Glimmer Release Fresh Single, Place in the Sun

After putting the past with his old band behind him, it’s great to see that Jeff Moore’s songwriting hasn’t changed all that much. I’ve always been a fan of the way he’s balanced rocking guitar sounds with a need for a bit of calm to run through a track’s center. With his new project, Glimmer, he’s not straying too far from that formula, although they’re brandishing an even heavier sound, echoing with atmosphere in the background. You can hear it here, but again, you get a nice little dose of melody that keeps the track tethered to your ears. Turn it up and your ears will ring, but as the song comes into focus, you’ll find yourself locked into that Jeff Moore charm. Hoping we get more from the group real soon.

Beryl Share Paint the Walls

It’s not just the Melbourne scene that’s on fire over in Australia; Sydney’s got an equally diverse pocket of artists too, like Beryl. When Gabriela King’s voice enters, for a brief second, you feel like this is going to walk straight into modern pop. But, the song drops right into this bob-and-weave bassline, punctuated by some stick-work percussion, giving this sort of magical pulse to the tune. King’s voice continues to dominate with a standout performance, but the song continues to melt into your brain with layered samples and atmospherics that give the song this beautiful bulk. Bobbing and weaving, with a pop centric vocal, you’re going to love this tune, which should lead you to pick up the group’s new LP, Dry Peel Crack, which drops November 16th.

That New Yard Act Tune/Album

A few years ago, everyone was buzzing about Yard Act; they were the brand new baby for those that were in attendance at SXSW. To be honest, I thought they were the poor man’s Franz Ferdinand, as you could hear the style of dance music leaking in, but it didn’t quite feel as passionate. This go round, the band are aiming for something that feels a little bit like the crossing pattern between Talking Heads and LCD Soundsystem; it’s built to get your feet moving, embracing the body’s natural movement and employing all the tricks to get it up and going. It’s a lot more fun this go round, so I’m eager to see where they go now that they’ve announced Where’s My Utopia, out in March via Republic.

Cosmo Jimmy Announces Under That Dress

Feel It Records have been on a roll this Fall, but their secret seems to be balancing great new music with unearthed classic, like this unreleased LP from Cosmo Jimmy. Initially, this song was intended as a piece for a movie, but never made it, though as a child of 1987 (when the record was originally recorded), you can certainly hear the familiarity to some of our favorite songs; I mean, it would have fit right alongside that Kenny Loggins banger from Caddyshack. Still, a further dive into Under That Dress reveals a bit more of an outsider roll in pop music, nodding to acts like XTC in a lot of the sonic construction. It’s a fun tune, and definitely something that should have been out years ago. Nevertheless, Under That Dress will finally see a release, thanks to the good people at Feel It Records.

Marry Cherry Share Shame Video

One of my favorite Austin acts, Marry Cherry, have opted to transport you back into your time machine and take you all the way back to the club scene of the early 90s. They’ve got this psychedelic blend that often feels more inclined towards pop fanatics, but you can’t hide yourself from the fiery guitar licks that fill the empty space behind the sugary sweetness. And, as if the musical styling wasn’t enough, the video for “Shame” takes on a bit of an old school vibe too, and there was definitely part of the video and track where I swore J. Spaceman was the instigator. They can be quiet and they can be brash, and I love it all. If you’re digging what they’re laying down, might I suggest you find their Knockout EP to enjoy today!

Rock n’ Recipes: Lower Plenty

As you’ve likely seen, I raved and raved all year about the new Lower Plenty album, No Poets. So, we were fortunate enough to catch up with Al Montfort, toss him a few questions, plus get a most excellent Dahl recipe that you can try out on your own time. Take a read, get to know the band, and if you’re super-inclined, be sure to grab No Poets LP from Bedroom Suck Records.

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Pop Filter Share Fighting Spirit

One of the great things about being in Pop Filter is that the band’s armed with so many incredible songwriters, so their album’s are full of a tightly knit diversity. With “Heaven Sent,” the first single, you got an energetic punch of rock n’ roll swagger, but on their newest single they’re settling back into this expansive brand of glorious pop. Every note on the vocals hits perfectly , calmed and coo, with faint hints of soulful, aided by a gentle backing vocal. Perhaps it’s last night’s Nick Drake set, but the piano work adds a nice little texture too that’s thrilling inside. Don’t get me wrong, the track can still swell and feel rocking and rushed, but they’ve got enough experience to pull back in just the perfect spots, leaving you wanting more. Cono is out on December 1st via Bobo Integral.

Swansea Sound Share Paradise Video

As soon as you press play on the new Swansea Sound LP, you’re instantly greeted with the upbeat charms of “Paradise.” Today, the band share a brand new video for the track, highlighting the digital nature alluded to in the lyrical content. The video is created by Malcolm Neon using filmed footage from Welsh TV show, Paid Gadael Fynd; it’s sort of a grainy video playing between shadow and light, sort of commentary on the human experience as a whole. Enjoy watching the video, and once you’ve immersed yourself in the joyous pop vibes, be sure to grab Twentieth Century from Skep Wax!

Dazy Share Forced Perspective Single

After dropping the Otherbody EP this past Spring, this is the first new music we’ve heard from Dazy, though it seems to be a stand-alone single as of now. In the email blast sent out, there’s an admittance to all sounds from the 90s alternative underworld, mentioning Folk Implosion and Daman Albarn. Personally, this sort of seems like a take on what Beulah was doing; it really hits me when James Goodson hits some of those notes in the chorus, riding this sort of bouncing ball of melody that pushes it right into your ear…but hey, that’s just one old guy’s take on the cool stuff from 90s indie. Fun song for a fun day!

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