Standard Fare – Out of Sight, Out of Town

Rating: ★★★★☆

Recent years have seen a reemergence of power-pop, which really just adds up to kicking out hard-rocking tunes with a whole lot of sheen.  Sheffield’s Standard Fare definitely have an affinity for the purity of pop, and their newest album Out of Sight, Out of Town, will have you applauding for both its simplicity and quality.

Trickling guitar lines introduce you to Out of Sight, Out of Town by way of “The Look of Lust,” just as you meet the attractive vocals of Emma Cooper.  For a few moments, the band shows some restraint, softly approaching the main part of the song, which features a certain sharpness in song composition.  Little flares, such as changes in the vocal delivery and the addition of strings make this a track you’ll listen to years from now. As they move into “05 11 07” the pace is picked up, but the plot’s still the same, using the charming lyrics of Cooper to unite splendid guitar play.

But, just as you start to fall for the pattern, Standard Fare throw in a little bit more of a jangle your step, and theirs.  Clearly Emma is the star of the show on “Suitcase,” with an underlying bit of sexuality lurking beneath her vocals, reminiscent of Victoria Bergsman in a much more playful manner. However, the band isn’t content to just give you bubblegum pop from the female sort, as Danny How takes over on “Kicking Puddles.” This track has a real familiar feel to it, just with a heavier dose of guitars; it’s like Beach Fossils crashed into the UK pop museum. How also takes a lead role on “Bad Temper,” a song that definitely hits furious and fast.

While there’s a nice straight-forward pop theme on Out of Sight, Out of Town, it’s the band’s playfulness that really gives them the extra step above many of their peers.  The reggae rifts that permeate “Half Sister” demonstrate that the band’s still working on fleshing out their sound as a whole, especially with a small dose of catchy hand-claps.  And while they’re willing to push the envelope a bit with their music, Standard Fare can also kick out traditional ballads like on “Early That Night.” It’s the slowest track on the whole album, but one you all the hip kids should definitely play while their hosting the next hip dance party…you know, just so you can actually get to touch the opposite sex.

One of the best thing about writing record reviews is finding a record you can repeatedly go through from start to finish, wanting to write about every single song, and that’s precisely what Standard Fare have accomplished here. Out of Sight, Out of Town is an effort that’s sharp, clever and ultimately enjoyable for all fans of pop music.  It’s the best type of record there is, so have fun enjoying this wondrous gem for some time to come.

[audio:https://austintownhall.com/wp-content/uploads/2012/01/03-Suitcase.mp3]

Download:Standard Fare – Suitcase [MP3]

New Music from Water Liars

As soon as this song kicks off, you’re looking at a sludgy rock track, right? Well, push forward a little bit, and you’ll find yourself tapping your feet to this great folk jam.  Water Liars (formerly Phantom Limb) is the name of the group comprised of friends sharing some camaraderie between Missouri and Mississippi, and they’ll be releasing their album, Phantom Limb, on Misra Records on Februrary 28th.  The thing I like about this track is that it goes between this beautiful folk number, and that sludgy riff that kicks off the track.  Ultimately, the love is in the meat of the track, and you’ll definitely find yourself playing this song over and over again today.

[audio:https://austintownhall.com/wp-content/uploads/2012/01/100.mp3]

Download: Water Liars – $100 [MP3]

Warm Pop Number from Princeton

It’s been quite a bit since I heard anything about Princeton, but I’m glad the group’s back o the up and up.  They’ve got a new record titled Rememberance of Things to Come that is going to hit the streets on February 21st.  This title tracks seems a little bit more structured around a few loops, at least up until the midpoint of the track where strings and percussion pick the song up.  It’s a feathery vocal that soars throughout the song that will really grab the ears of pop music lovers.  Come on in and get taken away by this sweet little jam.

[audio:https://austintownhall.com/wp-content/uploads/2012/01/01-Remembrance-Of-Things-To-Come.mp3]

Download: Princeton – Remembrance Of Things To Come [MP3]

Nice Little Jam from White Fence

People want to love Tim Presley for his Darker My Love role, but as we’re based in Austin, I’m more a fan of his Strange Boys role.  All that aside, dude’s also got a pretty nice little solo project called White Fence.  This year he’ll be releasing a two volume set of tunes, under the title of Family Perfume.  The first volume is slated to hit stores on April 3rd through Woodsist, and the first single has me pretty excited as it floated about the Interwebs today.  It’s got this little low-key jangle, almost harkening to the classic pop moments of the 60s, especially with Presley’s mellow vocal delivery throughout.   You digs?

[audio:https://austintownhall.com/wp-content/uploads/2012/01/White_Fence_-_It_Will_Never_Be_Edit.mp3]

Download: White Fence – It Will Never Be (Edit) [MP3]

Interesting Lo-Fi Jam from Italian Horn

Italian Horn is the musical moniker of NYC writer Anthony Pappalardo. Dais Records just announced they’ll be releasing his Red Affair 12″, which is limited to only 300 vinyl copies, so head HERE to pick it up. It’s interesting that Robert Pollard produced the cover art collage for this album, as you can see hints of old GBV in the track that we’re featuring today.  This one’s a little more gritty in terms of the overall production, but you can sense that feeling of just writing a track solely on the evolution of a single melody.  I’ve been digging this today, so I figured I’d share.

[audio:https://austintownhall.com/wp-content/uploads/2012/01/Red_Affair.mp3]

Download: Italian Horn – Red Affair [MP3]

Matt Pryor – May Day

Rating: ★★★½☆

I’ll admit that there’s definitely a soft spot in my heart for Matt Pryor, though I was less than enthralled with his last effort with former band The Get Up Kids.  Yet, despite that misstep, he’s always had a great ability to craft songs with lyrics that somehow find attachment to my heart. Love him or hate him, you can’t deny that he’s been warming his way into our hearts from the get-go, and May Day is just another example of his perfectly executed work.

“Don’t Let the Bastards Get You Down” opens the record, and the title alone should make it a timeless song, as we’ve all been in those shoes.  But, what really stuck out to me is the rough quality of the recording that’s present.  It sets the tone for May Day, providing listeners with a personal experience that’s both raw and beautiful.  “The Lies Are Keeping Me Here” similarly accomplishes the same note, particularly when Pryor’s vocals strain in the middle track.  You’ve got to appreciate a singer who’s willing to give his all on the microphone and his music.

While Matt Pryor’s work of the last few years has definitely held a hint of melancholy, he’ll craft a nice little ditty to catch you in its hooks.  Such a song is exemplified in “Where Do We Go From Here,” a song that features a playful piano line that works its way behind a nicely strummed guitar.  I think he even makes a nod to “worse for the wear,” which old Pryor fans will surely recognize (I hope!).  For the most part, this is about as bright a moment as you’ll find lurking on the album, as the rest takes on a rather serious tone.

Still, one of the things fans of Matt’s solo work will appreciate is his ability to really step outside our expectations with inclusions of multiple instruments on his solo outings, such as harmonica, banjo and various other nice touches.  “As If I Could Fall In Love Again” might do it’s best to incorporate all these elements into one song–but Matt’s background vocals are probably the best touch to this particular track.  But, just as he’s likely to fill up a song with instruments, he’s also willing to strip everything down to its rawest form on May Day.  “As Lies Go..This Ones Beautiful” is basically a stripped down, personal ballad, with Pryor’s voice taking the lead role here.  He’s always been a little off-pitch, but that’s always been something that made him endearing.  Here, you’ll find him as stark-naked as a musician as you’ve probably seen him, and you’ll be rewarded.

I’m predisposed to love Matt Pryor, but I’ll admit dissatisfaction when it’s warranted.  However, there’s not a bad track on the duration of May Day; each track has its special moments, some more so than others.  I suppose you could complain that there’s no incredible songs blowing you away, but it’s better to look at this record as one full of really good tracks.  Whether you grew up listening to the old emo, of which TGUK and Pryor owned, or you’re just encountering him, one listen here will bring you vast listening pleasure, the likes you won’t really find elsewhere in the current climate.

[audio:https://austintownhall.com/wp-content/uploads/2012/01/09-Your-New-Favorite.mp3]

Download:Matt Pryor – Your New Favorite [MP3]

Nice Bit of Dream Pop from Summer Twins

When you hear about two sisters singing together, you wanna be sure it doesn’t fall into the kitsch category.  Luckily, for the Brown sisters this is not the case for Summer Twins, who’ve just released their debut self-titled album on Burger Records. Seeing as the group hails from California, you’ll see some obvious sunny influences or likenesses.  Personally, I see the resemblance, but the vocals sound eerily like Zoey D.  It’s beneficial, as it gives the track a bit of clarity and brightness in contrast to the areas where we usually find a bit of hazy atmospherics, or as I like to call it: the indie auto-tune. Give this song a chance.

[audio:https://austintownhall.com/wp-content/uploads/2012/01/SummerTwins-IDontCare.mp3]

Download:Summer Twins – I Don’t Care [MP3]

Power Pop from I Was a King

One of the bands that I’ve really enjoyed following over the last several years has been Norway’s I Was a King.  They’ve just issued a really small run of a split 7″ EP on Splendour Records with Half-Handed Cloud, and I’m really enjoyhing their effort here. There’s a great swirling melody that is underscored by the guitar work, one of the prominent instruments in this band’s repertoire. If you haven’t had an opportunity to check out this band, the time is right to do so.  Hopefully this 7″ indicates the band are back on track and set to toss out something new in the near future.

[audio:https://austintownhall.com/wp-content/uploads/2012/01/Happy.mp3]

Download:I Was a King – Happy [MP3]

New Track from Young Prisms

Man, it looks like a solid year for Kanine Records, especially as they announce the release of the new album from Young Prisms.  The Cali band’s In Between, their sophomore release, will hit stores on March 27th.  One listen to the first single from this track, you’ll pretty much see where the “Floating in Blue” title comes in to play.  It opens with a nice bit of haze, then enter a light bit of female vocals to hold the song together.  Beneath all that, the guitars tie in a bit of melancholy, offering listeners a superb track they can play over and over again.  Go on, press play. And again.

[audio:https://austintownhall.com/wp-content/uploads/2012/01/Floating-in-Blue-1.mp3]

Download:Young Prisms – Floating in Blue [MP3]

Nada Surf – The Stars Are Indifferent to Astronomy

Rating: ★★★½☆

When a band releases their seventh album in well over a decade, you have to wonder, what’s left to prove?  Those of you who’ve followed the endearing path of Nada Surf for the duration will find that The Stars Are Indifferent to Astronomy is indicative of a band still willing to go out and have a blast in the studio; they’re completely willing to play to their strengths and bring you pure pop goodness.

While their last two outings might have come across as a bit subdued, Nada Surf has no intentions of resting on the middling ground of pop, so they bust forth with some of their most powerful tracks in years.  “Clear Eyed Clouded Mind” jumps into your ears, pummeling forward, as much as the band is wont to do.  Still, it’s Mathew Caws’ performance during the chorus that completely wins your heart over, just as he’s always done.  They kick right into “Waiting for Something,” which comes across like a softer, but equally as powerful, Superchunk.  Those guitar lines unleash melody after melody, accentuated by Caws.  Surely, long-time fans, as well as newcomers, will hear the noticeable effort the band has created in putting these tracks together.

The Stars Are Indifferent to Astronomy might have just the perfect balance in song order, kicking things off energetically, then pulling back just a little bit whilst maintaining a whole lot of fluidity. “Jules and Jim” has a chiming guitar intro before Caws goes off into personal reflection lyrically.  Still, the slightest touches of detailing such as the faintest sound of bells and far off vocal accompaniment prove Nada Surf is still focused on providing listeners with a complete sound in each track.  But for all that, this is very much a guitar-oriented record.

“Teenage Dreams” has a nice bit of guitar choppiness correlating to the stomping drums, before the song searches for steadier pastures.  And then “Looking Through” bursts through with a quick paced bit of the purest pop, the likes that only Nada Surf seem to have mastered.  But, as much the guitars play a starring role throughout, The Stars Are Indifferent to Astronomy still holds dear to the tried-and-true principals the band has always stuck with: pop goodness. “Let the Fight Do the Fighting” is a return to the solemnity and melody that always drew me to the group. It sounds more polished than a lot of the other tracks, and the accompaniment of strings only serves to emotionally impact the listener.  Pop music’s not supposed to be hard; it’s supposed to be good–this definitely falls into that category.

Whether you’re a long time fan or a newbie, Nada Surf are one of the few bands that have always seemed to offer up perfect albums.  They write pop songs you can sing to; they give you hooks you can sink your teeth into; and their albums will still be enjoyed years after your favorite current fad is gone.  Such is the power of great songwriting, the sort that’s present for the entirety of The Stars Are Indifferent to Astronomy.

[audio:https://austintownhall.com/wp-content/uploads/2012/01/03-When-I-Was-Young-1.mp3]

Download:Nada Surf – When I Was Young [MP3]

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