Author: nathan.lankford

Fotoform Share Grief is a Garden

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This Fotoform tune has been kicking about for a few days, but as I was on vacation, I’m just now able to guide you towards the comfort you’re seeking. For my two cents, the song’s draw is the perfect dynamic balance between the angelic tones of singer Kim House and the ambient waves of noise that billow through the background of the song; it creates this cavernous structure, with House as your guide, leading you towards your own solace. Yet, like the thematic essence of grief, growing and budding, the song, too, offers something entirely new when you hit the 2:34 minute mark, channeling a darker sentiment. It’s harrowing in its nature, only to blossom and bloom at the end, recapturing the perfect shimmer for a brief moment before slinking back into the dark. Their new album Grief is a Garden (Forever in Bloom) drops on April 18th.

Icarus Phoenix Drops The World That We Live In

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Drew Danburry has been on a prolific songwriting streak since putting out his last LP this past August, and he continues with another from the Icarus Phoenix catalog. Drew says the initial premise of this song was that we could all have a larger impact and change the world, and while that sentiment seems to have faded for many of us, it’s important that we cling to that hope, and push for it. Perhaps that’s why this song’s got such a draw for me, still seeing me clinging to the idea that “we can change it/we can remake it.” Let’s not forget that hope, and forget that artists like Drew make that possible.

Buffet Lunch Drop Whitsun Sound Video

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One of the record’s I’m looking forward to the most in April is the latest LP from Scottish act Buffet Lunch; they’ve got this sound that feels like a study in indie rock, taking the elements that have been in favor, then sort of spinning them as their own yarn, pulling away from the immediacy to reveal a more thought-provoking brand. This jam is in no rush here, trickling on these little samples and discordant rings, steadying before the vocals come in. Things only get more harrowing from there, with the shredding manipulating your senses, almost pushing you away with its sharpness and grating nature; the group push you, twist you, and beg your expectations to evolve with them. They’ll release Perfect Hit via Upset the Rhythm.

New Single from MIEN

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It’s got to be a great feeling to be working with friends, as is the case with the members of MIEN (all who have heavy psych pedigrees); they seem to sort of let their influences billow and bear fruit when fitting, never staying in one place for too long. This new number is a hypnotic event, that for some reason feels like it’s some underwater Massive Attack move; Alex’s vocals have this quieted constraint, and the effects definitely give that vibe of being just beneath surface water. But, while that natural pulse makes its way, the song eventually erupts with bits of screaming fuzz, hanging out in the far distance as the edges get washed out through your speakers. Just a reminder their new self-titled LP is out on April 18th via Fuzz Club.

Kick Back with Liam Mour

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Hitting some soft rock tones, I wanted to move into a little bit of a different space now with Liam Mour‘s latest track. The German artist is a master at beat work, and this one fuses a bit of retro breaks with futuristic sonics that elevate every note. I love the way the song feels like a tranced out club groove, then erupts with this wall of fuzzy guitars around the 1.30 mark, really guiding and twisting the song into its own brand of magnificence. The heaviness of that moment carries in and out, but ultimately fades as the song returns to its more sedate nature. This tune features on the new All Set Lets Swim EP, out March 28th.

Wholihan Shares Dried Up Creek

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I’ve been playing catch up this morning, as I took off immediately after SXSW to hit up a family vacation, so the emails are everywhere! Which is how I hit upon Wholihan, an artists new to me, but whose voice is certainly something I’ve been drawn to this morning. The artist has a slew of observational singles to his name, but his latest for some reason recalled Eef Barzelay, partly because the voice was distinctive, but also because there was this way with his wordplay that really highlighted the poetic craft. Musically, the song takes on a songwriter’s craft, albeit with a bit of a down-trodden nature due to the tones and self-deprecation. Try this one on for size.

Monnone Alone Preps Here Comes the Afternoon

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As an avowed Mark Monnone fan, I feel obligated to make you aware that he’s got his fourth Monnone Alone LP ready to go; it’s titled Here Comes the Afternoon, and will be released by a trio of great indie labels. With said announcement, the record gets a new single too, which has a sunny little bounce to it, something that makes the track infinitely more playful. There’s all sorts of percussive elements included, kind of bringing out the old kitchen sink analogy, and in doing that, it forces Mark and company to kind of move and break down their boogie into something loaded with hooks and joy. This new LP is being released on May 2nd by Meritorio Records, Repeating Cloud and Lost/Lonesome…three of our favorites!

Another Jeffrey Lewis Single

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Next Friday the new Jeffrey Lewis album will drop for the masses, and before it hits, the label’s shared one more single to entice us, by way of a lyric video. After spending a lot of time this week watching rock n’ roll, Lewis’ style has this warming simplicity; it’s mostly operating with a heavy strum and a light tambourine jangle. His lyricism and distinctive delivery are on full display, with the lyrics rushing through to match the formatting of the video’s lyrical work. The tune is a reminder that adoring fans will be quite pleased when The Even More Freewheelin’ Jeffrey Lewis drops March 21st via Don Giovanni.

Night Beats Announce New 7″

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Ya’ll know the ATH crew will always back some new music from the Night Beats. Danny Lee Blackwell has some masterful way of channeling all our favorites genres like old school R&B and psychedelia, then sprinkling it in with a bit of Texas flavor. This new single seems spot on for those descriptors, almost like it’s a channeling late-era Temptations, with the focus definitely revolving around the R&B realm; there’s this smoothness that I think Blackwell often doesn’t get credit for, at least in bringing it to his performances. Definitely a groovy number that reminds of his songwriting and continuous progression into all the things that make Night Beats great. A new limited 7″ is scheduled for release via Fuzz Club/Suicide Squeeze on April 11th.

Munan Share Fake Love Friday

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South Korea is always churning out some incredible left of the dial sounds, and Munan is just another in a long line of artists that have caught our attention. On their latest single, there was an immediate familiarity to the guitar sounds, as it slides right alongside everything going on in the States today. Where they make it their own is turning inward with the vocals, sinking them a bit in the mix while the whole jam rolls over continuously; there’s something in their presence that feels like a little sparkling diamond in their textured sound. Propulsive, and yet, not. You’ll feel yourself lost in this one.

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