as they once did.  All this make for an uneven record that suffers from a general enthusiasm, but that could just be my own lackluster thoughts after going through this album hoping to find one more great gem.

[audio:https://austintownhall.com/wp-content/uploads/2010/04/01-Factory-1.mp3]

Download: Band of Horses – Factory [MP3]

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