Author: nathan.lankford

The Small Intestines Share Old Town

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If you’re of a certain listening habit, and you know who you are, you’re definitely seeing the Small Intestines as one of the year’s most anticipated records. The Aussie outfit features members of Chook Race and Peach Happening working together between projects to create something new and exciting. Employing sharp angular chops is always going to be an easy way to grab my attention, but it’s hard not to fall in love with the dual vocal approach from Matt and Tristan as it breeds a sense of natural camaraderie that makes being in a band so much fun. Personally, I love the recording a lot too, the cymbal work gets captures perfectly, so its not all smashing drums and bass grooves; it rules. Hide in Time might be your favorite LP of the year; it drops on September 29th via Lost and Lonesome/Meritorio.

The Exbats Share Like It Like I Do Video

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It looks like 2023 is the year of really kick ass family bands; we had Big Blood‘s stellar record and now the Exbats have announced their newest LP for Goner Records. Inez Mclain and her father Kenny definitely have a penchant for looking back to the past for their sound, but I think Inez’s performance is so strong that it’s really hard to imagine her rocking out anywhere other than where we find her. That soulful voice is accompanied by some oohs and ahhs, but with the stomping beat and snapping guitar lines you can certainly feel a modern rock ethos. A fun tune to kick off your Friday! Song Machine is out on October 13th.

Listen to Monde UFO’s Drive Up Drive Thru Solitude

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It’s a shame that we’re all so vinyl focused, as I feel like CDs and Cassettes allow for really great compilations, like this El Teatro Esta Cerrado Comp from Dead Currencies. They’ve got a bunch of releases coming in the next year, so they’re perhaps teasing us with what’s in store. PostTrash (our Internet brethren) ran this tune the other day, and usually I shy away from it, but as I love Monde UFO‘s earlier LP from this past April, I felt like I had to get it up. Embarrassingly, the song’s already got the Velvet Underground nods in its mentions, but its hard to get away from that; it does feel like the coolest demo ever made in some hollowed our warehouse full of your favorite degenerates.

Lorelle Meets the Obsolete Share Ave en Reversa Video

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We’ve got to keep our International readers happy, and with that, we turn towards Mexico’s Lorelle Meets the Obsolete. Earlier this summer, the group released Datura, but today I’m stoked to share a new video from standout “Ave en Reversa.” I was hooked from the opening, dropping in this angular line that kicks in enough pop to it that you can’t help but bob your head as the hi-hat shimmies in the background. Singer Lorena moves inside those notes, playfully maneuvering with this relaxed cool that carefully drifts atop the tune. As things progress, those angular notes get a bit sharper as the band start to flex their post-punk tendencies and creativity; see the pulsating midtrack breakdown for a prime example. But, just as easily as they slide into that, they creep right back into the melodic vibe, closing out the song in style. Datura is available now via Sonic Cathedral.

Mesh Key Records to Release Inu’s Don’t Eat Food

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I’m really glad that streaming and Bandcamp have enabled folks to unearth gems and build a brand new audience, such as Mesh Key Records. The label, based in NYC, specializes in bringing to light underground Japanese artists, like late 70s/early 80s act Inu. The label will be releasing Don’t Eat Food, which originally appeared in 1981; it’s crazy to hear how locked in the band were to what was going on in American college scenes, despite the lack of Internet and other sharing services. I love the frantic vocals of the opening track here; it reminds me in an odd way of a caffeinated Jello Biafra, though musically there’s a stronger lineage to more angular sounds. Crazy how strong this recording sounds nearly 40 years on…just goes to show you the longevity of great songs. LP versions of Don’t Eat Food drop on October 6th! Don’t forget to check out the rest of the Mesh Key roster while you’re at it!

Echo Ladies Share Coming Home Video

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Malmo trio Echo Ladies have been heavily featured on our site as of late, but there’s something a little different on their latest single. Previously, with other singles from Lilies, they’ve toyed with a dark nature, but on this one, they’ve completely crossed over towards the dark side. Every layer of the track seems weighed down by reverb and distortion, building this huge wall of noise that surrounds Matilda’s voice. And, try as she might, the vocals can’t escape the dark grasp of the tune, with the vocals almost pleading to escape this noisy, musical cage; it’s the perfect little pop contrast to make sure you fall in love. Lilies is out on September 8th via Rama Lama Records.

Lost Film Share Another Single

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Never a bad day to come across new music from Lost Film, particularly as we know there’s a new LP in the very near future. This track was really interesting; I kept spending the first 20 seconds or so thinking of Pavement, but as soon as Jim Hewitt enters the picture with his voice, the song immediately sinks into a more subdued landscape. That softness pervades through the entirety from that point on, with those little classic 90s guitar noodles wiggling their way in and out of the tune. Safely landing the song in that guitar pop landscape just seems like the natural step for Hewitt’s songwriting, illustrating all the work he’s put in to fleshing out Keep It Together; the album will be out on September 15th via Relief Map Records.

Bobsled Team Drop Analita Single

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Having taken some time off to sit back and work on new music, Belfast’s Bobsled Team are back with their first it of new music since 2021’s The Colours Blur. The duo don’t waste any time here trying to get their hooks in you, entering on the back of a bounding drum roll that pushes you right into the joyous vocal intro. Really, all they need are these vocals; the song soars as the vocals intertwine, then overlap, all the while rising and falling to meet up with the rhythm. This song just exudes energy, so turn it up and indulge your sweet tooth!

Plastic Mirror Share New Single

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I was first introduced to LA’s Plastic Mirror last summer when they had this delightful single that seemed to drop out of nowhere, and they’re back again with a couple of two new tracks. Their first EP had this broad pop approach, sort of letting the layers and the song structure play of the negative space to build emotion. This go round, the band seem to have employed a bit more urgency within, as there’s a newer pulse that pushes the track forward. The band’s allegiance to rally grand pop structures, circa mid90s Britpop, is still omnipresent, and as you listen, you’ll feel the anthemic nature of their craft when you hit those chorus bits.

Elephant Stone Return with Lost In a Dream

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Having dropped a few of their more exploratory pieces already this year with the Dawn, Day, Dusk EP/Single, Elephant Stone is continuing their path through the forest of psychedelia. Listeners get pulled in quickly by the snappy drum work; it’s propulsive in nature, thus providing the guitars plenty of space to move in and out of the dreamier realms. Velvety vocals were prescribed, but as much as I love them through the verses, there’s a really striking moment at 1:20, shining a ray of sunshine right into your ears that completely melted me. I’m continuously impressed by the band’s ability to grow and turn back on themselves some 14 years into their career, consistently carving their own path in this musical realm.

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