More Tracks from Fashion Brigade

I’m not really sure what to call Fashion Brigade…I suppose brigade would be easy, but it seems more like a conglomerate of great artists working together to round out the bits and pieces of great art. Today, there’s a couple of new pieces from the forthcoming Fvck the Heartache, both featuring established artists like Jo Schornikow of Phosphorescent (and recent LP on Keeled Scales) and Greta Kline of Frankie Cosmos. Jo’s track has this true post-punk indiepop vibe; the guitar’s almost sound like a distorted and poppier Cure song, with Jo softening things with her notes. Greta’s performance is like a Tony Molina sized juggernaut; it almost sounds like an unfinished Stephin Merritt pinned tune. Both tracks will appear on Fvck the Heartache, out this summer via Gentle Reminder Records.

Teenage Cavegirl Share Space Girl

ATX duo Teenage Cavegirl make short work of the pop ditty. They blast through with fuzzy riffs and the simplest drum work, driving home their satisfying hooks in under two quick minutes. LA rocks the sugary vocals that carry just a bit of an underlying howl; when matched with the drums, you’re going to find each tune as a little pop rock, exploding right inside your ear. Andy Ray, meanwhile, moves his guitar back and forth between jagged riffs and fuzzy hooks, tying the whole thing together with his own noisy battle axe. The group will release Candy Cigarettes on June 1st.

Le Superhomard Share Domino

It’s only been a few months since Le Superhomard dropped the excellent Meadow Lane Park, and here they are already prepping a new 7″ with this slinky dance number. It offers everything I’ve come to enjoy about the group, offering these dance floor ready beats bordering between club and disco, then sliding those beneath these casual indiepop vocals. Here they get some help from Xavier Boyer of Tahiti 80, and an excellently crafted video that’s part art piece and part lyric video; both additions are a nice touch that certify this tune as a surefire hit. The new 7″ will be out on Elefant Records this July.

Dammit I Love Dumb

I know just what you think Dumb sounds like when you press play, so lets just put all that nonsense aside. For me, the latest single from the band’s forthcoming Club Nites is that it’s filled with this energy, but only on the surface. The band can always offer pace and angular guitar stabs, but here, the rhythm propels things while the guitars hold back. It’s this unsettling vibe that really forces you to hold onto the lyrical content/vocals just so the song doesn’t spit you up and chew you out…and the song even has this mild mannered fade out…how can you not fall in love? Dumb will release Club Nites on June 7th via Mint Records.

Mike Donovan Shares B.O.C. Rate Applied

On Friday we’ll get to hear the new LP from Mike Donovan (Sic Alps, Peacers), and just before the release, we get one final peek into what’s coming our way. To my ears, this sounds like where pop music wanted to go in the late 60s/early 70s; it has this elegance to it that’s constantly reaching towards a grand climax. Donovan’s voice never lets it go there, sounding like he’s afraid to get there, so he holds back in the mix, sort of haunting the song before a guitar line abruptly shoots the track to its close. There’s so much in this tune, despite its brevity; you can have all of Exurbian Quonset this Friday via Drag City.

Did You See That Seablite Video?

Last week I shared another track from the forthcoming Seablite LP along with news of the Pre-Order, but just a day later they dropped another tune and this video. I had to wait a bit to post it because I know you guys are fickle, and need some Seablite space…but now I’m ready to get back at it. This track pulls away from the jangling pop side of things and moves into the shimmering realm of dream pop. I think the rhythm section still holds things really tight, propelling the tune forward while the guitars seem to swirl and dip in and out of your ear holes. I love how you can sort of tie the album title into the two sides of the band, with their jangling leaning towards the more playful “Grass Stains” and this track here bending towards “Novocaine.” Grass Stains and Novocaine is out June 7th via Emotional Response.

Ezra Furman Announces Twelve Nudes

There are two things working in favor for Ezra Furman; he’s constantly shape-shifting his sound and he’s mentioned Jay Reatard as one of the artists he looked to in the recording of his new album Twelve Nudes. This new single definitely has things high upon the energy front, a la Jay, blasting forth with furious pace from the very get-go. He even seems to have adopted his own frantic stylings for the vocals, forcing the lyrics to bounce out in even step with the pace of the track; the lyrical content is a straight shot towards how many folks feel in today’s world where none of seem to be ok. Twelve Nudes will be out on Bella Union on August 30th.

Melancholy Number from Nearly Oratorio

It’s been almost three years since Simon Lam of Nearly Oratorio has released any music, at least music of his own (he’s a producer and part of Kllo). But, there’s a new EP on the horizon, and I was struck by this tune and it’s stark nakedness. Two minutes is dominated by a forlorn piano and Lam’s fragile voice, almost built upon breaking. In the far off background, backing vocals start to enter in angelically, just as Lam raises his own voice towards the rafters. Maybe its R&B, maybe its pop, but ultimately, its captivating; keep an eye out for A Comforting Fact on June 6th.

Indiepop from The Royal Landscaping Society

I was lucky enough to find that new Azure Blue release from Matinee Recordings last Friday, and the esteemed indiepop label has turned around and shared another new gem, this time from The Royal Landscaping Society. It’s going to be hard not to listen to this on repeat as often as one can; it offers up this dreamy guitar line that mixes it up with this deep tone and sharp percussive element, the sort that makes the dream pop/shoegaze kids swoon. Then comes the voice, bringing in a calming melody that doesn’t really go too far outside the song’s comfort zone…until the 2:12 mark (and the 3:16 mark). Here, the keyboards rise in, a strummed guitar line is apparent and the vocals swell, just a smidge. I’m so in love with this track. Keep your eyes peeled for a 7″ later this year on Matinee.

Lachlan Denton Shares This Christmas

When Lachlan Denton lost his brother Zac (of Ocean Party fame) unexpectedly last year, he was overtaken by emotion; he did what he and his brother had been doing for a long long time…he penned some tunes to try and write his emotions out into the world. The first tune we’ve heard from the LP is “This Christmas,” which has me pretty damn near close to tears. In the lyrics you’ve got a brother promising to keep his brother’s memory alive, though that promise comes with the knowledge that those memories will also bring sadness. Musically, there’s this wonderfully gleaming guitar line; it twinkles and sparkles in the front of the mix, much like Zac when he was fronting OP. A Brother will be out on July 19th via Osborne Again/Spunk/Bobo Integral.

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