Eulogies – Tear the Fences Down

Rating: ★★★½☆

When we last heard from Eulogies on their album Here Anonymous, you could feel the energetic undertones dying to creep out from beneath your speakers.  While their latest piece, Tear the Fences Down definitely holds true in some areas to such a niche, we find the band exploring newer territories, ground that seems a bit more subdued, illustrating the growth process of one of our favorite bands.

The stuttering guitar line on “Out of Style, Out of Touch” might you to believe the band will be following line for line their old stylings, yet Peter Walker’s voice has a little hint of solemnity to it, giving the music a calming effect.  Sure, there’s a bit of a guitar solo off in the distant horizon, but the tinkering piano/keyboard and Walker keep the pace in a more soothing realm. “Intimate Debris” continues the push into a more developed sound, no longer relying on bombast and sharp edged guitars.  Here the band almost takes on a bit of a folk serenade, building a collective group effort to the forefront.

But, as promised, the band still has some definite hooks to toss your way.  “You Hide” has one of the catchiest choruses to hit the Internet this year, and the rest of the song dutifully builds that frivolity throughout, though you might think that there’s definitely a hint of innocence and discovery playing a role here. Even though such moments do exist for the duration of Tear the Fences Down, they are few and far between; this, however, is not necessarily a reason to dismiss the record–far from it!

I’m reminded a great deal of Nada Surf the more I go through the record.  They achieved moderate success, then evolved into something much warmer, creating a canon of music that even the truest of pop fans have to look upon with envy.  Such are the moves of Eulogies, crafting little melodic twists, altering their sound for the better. “Tear the Fences Down” uses acoustic guitar to give the song a more natural feel, and in doing so, it lets Walker take control of every bit of melody crafted inside the practice studio.  Once the drums kick in you have a frolicking piece of genuine pop music, and while it may not knock you on your ass, it gets more ingrained in your soul with each ensuing listen.  When I came across “Separate Heart” my inferences about the band’s progression really hit me; this band is really grown up–they’re really pushing themselves.  Okay, so it might not be the most original thing to include accordion (or whatever it may be), but that chorus is built with such care that eery listener surely will find that it hits a personal note–one of appreciation.

Closing the record is a little bit of acoustic rambling, one certainly indicative of the band’s home state, California.  You probably wouldn’t have guessed such a sunny piece of acoustic pop would have sprouted from the last effort, but sure enough it has; its done so in such a successful manner that listeners might not think of Eulogies the same way.  Perhaps that’s what the band wanted all along; they wanted more from their music and themselves.  Tear the Fences Down, in both title and music, shows the band reforming their sound, and building things up from the ground.  If they do it this well, who knows how far they can go.

[audio:https://austintownhall.com/wp-content/uploads/2010/11/Eulogies-YouHide.mp3]

Download: Eulogies – You Hide [MP3]

New Music from The Booze

Getting this press release kind of took me by surprise.  You read of a band name like The Booze, and you sort of have these preconceived notions that its going to be sort of gritty, possibly sloppy–that’s not what I think of with this band at all.  At first I wanted to throw names like Dr. Dog around, but then I kind of went further into my mind, and sort of rolled around with a bit of a cleaner sound of the Small Faces, or the Faces if you’re into Stewart and Wood.  It’s got some barroom swing with a tinge of heartbreak.  You’ll find the single below on the band’s new album, At Maximum Volume, which is slated to hit the streets around March 8th on Underrated Records.  Seriously, give his a spin. It’s light, and I’ve been diggin that I put it on as I welcomed the sun back to Austin.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/KickMeWhereItHurts.mp3]

Download: The Booze – Kick Me Where It Hurts [MP3]

Smith Westerns – Dye It Blonde

Rating: ★★★★☆

When the Smith Westerns first came about, I showed them a bit of indifference, and I think that was justified.  Vocals on their last album were really muddy, and almost hurt to listen to at point.  But dammit if the band just didn’t up and turn it around for their latest, Dye It Blonde.  Not only do the vocals feel vastly improved, but the music itself appears pristine at points, allowing the band’s talents to be presented to you in all their sonic glory.

“Weekend” really kicks things off on the right foot, and it even shines through with a bit of the musical nods to bands of the past.  That opening guitar squall, as well as many that appear throughout the record, definitely give me the feeling of “The Concept” by Teenage Fanclub.  Such a gentle vocal approach really sets the audience up for a warmer listening experience in comparison to the aforementioned early works; if you’re not hooked right away, just hold on a second. They give off a bit of an off-kilter vibe in “Still New,” using a steady drum beat to accompany the feedback of the guitar as it maneuvers sharply through your ear canals.  Personally, this is the song that grabbed me, but admittedly, I’m  a dork for classic power-pop, even if you can see Bowie/Bolan prancing around in the background.

You’ll find the band’s glam influences evolved, and they no longer feel as if that’s the sole inspiration for the writing on Dye It Blonde.  Sure, you can hear it in a track like “All Die Young,” especially with that high-pitch vocal touch, yet the band seems really bent on creating the perfect hodgepodge of all things pop.  If you can combine glam and Britpop, turn it on its head to make it sound modern, you’re bound to find winning tracks left and right; that’s just where Smith Westerns have gone beyond our expectations.  Besides, the fuzzed bass on “Fallen in Love” melded with some jangling guitar and cymbal work really provide you with everything you need in a solid pop album.

The thing I’ve noticed about Dye It Blonde is that its appeal is so large that everyone is going to discover their own personal gem, and I think that really defines this record in the long-run.  Personally, the whisper of the vocals on “Only One” grabbed at me right away, pulling me in as a listener.  It went on to move a bit away from the glam influence, almost reverting back to the days of pop that served as a precursor to the likes of T. Rex. There’s even a bit of a jammy breakdown near the end, so you know it’s going to be a rocking number live too!

You couldn’t have asked a band to do more in a short period of time than what Smith Westerns have accomplished.  They pieced together an album that utilizes their various influences, given those touches some nice fresh tweaks, and everything else dazzlingly fell into place. If you’re going to search for a record you can share with you and your friends, all of whom love different things from the rock n’ roll musical canon, then Dye It Blonde is assuredly the one for you.

Free Album from Ruby Coast

You know we’ve been long into Canada’s Ruby Coast, so much so that we had them play our SXSW Party back in 09′. Finally, the band have their debut ready for your ears, and today only they’re offering it up for your ears for absolutely free!  The album is called Whatever This Is, and we’ve been jamming to it all day long over here.  You definitely have to give this band a try, and like I said, if you go HERE, their debut record is totally FREE!. So go, preview it before you get it even, just try it on for size. There’s a small sample below.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/Ruby-Coast-Stability.mp3]

Download: Ruby Coast – Stability [MP3]

New Tracks from The Bankees

Running around the Internet looking for sweet tunes often leads you to promising little groups.  My most recent discovery, and a band I’ve been closely following is The Bankees, a French group, and one not specializing in pop–well, not in the way I’ve come to think about French pop lately.  They have a new Black EP coming out, and it’s really gritty and slow, which is a touch different than where they were last year.  This single sort of lurks around your speakers, slowly walking in and out of your ears with a mellow pulse.  Maybe it is just me, but I’ve certainly been jamming to this track all day long, so I hope it will do the same for you.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/05-RUN.mp3]

Download: The Bankees – RUN [MP3]

New Music from Balkans

Perhaps I’ve already explained my excitement about 2011, primarily based on the fact that I’ve been hearing a lot of really exciting guitar-based bands kicking out the jams.  Yes, I know they’re have been some in the past, but it seems that we’ve spent a lot of time on electronica lately, so I’m pleased to introduce you to Balkans, an Atlanta four-piece.  They’ve got a great new 7″ coming our way on Double Phantom Records on Februrary 22nd, and the A-side is ridiculously  solid. It has a bit of that garage affectation, yet there’s more of a driving rhythm that steers it more towards a nice dirty pop bent. Just give it a go, and I’m sure you’ll be pleased.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/01-Edita-V.mp3]

Download: Balkans – Edita V [MP3]

Fergus and Geronimo – Unlearn

Rating: ★★★☆☆

Almost two years ago, I caught Fergus and Geronimo here in Austin; they were just visiting from Denton.  Everything they did on stage was energetic and sharp.  A few 7″s came our way, and now the band have released their debut, Unlearn, for Hardly Art.  After honing their chops, it seems like the band have finally landed on some consistency with their sound, and it’s one that fits in with the modern scene.

Kicking things off with “Girls with English Accents” is a solid way to start off this record.  It’s got a little bit of psychedelic twang in the guitar lines, a repeated chorus line, but it’s the verses that demonstrate my favorite parts of Fergus and Geronimo. They’re sort of off-kilter and unhinged, all done in a playful manner.  Then you move right into “Wanna Know What I Would Do,” which has great elements, yet doesn’t quite fulfill the promise the morning.  Really, it’s just one part that sort of gets me in a funk, and it’s the delivery of “hahahaha.”  Throw that in with some loose lyrical focus, and you can see that at times, great songs get in the way of the band’s playful approach.

Fans of the more R&B influenced garage sound will find a gem in “Powerful Lovin,” using that crooning sound you’ll find on King Khan and the BBQ Show releases.  At this point, you’re bound to appreciate the band’s tendency to sort of shift all over the place, using a great deal of musical diversity to provide a great deal of listening diversity.  “Unlearn” is similar in this fashion, though it introduces a bit of spoken word from a female counterpart.  Part of me is reminded of listening to my mother’s classics from the doo-wop era of classic rock, and that’s not a bad thing by any means, mind you.

Fergus and Geronimo‘s bread and butter though seems to be their more amphetamine influenced jams.  “Baby Don’t You Cry” fits perfectly in with the likes of Ty Segall or a dirtier version of Nobunny.  Beneath it all lives sweet bubblegum pop, but it’s coated in abundant energy, giving the sound a bit of garage stomp, almost as if the band is hanging on by the seat of their pants.  “The World Never Stops” is another such jam, though it does have a nice little instrumental breakdown in the middle that really takes the track to the next level.  Perhaps it is just a hint of restraint, but it’s enough to give Unlearn yet another nice twist in the grand scheme of things.

Fergus and Geronimo have shown a lot of promise through the release of their 7″ work, and through that of their live shows. Now that they’ve got Unlearn out here for the masses, we see that talent come to fruition.  Styles are traded in and out from the get go, letting you get a taste of the band’s influences.  Sure, it’s a bit disjointed at times, and next time around the band might put more effort into the lyrical development, but this is one hell of a start from a band we truly think will do excellent things.

[audio:https://austintownhall.com/wp-content/uploads/2010/06/Fergus-Geronimo-Girls-With-English-Accents.mp3]

Download: Fergus & Geronimo – Girls With English Accents [MP3]

New Music from Trail of Dead

Like them or hate them, Trail of the Dead have been one of the premier Austin bands for over a decade.  They destroyed stages and clubs, and then they mellowed out a little bit, which perhaps lost a bit of love for the band.  Still, as we prepare for their new record, Tao of the Dead, we’re really excited to have some new tracks, or a new track (courtesy of RCRDLBL) to put out.  It starts off with Conrad being, well, Conrad, all soft and gentle.  Then, the song sort of explodes into a bombastic affair, and one that recalls the band’s angrier days.  All the same, Trail of the Dead will always be a band to talk about, so we had to throw in our two cents.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/And-You-Will-Know-Us-by-the-Trail-of-Dead-Weight-Of-The-Sun.mp3]

Download: And You Will Know Us by the Trail of Dead – Weight Of The Sun [MP3]

Wire – Red Barked Tree

Rating: ★★★☆☆

What can one really say about Wire that hasn’t been said in the last two decades?  It seems they’ve ranged all over the place, constantly exploring their sound, pushing themselves in every which direction they choose. You have to give them respect in that regard, and with Red Barked Tree, the group seems to have written one of their best records to date, fulfilling from start to finish.

“Please Take” uses soft-edged guitars to sort of create a gentle angular soundscape, while precision drumming simply just keeps pace.  Yet, on the first track it’s the vocals, with lines like “please, take your knife out of my back,” that demonstrate the band giving more focus to the lyrical content…one of the things I felt lacked in some of their more recent efforts.

Of course, there are definitely some proto-punk tracks that give old fans, as well as new ones, something blissful and quick to hold onto with Red Barked Tree.  “Now Was” seems to come off a little bit too much, in my eyes, like a fast-paced breathing exercise.  Sure, the beat and guitar work kill it, but something about the delivery just didn’t seemed to steady.  Still, “Flat Tent” is personally one of the finest songs I think Wire has written to date.  You can tell that technology has definitely allowed the band to flourish with their efforts, as the production is spot on here.  One thing that both baffles me, and pleases me, is the band’s ability on this track to provide listeners with something so vibrant and energetic and, dare I say, in the now.

Keeping all that in mind, fans and newcomers alike will definitely fine some of the more sonically explorative songs proving their worth.  For a band that’s been around, you’re not likely to find guitar lines as sharp as you can find on “Moreover.”  Honestly, you can see the direction of the song from the get go, almost marching along, but the vocals and the way the guitar cuts through the song, yet still remains somewhat in the background, just builds the momentum of the track.  “Down to This” is really one of my favorite tracks on Red Barked Tree overall.  There’s something about the song that doesn’t really resemble Wire for me, yet as I’ve noted, you can’t really define the band, and that’s precisely what makes this song spectacular.  There’s dark undertones lurking in the background, and the soft release of the vocals allows you to hang ever so lightly in the air–check out the 3 minute mark.

You’ll find the finest moment on Red Barked Tree waiting for you at the very end with the album’s title track, “Red Barked Tree.”  This group seems to manipulate the sound perfectly, creating almost a swaying effect with the way the guitars unfold throughout.  In choosing not to rush the track, once again letting it build, the song really begins to take over you, yet it never gives you that complete emotional release. A little restraint in the end–I like that. After all these years you would expect a group to sort of dial-it-in, relying on their fan base to push sales, yet each time you pick up a new Wire record, you’ll be amazed at how current they sound.  Such attributes may note mean much to the download/delete generation, but fans of great music will surely find Red Barked Tree full of redeeming qualities.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/04-Two-Minutes.mp3]

Download: Wire – Two Minutes [MP3]

Iron and Wine on Daytrotter

Can we claim Sam of Iron and Wine as an Austinite yet?  I mean, he’s still living on the outskirts of town, right? Well, we know you’re excited as can be for his newest release Kiss Each Other Clean, which hits the streets on January 25th.  While we’ve had some of the singles hit the Internet, you can now listen to three of the new songs done for today’s Daytrotter session.  You’ll probably be just as excited, if not more so, for this record once you give it all a listen.  And hey, sign up with the site, and it’s all free, so it can’t hurt to get yourself a nice taste of new Iron and Wine.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/002-Tree-By-The-River.mp3]

Download: Iron and Wine -Tree By The River (Daytrotter Session) [MP3]

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