Jane Leo Share Goldmine

We have had Austin’s Jane Leo on our radar for several years now, and were fortunate that we grabbed them for our annual ATH vs SOTO SXSW party. They’re star has been on the rise, drawing from all realms of dance music to create a fresh and fun blend of pop music. This one’s got some nostalgic vibes in the chorus, pulling on the retro disco vibe in its breathy croon that seems to fall like glitter from the ceiling. It only works if the music’s hitting hard, and as ever, they’ve fleshed out hooks galore, reminiscent of what Chromeo was doing early on, mashing hooks and kitsch as one. Look for their new LP, Creature of Destruction on September 19th.

Jamming to Jinzo

You only get 56 seconds to decide whether or not you like Jinzo, as their newest single hits under a minute, but packs an immediacy that might dig its nails into your skin a little bit. There’s some definite off-kilter art-rock movement to the track itself, kind of like splitting a musical atom as the sounds seem to meet then instantly push away from one another. The vocals fall and fumble in charming fashion, playful and yet poetically placed to maximize your adoration as you try to make sense of what’s bouncing through your ear canal. Here’s the Meat will be out on September 26th via Bee Side Cassettes.

Automatic Share Lazy Single

I assure you I am fully aware of how the title of this post may look, but Automatic needn’t worry, as one quick listen to this single will have you in the right spot. They begin with a typical nod at post-punk, using sharp drum snaps and synth dances to flesh out the sound in that sort of nostalgic pop fashion. But, they built in an interesting twist, changing the vocal approach and the entire groove of the tune around the 1:10 mark; it creates this bit of coy banter between the audience and the listener, and definitely illustrates the group flexing their craft as they move forward in their career. Is It Now will be out September 26th via Stones Throw.

Massage Share Fading Out Single

When Massage announced their forthcoming Coaster LP, they did so with this sort of clean version of Jesus and the Mary Chain, at least in some of the initial press from folks like us. But, while that vibe certainly hangs in the background of their newest tune, there’s definitely something else that’s aching to shine through that weighted backdrop. Like a ray of sunshine, there’s this rolling vibe of euphoria bursting through, akin to some of the mid90s work that was coming overseas during the heyday of Brit pop…and I mean that as an honest compliment. They’re kind of playing off a sort of Sarah Records meets My So Called Life, and I don’t mind that one bit, and in fact, am quite eager to hear how far they push their confidence on Coaster. It drops via Mt. St. Mtn. and Bobo Integral on October 10th.

Another Great Track from Maura Weaver

When we first encountered the new work of Maura Weaver for her forthcoming Strange Devotion LP, I marveled at her balance between folk elements and modern pop sounds. On her latest single, there’s a bit more of a retreat into the folk realm, but in doing so, her natural calm quiets the song’s waters, creating this rich, caramel dreaminess. The opening reminded me of early Cate le Bon, but as the track unfolded it was like stepping out of the cool AC into the Texas heat, blanketing me in this warmth that’s simply unavoidable. Strange Devotion is out on September 19th via Feel It Records.

Piggietails Drop CDs

Up and coming Melbourne outfit Piggietails were only recently introduced to us over here at ATH, but with another solid number coming our way, it’s hard to ignore the new act as they push towards the release of their self-titled debut. If you’re a fan of the Aussie scene, you’ll hear some faint similarities, as the band can’t have avoided the sweet jangles of their homeland. But, with that in mind, they seem to take a broader brushstroke on this one, sort of embracing a Velvet Underground approach to letting the music make its own path, discarding all adherence to style in favor of just letting it rip. Stoked to hear the group making this sound all their own, putting Piggietails on my own personal anticipatory list; it drops via Spoilsport Records on September 19th.

Pop Tune from Star Moles

I will admit that this time of year is rough on me, for various reasons, so I can’t always keep on top of the tunes. But, when this Star Moles track popped in, I knew instantly that I’d be sharing it. There’s something enchanting and pure about songwriter Emily Moales voice; there’s this bewilderment brimming beneath a solid confidence that continues to charm, offering listeners a true voice to sprinkle in your weekly playlists. The steady beat allows for little riff strums to hum in unison with the melody, whilst little nuanced brushstrokes add texture behind. If you’re looking for your favorite listen, might we suggest going to listen to all of the new LP, Snack Monster?

A Couple of New Ditties from Tullycraft

Seattle outfit Tullycraft are about to release their delightful new LP, brimming with joy and clever wordplay you might find on a Dan Treacy penned track. They’ve just dropped a couple of new tracks to support Shoot the Point, and “Love on the Left Bank” displays the band’s ability to switch back and forth between vocalists, though never shying away from nuanced hooks in the background…just think of a purely pop version of the Comet gain. “Tarrytown” turns these great guitar lines into masterful pop seduction, and those vocal tones pull from the coolest corners of indiepop, particularly with their little rise within syllable switches. Shoot the Point is shaping up quite nicely; it’ll be out this Friday via HHBTM.

Did You Check Out Dragnet

I’m kicking off a brand new school year today, and what better way to do so than by having my students walk into a room with jittering punk courtesy of Melbourne’s Dragnet. They’ve just released Dragnet Reigns, and you’ll get to hear various approaches that fit right into the current indie rock milieu. I’m loving “Red Square,” which has some similarities to acts like Snooper, albeit with a whole lot more attitude. But, while the punk-ness is on full display, they’ve also built in some rad grooves throughout the LP, like on “Grandstand,” bringing in a subtler melody that moves behind their raw energy. The whole listen is fast and caffeinated, guaranteeing you’ll be feeding off their energy. If you dig it, be sure to order Dragnet Reigns from Spoilsport Records.

Joyce Manor Return with All My Friends Are Depressed

I have to cop to being only a part-time Joyce Manor fan; they have some bangers for sure, but occasionally they go over my head. This new single, however, had me instantly, with a guitar line that I thought was going to take them to a Go-Betweens-esque pop punk jam…and to be fair…that is what it is. That said, the easier nod would be to pull in some Johnny Marr comparisons, and the vocals also have that swaying croon that creeps right into that same arena. It’s nice to see some of the blends between the two-genres, as that sort of soft indiepop and punk all share history. Hoping we hear more like this from the group!

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