John Wesley Coleman – Bad Lady Goes to Jail

Rating: ★★★☆☆

Reading lots of press about John Wesley Coleman can lead you in the exact wrong direction. You can’t really label a guy a trashcan troubadour; that sort of attitude will definitely give you the wrong impression of the tunes at hand.  Bad Lady Goes to Jail definitely has a layer of filth attached to it, but beneath it all you can tell there are some crystal clear melodic sensibilities.  You won’t have to dig too far to find your first gem, so get ready right away.

Kick off this record the right way, and you’ll find one of the best tracks, though that’s up to personal tastes.  “Bad Lady Goes to Jail” has this scuzzy guitar line discordantly jangling in the forefront, while a piano line tinkers in the back.  Coleman’s voice isn’t hurried, and you’ll find an underlying gentleness, showing that despite his grit, the guy still has some restraint. Opening minutes of Bad Lady Goes to Jail continue within the first few tracks, and “Lazy Baby” has a little of that garage twist and shout feeling to it, almost giving you a bit of swing. The chorus has some emphatic shouts, but everything in the early moments has John Wesley Coleman killing it.

Of course, this album isn’t all gritty pop ditties, there are still some garage filters going on, though one would be likely to say that they’re not quite as successful as early offerings on the album.  “Ooh Basketball” has a nice little guitar line to it, one that fits everything, but the vocals have a bit too much distortion on the front end, and the lyrics are slightly lacking, at least for the tastes of some individuals.  Let’s just say, the depth doesn’t run too deep with several of the tracks here and there, even though musically, Coleman still seems to be doing all the things we know and love.  Who knows, maybe the guy just wants to have fun, so we can’t knock that.

One of the songs that will really surprise you, at least in its straightforward approach is “Go Baby Go.”  It’s got this incredibly lackadaisical wandering to it, and the fact that the majority of the song has minimal production, really gets to you.  With all the itsy bits of noise here and there, this song comes out of nowhere.  Surely this is one of the stand outs, hiding quietly in the middle of Bad Lady Goes to Jail. Along with “Something in My Brain Wants Something,” you get a bit of relaxation, a brief stop off on the records confrontational approach to songwriting.  Their more subdued, and in placing them properly in the middle, it’s the perfect opportunity for you stop, go back, and find your favorites.

Clearly John Wesley Coleman has something special about him, as you will discover when listening to Bad Lady Goes to Jail.  He operates in a certain genre, yet its easily drawing from all over the charts, making this effort a lot less static than other releases that you’ll find.  His ability to weave all these influences into one album, let alone one song, is what gives JWC a nice step above the rest, making this a great destination for your listening pleasure.

[audio:https://austintownhall.com/wp-content/uploads/2010/10/01-John-Wesley-Coleman-Track01.mp3]

Download: John Wesley Coleman – Bad Lady Goes to Jail [MP3]

New Music from Velvet Davenport

Its pretty hard to find out a lot of info on this band, other than the fact that hail from a place one normally wouldn’t associate with their musical stylings, Minneapolis.  Velvet Davenport, as the name would have you guess, have a gentle affection to their sound, extremely reminiscent of the 60s wave of Spector, yet done with an enjoyable bedroom recording quality. Their latest LP, Warmy Girls, is really a special gem, and something you’ll surely be enjoying for some time to come.  You can grab it by checking out their label, Moon Glyph, and travel back in time with the band. I’ve sure been enjoying my trip.

[audio:https://austintownhall.com/wp-content/uploads/2010/11/01-Mystery-Michael.mp3]

Download: Velvet Davenport – Mystery Michael [MP3]

New Tunes from Bear Mountain

Who doesn’t like a band with Bear in their name?  Well, another group has thrown their name into the ever=growing list, Bear Mountain.  While I haven’t been able to find too much information about the group’s origins, I did manage to come across their new mini album, also titled Bear Mountain.  The word was created at home, and while some of the tracks do have the influence of programming and other such home recording remedies, I really enjoyed “Green.” There’s this distant quality to the recording that gives it some sort of alternative reality aesthetic.  Try this one on for size.

[audio:https://austintownhall.com/wp-content/uploads/2010/11/03-Green.mp3]

Download: Bear Mountain – Green [MP3]

Weekend – Sports

Rating: ★★☆☆☆

Slumberland has been fortunate enough to have always stayed true to their original sound aesthetic as a label while still offering up a diverse clientele for their audience.  Enter San Franciscos’ Weekend, another group offering up a noisy debut, fueled by certain sonic and textural elements we’ve all come to recognize.  Their album Sports does have certain touches of diversity when compared to the grand spectrum of things, yet those modifiers that make them relevant often seem to get in the way of the progress they offer as a group.

Listening to the first track, “Coma Summer,” you almost get the idea that this might just be a nice little pop number, as the song’s intro includes a nice pounding drum and jangling guitar.  Still, the echo in the background has a haunting quality, and as the song pushes forward, that quality explodes into buzzsaw guitars that practically obliterate any chance of vocal comprehension.  Underlying melody is all well and good folks, but if you don’t allow room for breathing, then what’s the point?

Clearly, the scope of the record does have some lyrical value, but it often seems to have evolved as an afterthought to the completed musical process for Weekend.  “Youth Haunts” has this brooding bass work that really propels the song forward, but as guitars knife their way discordantly through the song, the vocals appear very distant, as if they were recorded separately, then spliced onto the tape in another session altogether.  Similarly, “Landscape” has that certain appeal one would find in the early days of Manchester, yet part of you probably feels a driving need to connect with the vocals themselves.  That’s probably one of the great difficulties with Sports; you either connect with the noise itself, or you’re spending your time chasing after the lyrical content.  One of the things that made bands like Joy Division so successful was their ability to bring you that connection, offering up vocals that could be discerned, while still piling noise into the whole affair.

One might find themselves extremely frustrated with Weekend by the end of this whole affair, as there are clearly elements that seem successful in their own merit, such as the track “Age Class.” Once again, the rhythm section practically owns the song, giving you this animalistic power that only increases the tension as the song progresses.  Normally, there would be some sort of release, some sort of resolution, but Sports just never offers that sort of cleansing moment.  Perhaps that is where my listening habits have gone wrong; I’m not capable of connecting both the sounds of this record and the vocals in order to decipher the message, song by song, let alone the whole album.  While plenty of elements suggest the conceptual ideas throughout the entire listen, for some reason, the band’s purpose just never seems to fully evolve, leaving listener’s, myself in particular, asking for more from the group. I suppose you can leave this all up to personal tastes, but despite lots of pleasurable listening moments, it just never seemed to complete its journey, leaving me interested, yet entirely unfulfilled.

[audio:https://austintownhall.com/wp-content/uploads/2010/09/01-Coma-Summer-1.mp3]

Download: Weekend – Coma Summer [MP3]

New Tunes from Glass Vaults

Glass Vaults is a little group from New Zealand, and you know how we like our Oceanic jams.  They’ve just released their Glass EP, which you can grab for free, and its something you should definitely get your hands on if you can.  This single, “Forget Me Not,” has a bit more of a collage pop effect than some of the other tracks, which leaves the band with plenty of room for solid growth; no matter which direction they go, according to this EP, it’s bound to be good stuff.  I like some of the mellower, dark burners, like “Set Sail,” so go give this a try, and spread the word about the band.

[audio:https://austintownhall.com/wp-content/uploads/2010/11/05-Forget-Me-Not.mp3]

Download: Glass Vaults – Forget Me Not [MP3]

New Music from Eux Autres

With news that a new record from Eux Autres would be hitting this September, you’d expect to find a bit more press about the band’s latest single, “Go Dancing.”  It’s got a fuzzy little bass line and some vocals that recall recent works by Best Coast, just a lit more straightforward.  The entire album is full of hits that go between a bit of angular pop and downright blistering ditties.  Said album, Broken Bow, is slated to come out on November 23rd, so you only have to wait a few more weeks until you can get your hands on this gem of an album; I promise it won’t let you down in the least bit.  It doesn’t hurt that Jason from Papercuts recorded it either!

[audio:https://austintownhall.com/wp-content/uploads/2010/11/08-Go-Dancing.mp3]

Download: Eux Autres – Go Dancing [MP3]

New Tunes from Roman Photos

Atlanta seems to have a lot of unnoticed talent, and that being the case, I was fortunate enough to find an email including some sweet bedroom dance tunes from Roman Photos, who have a killer design aesthetic to go with their killer tuneage.  They’ve got a few 7″s coming out in the next few months, one on Double Phantom Records.  The track hear has some soft vocal traits, but don’t think of this as some sort of downtrodden affair; there’s an underlying beauty incorporated beneath layers of synth haze.  If you’re into the band, you can also head to the band’s BANDCAMP, and hook yourself up with a free digital Into the Night EP of more tasty treats. Keep your eyes on this prize in the coming months.

[audio:https://austintownhall.com/wp-content/uploads/2010/11/RomanPhotos-Decline.mp3]

Download: Roman Photos – Decline [MP3]

Show Preview: John Wesley Coleman @ Trailer Space (11/12)

Date Friday, November 12th
Location Trailer Space
Doors 700p
Tickets ???

John Wesley Coleman is one of our local boys, so already you’ve got to head out to support the guy.  He’s just released his new record Bad Lady Goes to Jail on Goner Records, so you will surely get plenty of new tunes, blending elements of garage and country and down-home cooking.  Sure, there are some other shows going on around town, but will you also get to see The Crack Pipes, James Arthur’s Manhunt and The Beta Rhythm?  Exactly, so now you have more reason to enjoy yourself. See you at Trailer Space kids.

[audio:https://austintownhall.com/wp-content/uploads/2010/10/01-John-Wesley-Coleman-Track01.mp3]

Download: John Wesley Coleman – Bad Lady Goes to Jail [MP3]


New Tunes from Cloud Nothings

After re-issuing some work earlier this year, Cloud Nothings are prepping us all for the release of their new record on January 25th, which is going to be self-titled.  We know the single came out earlier this week, but we had to give you a taste.  It’s pretty noisy and boisterous, until you find the hook lying deep beneath the chorus.   If anything, the song only grows with power and accessibilty as it goes along.  Look for the record in 2011 on Carpark.

[audio:https://austintownhall.com/wp-content/uploads/2010/11/Cloud-Nothings-Understand-At-All.mp3]

Download: Cloud Nothings – Understand At All [MP3]

New Tunes from Spokes

I’ve always got to follow the happenings in Manchester, but that’s mostly due to my adoration for MUFC, but here I have another chance to rejoice, as I’ve just run across up-and-comer Spokes.  They’re releasing their new album Everyone I Ever Met on Counter Records next February, and it’s full of these grandiose ideas of combining all sorts of musical elements, including folk, shoegaze, etc. Those into the sound of Local Natives might notice a similar swelling of up multiple melodic voices, but let’s not call them imitators.  One listen here and you’ll realize that such lofty combinations can be successful, and when they work like this, we’ve all got reasons to rejoice.

[audio:https://austintownhall.com/wp-content/uploads/2010/11/02-We-Can-Make-It-Out-1.mp3]

Download: Spokes – We Can Make It Out [MP3]

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