Author: nathan.lankford

Tiberius Release Felt Single

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As they gear up for the release of their new record, Troubadour, I thought I’d check in on Boston’s Tiberius. Their latest single has me returning to some of my earliest roots in the indie world, as I can hear some sonic similarities in Brendan Wright’s voice; there’s a distinctive delivery and pseudo-drawl that is reminiscent of Clem Snide/Eef Barzelay, and I’m not mad at it. Musically, they’re working in this territory where Americana grabs a bit more weight, taking a genre and giving it a little bite, capturing the genre’s ability to rock in the live setting and putting that to tape. If you’re digging it, Troubadour is out on November 10th via Audio Antihero.

Living Set Share Last Wave

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We marveled over the recent Living Set single that dropped earlier in the summer, relishing the blend of genres fueled by Quin Galavis’ musical inspiration. Now, they come to us with a new single, which furthers their sonic exploration with a softer vibe and vocals by Annecy Liddell. There’s an electronic backbone that begins the tune, providing us with a more intimate setting, accent by the snappiness of the percussive element. There are certainly rock moments, if you listen to the guitars in the background, but the group are careful with their placement, never letting them overstep until absolutely necessary…and then, they come crashing into the song like the last wave that washes all the beauty away to have us press play and start again!

Mana Pools Share Idle Thoughts

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The side project of Dumb Things members, Mana Pools, is wasting no time bringing us new music; they sent us “Black and White” at the end of July and here they are again with “Idle Thoughts.” This is the one that feels like a departure from their main gig, as the structure of the tune is more centered around a deep groove, as opposed to guitar work, leading towards more of a clever nod to bedroom pop’s earliest days. That said, the vocal cool that comes through the speaker might be one of my favorite things from this tune; it’s almost like they couldn’t care less, but still want you to swoon. Hoping there’s an LP of these types of jams on the way!

The Point Announce Deluxe Edition of Maldito Animal

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Our friends over at Keeled Scales have teamed up with Spaceflight Records to provide a Deluxe Edition of the Point‘s latest record, Maldito Animal. If you haven’t visited their sound, you’re going to have to be prepared to head out on adventure, as they employ an array of grooves and influences to create this sort of global funk. The announcement of their new Deluxe Edition comes with this new single, working with a kind of Latin influenced groove that stretches the track into this cinematic feel. You’ll also hear little licks and reocording tricks that almost feel like vocals, so take a turn into the new sound. Maldito Animal DE is out on September 26th.

Guitar Is Delivering Pizza for Everyone

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I probably don’t know as much about Guitar as I should, considering how much they’re enjoying their new song “Pizza for Everyone.” When the song jumps into the fray, it felt very much like a growling bit of post-emo, and I suppose a brief nod to Dinosaur Jr or the like. But, then chords began to hit discordant notes and the pace is manipulated into something wholly unique. The Portland project has completely destroyed and devoured modern indie rock constructs, breaking the mold in a fashion that makes their work exciting. You’ll get little bits of joy blasting, and maybe even some Pixies nods in the vocal play in the background. Be on the lookout for We’re Headed to the Lake, which drops on October 10th via Julia’s War.

The Cords Deliver I’m Not Sad

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When powerhouse labels like Slumberland and Skep Wax unite for a release, you better believe that there’s something great in store, and the Cords continue to deliver on their early promise with this springy little pop number that I’m playing on repeat over here. It’s a short number, so the duo waste no time, smashing in with a rush of guitars to the head and a smattering of drums. A chorus of “ba ba ba” is an easy way to get a sucker like me drawn right in, and its done with such precision that you can’t help other than to be swept up in the joy that seeps through your speakers. Their self-titled LP will be out on September 26th.

The Telephone Numbers Bring Out Ebb Tide

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After what most of us would consider a remarkable year, Slumberland has one final monster hit to give us (as far as I know!), so we’re here with a new track from The Telephone Numbers. Unlike the first single from Scarecrow II, this one’s got a little more of an expansive feel to it; there’s slide guitar gliding on the horizon, not to mention a settled pace that seems to open the song up a bit. Thomas’ voice throughout this single, yet again, takes on some fascinating notes, particularly when he stretches into the “ebb tide” moments of the chorus. Then the whole band flexes their musicianship to draw it to a close, leaving us with another breathtaking ditty to enjoy. Scarecrow II is out October 10th.

Sachet Share the Source

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After last year’s The Sewing Machine EP, Aussie outfit Sachet have polished off the last batch of tunes they’ve been working on and offer them to us in the new Taipei Learner EP. This food obsessed video accompanies a brand new track, showcasing the twisting brand of rock n’ roll the group bring to listeners. Lani Crooks’ voice has this variation that seems to walk its own path; it plays with a dreamy punk attitude at times, only to turn towards a bit of indifferent snottiness that’s set up to match the group’s jagged riff work. Those riffs jump back and forth between angular stabs and warmer walls of distortion, all of them subject to Crooks’ vocal prowess. Be sure to order Taipei Learner before it drops via Tenth Court on October 31st.

Tenth Court

Sorry Share Echoes Video

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This song from Sorry dropped yesterday and quickly racked up streams on my end. It’s difficult to arrive at what it is that makes me fawn over this song, but for starters, the vocal work, particularly in the rolling of the chorus remind me of Life for Buildings or Love is All; it’s a unique vibe that’s lively and hints at the personal. Musically, the track seems to have two levels, with a brooding bit of indie rock operating as the core, while the arrangements behind it give the track this huge vibes that’ll have you playing it as many times as you can today. This tune is on their new album, Cosplay, out November 7th via Domino.

Villagerrr Sign on with Winspear

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Earlier this week I mentioned the crushing of indie rock beneath the feet of Winspear; they’re the label behind Winter and Teethe, and they’ve just added another ATH fave to their roster, agreeing to work with Villagerrr to reissue a Deluxe Edition of Tear Your Heart Out. I didn’t think they could really improve upon the original LP, but they’ve gone and added 5 new/unreleased jams for the deluxe edition, including this sweet jam we’ve got hanging out below. It’s a light little number, an area where Mark Allen Scott excels, though he gets a little help from a friend as Feeble Little Horse‘s Lydia Slocum provides an excellent vocal duet role, making me wonder what else could the band have in-store for those other four tracks. Guess we’ll all find out when it the Deluxe Edition hits on October 10th!

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