Why Not Post This Torres Song?

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So those of us fortunate to have encountered the delightful Torres sometime over the past week at SXSW know, but for the rest of you who weren’t so lucky, I’m here to let you in on the gospel. Torres is what’s up, and this new song “Sprinter” which is also the title of her upcoming album, should make Mackenzie Scott a name on your radar. This song has a very Sharon Van Etten force to it; the power vocals are at the centerfold, but it’s impossible not to pick up on the nuanced instrumentation that is also at play here. Go on, get on this party bus of darkness with me and Torres… there’s plenty of simmering sadness to go around and look out for the album Sprinter that’s coming May 5th.

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SXSW Superlatives: Nicole.Baumann

Upload SxSW 15 01This year SXSW got the best of me, and since I’m still living with the aftermath of the fest in terms of a nasty cold I figure I’d share my own superlatives of SX. I had a very different festival than the dudes of this site, which I’m referring to as SXSWJR: hitting up the low key events and only ever standing in one line for the whole fest, which I daresay is some kind of feat. Read on for my distribution of praise and a few super special secret awards that Nathan and RayRay didn’t include.

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I Detest The Name of This Band, But Damn

nakeyI don’t really know why, but I’m uncomfortable with the word ‘Nakey,’ so when I came across this track “No Job” from a band with that unmentionable word as their name I was naturally a little repulsed. Repulsed, that is, until I pressed play and warm vocals and angular electric guitars welcomed me. Instantly, this song had my heart, and as it progressed, I got more and more engrossed. These indie-rockers from Christchurch, New Zealand have got a real winner of a track for you, and you’d be an idiot to pass it up. Take a listen and go check them out.

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More Toro Y Moi? Yes, Please

28388_422877407501_1855604_nBack in January (Wow…is it really almost April?) I shared with you “Empty Nesters” from Toro Y Moi, and told you about his forthcoming album What For? that’s due out April 7th. Now that we’re a whole lot closer to that release, I’m delighted to share with you another single from Chaz Bundick called “Run Baby Run,” which is a slow, albeit still mad groovy tune that showcases the easy psychedelic and jangly rock that we’ve come to love from Toro Y Moi. I’m pretty stoked to hear the rest of the new album from Carpark Records, what about you?

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Courtney Barnett – Sometimes I Sit and Think, and Sometimes I Just Sit

CBRating: ★★★★☆

Courtney Barnett is one of the most buzzed about artists of this year and with reason. Sometimes I Sit and Think, and Sometimes I Just Sit is her first proper album and she’s already taking the indiesphere by storm with her no-fucks, laid back yet creatively catchy buzzy rock songs.

The first half of this album is fast paced and opens up quickly with “Elevator Operator,” which has Barnett spitting out her tongue-twisting tale spinning lyrics about people she encounters. Her storytelling is lucid and smooth, talking about the colorful characters that she comes across and the imagery sticks out impressively. Meanwhile, the music is complementary to this style but doesn’t ever overpower the lyrics on this first number, but serves as a slight accompaniment to the story. “Pedestrian at Best,” reverses this effect somewhat; while the lyrics are still filled with quick quips and assonance, the garage fuzz is equal in the mix, and Barnett’s vocals weave in and out of the loud rock. This is one of those songs you have to get up off your ass and jam along as the track spirals slowly out of control.

This album consists primarily of songs like these first two: descriptive, unapologetically raw and rambling, but wholly honest and easy to enjoy. I personally like “Aqua Profunda,” which is all at once rock and sugary pop; the guitar licks are all rock, but those drums are smooth and crisp. Later on, Barnett cools her jets for a bit on the last two songs to get a little sentimental, even putting down the electric guitar and trading it for acoustic on the very last track of the album. “Kim’s Caravan” the second to last track is an emotive and powerful track, starting gently and growing slowly to its final crescendo of gritty and twangy guitars and shimmering percussion. These two songs back to back bring you down from the high that was the rest of the album, but a part of me wishes this mood would have been dispersed a little more evenly throughout the earlier tunes.

So yes, Sometimes I Sit and Think, and Sometimes I Just Sit is a pretty fun and groovy first record, but Courtney is the first to say “put me on a pedestal and I’ll only disappoint you.” These tunes are casual and laid back, which works for the most part, but leaves us with one level to connect with Barnett. I connect, I dig it, but then I want a little more than the one dimensionality. Perhaps a sophomore effort will see her reaching a little further at least in variety, for now, this is just fine.

Sleek New Wave From Controller

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Sometimes you just need a track you can turn up loud and jam to and New York’s Controller are here today to give you just that with their new song “Separator.” This song is pretty straightforward new wave indie rock, but it has this nice little choral hook that will get you to jam on this Tuesday. Personally, I needed this song to wake up and start my day dancing, so hopefully you’ll use it in the same way wherever it finds you.

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Wand – Golem

wand_golem_coverart-14949Rating: ★★★☆☆

It wasn’t too long ago that the LA boys of Wand put out their debut album, Ganglion Reef. In fact, it was only August of last year that they first jumped on to the garage rock scene and started wowing audiences with their own take on the buzziest genre of the indiesphere. Now they’ve returned quickly with this sophomore release, moving to a more straightforward and all out rock approach than their first album, which adds to the overall energy of the music and creates for a loud and fun second effort.

Immediately on opening track “The Unexplored Map,” you can already hear the sonic differences that the band has made in the short time period of their first and second releases. There’s a newfound heaviness to those garage guitars, which put them more on the metal/grunge side of things versus the laid-back noise of those lighter sounding riffs found for the most part on Ganglion Reef. Of course there were signs of this band’s deeply rooted darkness on that first album; the dark approach isn’t out of nowhere. This first track lets you hear the change in pacing as well from Wand—the song sounds deeply grounded and involves a lot of stop and go percussion that points you again to the hardcore side of garage rock. Next up is “Self Hypnosis In Three Days,” a similarly loud and rambunctious number, but one that hedges on the psychedelic genre of rock. The vocals of Cory Hanson are all psychedelic, reverb drenched and wafting in and out of the ever-changing style of this song. One moment you have distorted guitars going hard, and then a little later the band cuts out to just vocals and some gentle strumming, giving you a reprieve of the hard trip before they launch right back in.

The sound gets changed up a little bit on “Reaper Invert,” which comes third up on the album and continue this into “Melted Rope.” The first of these two songs is on the edge the whole time, constantly threatening to switch from eerie to murderous at any second, but it doesn’t ever fully launch into the super hardcore sound that we’ve already encountered on the album, but lingers in the ominous zone. Don’t get me wrong, this song still brings the rock, but it’s more psychedelic than grunge. “Melted Rope” has this same psychedelic twist, but on a slower and calmer level. There are acoustic guitars on this tune, and the vocals take center stage, providing a softness that is unheard on the rest of the album.

But what Ganglion Reef had a little more of that Golem doesn’t is variety; yes, this album is more spirited and rocking this second time around, but in this transfer it sometimes feels like Wand has slightly lost a little bit of nuance in their music. This, however, may just be a matter of taste: if you’re inclined to like your garage rock on the more hardcore side, then Golem will surely win your heart.

 

What Would You Expect From Lizard Kisses?

lizardSometimes I think a lot about where bands come up with their names: is it completely random, or somehow the perfect nominalization for their sound? Well, for Brooklyn’s Lizard Kisses, I’ve got a theory that their name is a pretty apt reflection of their music, as the creepy and cold, yet oddly romantic gentle rock they’ve got going for them is what I would imagine a ‘lizard kiss’ would be like. This “In The Morning” / “Close,” 7″ that they’ve just recently put out is an exciting little snippet of this band’s tunes that I’m digging and I think you will to. You can order this 7″ through their bandcamp page, and have a listen to the tracks below, both of which are pretty great.

Sleepy Folk From Shana Cleveland and The Sandcastles

shanaWhile you may know Shana Cleveland as the front lady of La Luz, you may not know of her side project Shana Cleveland and The Sandcastles, but I’m here to fix that. She’s got a single from this upcoming record’s release called “Golden Days,” which is a softly brewing number of folksy acoustic sound that slowly creeps along. This song shows promise for the May 26th release of Oh Man, Cover The Ground with will be released through Suicide Squeeze Records.

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American Culture – Pure American Gum

coverAmericanCulture-300x300Rating: ★★★★☆

Man, noise rock with catchy pop hooks seems to be everywhere these days, and I am far from complaining. American Culture are a Denver group making bubblegum pop with a noisey twist, and they do this quite well. Pure American Gum is a short yet tantalizing album filled with songs that will win your heart over with their fuzzy goodness.

Really, the buzzy noise rock that American Culture have made for you on this album is delightfully infectious. They bring the punk elements of imperfect vocals as well as the gravelly guitars, but most of the songs have a catchy chorus that is bound to delight and entertain you and get stuck in your head for hours on end, which you don’t mind at all. Take second up track and single “Actual Alien,” as the first case of this infectious sound. All of the components of this song come at you all at once, but after a moment of disorientation, you’re able to really appreciate how they all come together. There are the rocking drum beats that carry the whole thing mixed with the buzzsaw guitars and feedback to make for a straight jam. Just when you think that this song can’t get any better, the vocals kick in and make it to the chorus, where the distorted voice screams out “I just wanna be a part of your world” and you’re completely hooked. I could talk about this song for days.

If you listen to the lyrics on Pure American Gum, you’ll notice there’s quite a bit of a range of subject matter and solemnity. There are tracks like “I Like American Culture,” which does a lot of listing of band names and describes people listening to things/liking american things. On the other hand, there are numbers that delve a bit deeper like “Social Anxiety,” which remind you that this album goes beyond vapid subject matter. The variety works great for the band as well as the genre of noise rock; both the music and the lyrics go back and forth between playful and serious, noisy and catchy. “I Wanna Be Your Animal,” is a song that shows both sides of this band, bringing some quaint female vocals in the beginning and then slowly builds to its grand finish expressing simple desire with streaming synths and rambunctious drums.

This album is brief, yet the perfect allotment of time for this blend of songs; they don’t overburden you with their gritty punk music, but rather lay down their jams and then step back so you can fully take in what they’ve made on Pure American Gum. The length of this record enhances the music on here, but in a subtle way that you don’t even think about. You just simply go back to the beginning and start it again, volume up full blast.

 

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