Olden Yolk Share Distant Episode
I spent a lot of time with the first Olden Yolk record; my wife and I played it a lot when our daughter was born just because it was both beautiful and quiet. Having spent some time with the band’s new LP, I’m really excited for folks to listen to it; it has the band branching out, expanding their palate. On this new single, Caity Shaffer completely steals the show, stringing her deep, dulcet tones across a sparse musical landscape, filled with this solitary pulse and tinkering piano line. It’s a solemn number, matched by the black and white video work that accompanies the single today. Living Theatre has the group growing into something far more captivating then even I (a fan) expected; it’s out on May 17th via Trouble In Mind.

The whole genre of post-punk can get a little stale at times, so it’s great that we have a band like Australia’s
This Friday you’ll all be treated to the brand new LP from
I love writing about
A little over a year after the excellent You Could Not Have Given the Slightest of Fucks, Glaswegian outfit,
Over the last several years Ian McCuen has been releasing tunes from a series he’s titled Songs of Fleeting Permanence; these songs are said to be informed by reflection upon his own self-discovery between the ages of 16-24. You’ll need a careful ear when listening, as he’s got this soft voice, like a gentle whisper hanging on in the wind. The style will definitely draw in some Smith comparisons, especially considering the track’s focus on dependency and addiction. McCuen builds upon the simplicity by layering in light percussion and touches of banjo, with a haunting little vocal before the song drops out. Volume II of Songs of Fleeting Permanence will be out this Friday.
Admittedly,