Chris Cohen Announces New Album

We all had hints that a new Chris Cohen record was on the horizon, and I’m just grateful that it’s closer on the horizon than I expected. I’ve been infatuated with Chris since Overgrown Path (2012), and this new single strikes a similar chord. Chris writes with such simplicity, or seemingly so, that you end up being caught up in the song’s emotional pull rather than focus on the instrumentation. We have that here, though the melodies Cohen pulls from his voice are so sublime that they pull you in like tractor beams. The next album is self-titled and it will be released by Chris’ longtime label Captured Tracks on March 29th.

Brand New Durand Jones and the Indications Tune

Way back in September I urged everyone to keep an eye on Durand Jones and the Indications as they swept into Austin for ACL. I followed that up by supporting the next single, and now here I am, sharing the album’s opening track. I actually spent yesterday afternoon with my daughter spinning around the living room listening to this tune; it has this natural vibe that makes you want to move your body. It features this bounding piano, with horns that add this subtle melody and the soloing guitar gives just a bit of a punch to the track. But, that doesn’t even go in to consider the message from Durand, which seems to paint a bleak picture of America as it stands. Look for American Love Call on March 1st via Dead Oceans/Colemine Records.

https://youtu.be/SANEafqL5io

Stream Heater from True Blossom

We started off this year focusing on small labels and their side hustles, and one such label was Citrus City, so I wanted to revisit the label and their most recent release, Heater by True Blossom. It’s a pop album from start to finish, but one that avoids stereotypical genres. There’s the slinky synth pop of “Me and U,” moving right towards the melancholia of “Grave Robbers,” and trucking forward to the disco-flavored “Heater.” It’s a wondrous adventure from start to finish, and a must listen for those willing to flex their pop muscles. It’s available right now fro Citrus City, but only a few physical copies remain, so you better hurry!

New Single from Table Tennis Dreamer

While moving from Austin to Chapel Hill, John Waldo Wittenmyer had to find a new creative outlet, despite the recent success of his band TOMA. He wanted to explore the same thematic references, with music’s evolution as a sign of personal and spiritual growth, and that led to Table Tennis Dreamer. Below we’ve got the first single from the new project; it’s build more electronically than previous stuff we’ve heard from Wittenmeyer, but you can hear the ebbs and flows of his own recent travels from within the confines of the song; I love how there are layers upon layers of vocals, main and backing, almost creating this wall of melody that surrounds the listener. Keep an eye out for new music, as Randall, Vol. 1 is on the horizon.

Robert Forster Shares New Single

I had everything mapped out today, scheduled and what not, then Robert Forster goes and drops a single from his new album. I’ve spent countless hours listening to Inferno, and I can tell you that it’s quickly grown to be one of my favorites. There really feels like two sides: a gentler, elegant side and powerful pop numbers, like this one; it kind of sounds like Robert meets Pulp. I love how he stretches his voice into a curled growl on this one, aided by a nice backing vocal to smooth out the edges. Robert is one of the greatest songwriters of our time, at least in my meaningless opinion; I know a handful of others who would agree. Inferno drops March 1st via Tapete Records.

That New Video from Moving Panoramas

Austin folks love Moving Panoramas, and if you watch this video, you’ll see that Moving Panoramas loves Austin, or at least Hotel Vegas and Volstead. But, most importantly is that the song continues the band’s movement towards a pop-centric vibe akin to the recent stuff of fellow Austinites, Go Fever. They’re both writing these huge pop numbers, though MP presents there’s in this slightly dreamy realm; that gives a slight element of darkness or mystery, which listeners like myself find intriguing. This song appears on the band’s new album, In Two, which is being released on February 22nd by Modern Outsider.

Another Pop Number from Jupiter Sprites

I’ve written about Jupiter Sprites, and now that we’re making our way to the morning, its time for some more thoughtful fare, something slightly dreamy, something new from the Seattle outfit. I like the happy, almost yacht-rock vibe of the guitars, meanwhile the keyboards wash the whole track in this most tranquil vibe. The vocals are perfect, they match both moods, the lightness of the guitar and the dreaminess of the electronic vibe, and at times, they almost come in like an added instrument…if you’re willing to let yourself go. You’ll hear this track on the group’s self-titled EP, which drops on February 1st.

New Pop from Reaches

One thing that’s irked me about recent electro and techno too is the tension seems ever more important; there has to be that hook and that emotional release for the listener. Fortunately, that doesn’t seem to be the approach for Reaches, which is establishing itself as a more exploratory version of the modern electronic music. You can tell by the time stamp alone, it’s stretching over 5 minutes, allowing for built in layers, minor flares and musical brush strokes that bubble and pulse, bringing us all to life. By the time the vocals enter the picture, you’re already entranced, and the vocals come across like a communal chant, calling you to become part of the song. The new album is titled Wherever the Internet Goes, Sorrow Follows; it’s being released by We Be Friends on March 29th. The band will be working down the East Coast during February, and popping up in Austin for SXSW.

Scuzzy Rocker from Pink Mexico

Friday’s are rough sometimes. My morning started with a locked copy room, and when it was opened, the machine I needed to use was broken. So I came back here to do some work, and I need something angry…there enters Pink Mexico. It’s just over 2 minutes of pummeling scuzzy garage rock with a simple bouncing bass line working through its underbelly. Currently, I’ve got it turned up super loud, just jamming out, letting those heavy riffs wash over me in hopes of Friday morning catharsis. It’s got a nice little ballad-y breakdown at the end too, just to kind of calm things down a bit. You’ll find this track on Dump, their new album dropping March 1st via Burger Records.

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