Stuart Pearce Announce All This Vast Overproduction

I’m having a lot of fun this morning cranking up the latest Stuart Pearce single, and if I’m being honest, part of is the joy of just trying to follow what they’re doing. At times, there’s this proto-punk approach, kind of like a modern rhythmic pulse with Kraftwerk as the forefather. Then, they just go on these little diversions, throwing in these synthesized sounds that fill the track with other-worldly noise, and in that, they’ve throw all convention in the trashcan and created their own thrills. Ultimately, that’s where I fall for this lot, as they just seem to enjoy every inch of every song, and an energy like that is intoxicating. They’ll drop All This Vast Overproduction on March 28th via Safe Suburban Home.

Emily Hines Joins Keeled Scales Roster

Austin-based label Keeled Scales has one of the strongest rosters around, particularly if you’re one that is inclined towards folk leaning songwriters. Over the years they’ve introduced us to Katy Kirby, Jordan Moser, Julia Lucille…and now they’ve signed Emily Hines. With her signing, she’s released the below single, with this beautiful warmth in the recording that immediately draws in the listener. The strum creates this reverberation that just hangs in the atmosphere while Hines voice gently wafts across the room; it’s a marvelously intimate performance that reveals the sincerity we can expect when a full length comes our way. If you’re in town for SXSW, she’s be playing at the Keeled Scales/First Date Touring Showcase at Chess Club.

Turbo Diesel Announce Debut EP

You might recognize Lewis Sharman’s name as a member of Best Friends, but he’s now turned his focus to his new project Turbo Diesel. This new single offers up a thumping bit of dark wave; it’s not quite synth pop, though you can certainly hear where those elements creep into the sound. For me, it’s the rhythmic groove that locks you into the song, as it spins over and over through the isolationist vocal approach; there’s also a sort of call-and-response delivery style in the voice, which creates this extra tension when it sets up against the musical element. Fuck man, this song’s super cool; they release Turbo Diesel EP on March 7th via Delicious Clam Records.

Mould Share Snails Single

Have a feeling my listening is going to be all over the map today, so why not throw Mould‘s new riotous jam right in the mix? The immediacy of this track is felt almost instantly, with guitars and drums greeting you, shoving you right through the door before you even get a chance to catch your breath. They tie that into the vocals, with all pieces feeling like they’re running rampant about your living space, with those thunderous drum sounds pounding on your ear drums. But, it’s not all furious paced joy, as they break it all down for a gang vocal pop explosion, which is one of the things that makes this song so joyful. They release their Almost Feels Like a Purpose EP on April 24th via 5dB Records.

MIEN Share Empty Sun

Rock n’ roll supergroup MIEN have a new record dropping this Spring via Fuzz Club, and in today’s episode of songs that rock, we get to peek behind the magician’s curtain. As the song opens, it begins with a sampled bit of looped beat work, with Alex Maas (of Black Angels) working in his vocals; the drums begin to unravel, snapping into place as shrieks of guitar fill the background. In their press, the group claims that a great deal of their songs begin just as the aforementioned explanation, then they expand into the final product that we have before us. The story continues to unfold when they release Evil People into the world on April 18th.

Lunchbox Set to Reissue Evolver

Many moons ago (and many emails, Sorry Mike!) Lunchbox sat in their basement in between travels and recorded Evolver back in 2000. But, even avowed Lunchers like myself have not really gotten to indulge in the joys of the record, that is until now, as Slumberland Records have announced they’re reissuing the LP this Spring. We get one listen, and it’s interesting to hear in comparison to last year’s Pop and Circumstance. Sure, there’s a noisy element coursing through the album, built upon a DIY ethos and underground identity, but some of the pop moments and horn usage have always been there, so you get to finally connect all the dots. Grateful to the band and the label for having this out in the world. Evolver is out on April 18th!

Private Lives Drop Psychic Beat

Over the last few years, Feel It Records has turned me onto some great acts I might not have caught onto otherwise, and as I circled back on yesterday’s news, there was this great Private Lives tune to share. My initial draw was Jackie Blenkarn’s voice; it’s got this pre-riotgrrrl yelp to it that teases the links between punk and classic rock n’ roll vibes. Behind her, there’s this quick rhythm and jittering guitar stabs that feel over-caffeinated in the best way possible. Blenkarn’s voice through the chorus delivers the sweetness to dose you with pop, while the band takes on a moment to remind you of their adoration for the old school with a ripping little nostalgic solo. They’ll release Salt of the Earth on March 21st.

Now Announce Now Does the Trick

If there was a K Records credit card, I’d definitely be down to sign up, as the last few years, the label has been one of the dominant forces in wayward pop music, and with this new Now LP, it looks like I’ve got more money to spend. Personally, as I was just listening to Television Personalities, it kind of turns the corner and takes a more psychedelic leaning; it still feels ramshackle and on the edge of following apart, but that’s part of the beauty, as it never collapses, letting melody craftily waft into the year. The group features members of Thunder Boys and Cindy, so you’re guaranteed to have some of the best songsmiths in the underground creating new pop gems. Now Does the Trick is out on May 16th via K Records.

Scrounge Share UTG Single

When we first heard new stuff from London punks Scrounge, I couldn’t get enough of “Higher.” Today, they’ve got a slightly softer side to share with some of us, though the song has its punchy moments where the tune kicks through, as it should! The jangling guitar lick that dominates the verses in this tune is absolutely perfect, with the mix balancing things perfectly so as to maximize Lucy Alexander’s voice and lyrics; this is an important aspect as Alexander is sending out a “reminder to look after and respect your queer and trans mates.” I love the eruption that lets her share a bit of a hook and a bit of a growl, as she’s finally able to unleash her restraint in the perfect fashion. The song rips and it’ll be on Almost Like You Could, which drops April 11th via Ba Da Bing.

Pia Fraus Offer New Single

I probably don’t listen to Pia Fraus as often as I ought, but when they sprinkle out a new tune, you’ll hear my fat flapping behind me as I run to press play! They’ve let slip a brand new single, displaying a matured brand of dream pop that you’d only get from vets who’ve been doing this for damned near 30 years. You’ll find a certain maturity within the confines of the pop structure, and although they still offer up some noisy elements, those moments feel muted a bit, letting the melody churn and roll in the front of the mix. Every little turn feels purposeful, and in that, it maximizes the balance between comfort and harsh, only making me thirst for more from the Estonian outfit in the near future!

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