Foreign/National Keep At It

11212165_667579430036440_8599865426910659846_oA little while ago, I shared with you  “Always Blue” from Australian rockers Foreign/National, which is a jam in its own right, but today I’ve got another new track from this band that will further secure your should-be love for them. “The Hedonist” is a tropicalia rock song that has a lot going for it: there are the echo-y vocals, the sharp cutting angular guitars, and some sweet percussive work during the bridge that will have you grooving right along. Enjoy this track from the group and keep your eyes peeled for more from the band.

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Froth Ain’t Foolin’ Around

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For a band that apparently started as a joke, L.A.’s Froth don’t seem to be taking things too lightly these days. They just released their second LP, Bleak, earlier this week, and with this pure and unadulterated good time of a beachy rock  single “Turn It Off.” This tune will make you do the opposite of that namesake and turn it up… and loud. I’m personally loving the break down of noise at the end, where the band cuts loose and just jams all the way out of the track. Bleak is out now via Burger Records. 

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Greek Americana Music From Moa Bones

moaGreek Americana? What’s that you say? Well, Moa Bones has got the answer to your question in the form of the song below “Take It All Away,” which is from his recently released LP Spun. Here you’ll find a surprising amount of country/folk twang to his vocals and acoustic guitar strumming. When he hits the chorus, I can’t help but think about The Tallest Man On Earth, and the soulful nature of a songwriter and his guitar. There’s also the presence of some synth sounds that add a little something extra to the mix. This is one of the most unique songs I’ve heard in a while, and I suggest you take a listen and get behind Moa Bones.

New To You: Flyying Colours

11146626_959869404063876_1559863188055516762_oAnytime I see a new band or song come on my radar from the folks over at Shelflife Records, I just know its bound to be a good one. Flyying Colours are a Melbourne shoegaze outfit who are on the brink of putting out their ROYGBIV EP, which is coming out next week. To get you excited to get your hands on that gem, I’ve got this perfect pop track from the band that will have you encircled in the male/female dual vocal dynamic, soft, yet omnipresent percussion, and hooks out the wazoo. “Running Late,” just made my day, so won’t you let it make yours?

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Easy Indie Rock From Patrick James

10504830_794902187226478_1114988472452028262_oPaul Blart Mall Cop makes indie rock music? While I assume that would be a phenomenal radio ready hit, sadly the track I have for you today is from Patrick James, not Kevin. But really, there’s nothing sad about some straightforward indie rock, which is what “California Song” has neatly packaged for you in its four minutes. The song begins with a bit of acoustic guitar, and even percussion, and then James’ buttery vocals take over the tune and gives you the perfect folk inspired indie rock song you’ve been waiting for. Who doesn’t love some easy listening every now and then?

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Hella Jangly Tune From Family Friends

10493051_821909434513418_746030832071268715_oAre you struggling to make it through this week as much as I am? Never fear, Family Friends are here to put that spring back in your step with this song, “On Your Mind.” This five piece from London are fresh to the scene, but this song will come as a breath of fresh air; the guitar parts are crisp and cutting, but then also just distorted enough to put a level of surf on the already laid back/stoner pysch vibes that the song oozes. I’m also enjoying the male/female duo combination vocals that carry the track and the easy-going percussion that follows wherever the vocals take the song. Enjoy this track and keep an eye out for more from these guys.

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Cinematic Shoegaze From Musique Le Pop

11160571_855657717837109_8403417751529844609_nAs I’m writing this post, the skies have opened up over Austin to release a massive quantity of water on our city and this track from Norway’s Musique Le Pop is providing the perfect soundtrack to this storm. The new single, “Same About You,” from this three piece is ethereal beyond belief; the soft female vocals glide over the low-key mix of synth and guitar. It’s a simple track, but as you listen, you begin to pick up on the nuances that make it sound like the score to a film that you want to watch over and over again. Wherever you may be, take a few minutes to listen to the song below and melt into the music.

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Jacco Gardner – Hypnophobia

jacco-gardner---hypnophobia (1)Rating: ★★★☆☆

If you were clued in to anything about this album based off its name, it should be the psychedelic genre that Jacco Gardner employs. Patch this together with the album artwork and just like that you can already begin to see where Gardner is leading you with this sophomore effort. What these two signifiers don’t inform you is that like a drug trip, Hypnophobia slips in and out of lucidity; there are times when the music completely engages you and others that encourage you to fall away from focusing on the tunes at hand.

The overall tone of this album is fairly one note, which is why the aforementioned phenomenon is able to occur over its course. That’s not to say that this one dimension sound—heavily mysterious/spooky 70’s synth matched with wandering guitar riffs and Gardner’s soulful yet wispy vocals—isn’t enjoyable. On the contrary, to say that any of the songs on this album aren’t good would be false, but there’s a loss of suspense in the repetitive nature of the sound here. By around the third or fourth track on the record you begin to feel that you’ve heard all there really is to hear from Hypnophobia. While that isn’t necessarily true (some of my favorite tracks come on the end of the record) the lack of variety in the twee psychedelic genre wears a little bit on your hopes.

There are definite numbers that will have your attention more than others. For me, among those are “Find Yourself,” and “Before The Dawn,” both of which are more upbeat and rambunctious numbers for Gardner. It is in this space where Gardner seems to shine the brightest: “Find Yourself” enters your headphones swiftly and with force: the tinny synth here bounces around almost violently, which pushes the song from meek to commanding. Surprisingly, Gardner’s vocals are heavily distorted on this song, but they too feel more forceful than on the other tracks of the album, and lead you to the catchy chorus that somehow ironically makes me want to lose myself in the track. “Before The Dawn” creates more of a swirling kaleidoscopic listening atmosphere, but then the electric guitar joins the mix to ground you with the vocals, akin to the feeling of walking through an optical illusion tunnel.

To me, this seems like the kind of album that you put on to comfort you in the background of studying, working, reading, etc. It’s easy to get lost in, but still occasionally pops in to pull you back to it. Perhaps you feel differently—the only way for you to find out is to have a listen for yourself to Hypnophobia.

Other Lives – Rituals

unnamedRating: ★★★½☆

Over the years, Oklahoma’s Other Lives have built a reputation for themselves as the creators of cinematically sweeping rock music; their first two full-length albums were delightful examples of this unique style, with the more recent of those two, Tamer Animals, showing the growth of the band and their ability to evolve their sound. Rituals, their third full-length attempts to pursue this growth in a different direction via the incorporation of more electronic elements into the mix.

So how does a band that knocked their last album of grand and dramatic music out of the park introduce their audiences to a new spin on their sound? Well, in true Other Lives fashion, “Fair Weather,” the opening track, begins this adjustment subtly. This slow moving song doesn’t seem to be so different from what we’ve heard before from the band, but soon you pick up on more of the use of what sounds like synth or artificial drum beats, evoking a sort of cool groove that sets the tone for the rest of the album. The instrumentation on here is less folk influenced rock and more carefully crafted electro-inspired simmering rock.

This third album shows the band shifting to a subtler sound overall; a bit of the drama that the last album possessed is replaced with sleek smoothness, which works in some places, but falls slightly short of my high expectations in others. Take second track “Pattern” as a prime example of where this works well—the whole song is lined with fierce violin part that never stops, whose immovable presence creates a bridge between the other parts of the song. Similarly, this violin part is mirrored by tinkling piano that shows the level of nuance that this band is so good at. The vocals here are almost entirely falsetto, making for a swirling mix of high and low elements. Another delightful track that shows the smooth approach from the band is “Easy Way Out,” which uses Jesse Tabish’s smokily sinister vocals to assures us that “we can find an easy way out–” and man do I believe him. While neither of these songs really go far away from where they begin, they both use suspense to hold you in their grasp.

Rituals provides us with some more great tracks to add to our listening catalogue from Other Lives, but on the whole it doesn’t make the same leaps and bounds that their sophomore effort did. The sound is still engaging, and the addition of electronic elements works well with the orchestral and grand sound that this band has made their own, but I find myself feeling like I’m missing a little something. Regardless, if you haven’t already fallen in love with Other Lives, there’s really no excuse anymore: pick up Rituals and let the slow crawling sound take you over to the darkness that this band does so well.

 

Yukon Blonde Will Have You Dancing

10982765_10152735413171733_8132872712012660046_oVancouver’s Yukon Blonde have shared a catchy as hell new single from their upcoming third studio record, On Blonde, that’s due out June 16th. “Como,” the track below, is a pure party that pulls out all the stops to have you shake it with the band. The song walks the fine line between pop and psychedelic rock, with the presence of highly distorted guitars and synth that echo through the track nonstop. But then there are the vocals, often joined by some group backing vocals for the “oohs,” that are playful and fun. “Como,” has all the makings of a song that will be stuck in your head for days to come, but in the best possible way.

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