Upper Narrows Announce Over the Praire EP

A good bedroom pop tune should never go to waste, thus I’m running back to this Upper Narrows tune from the other day, along with the announcement of a brand new EP. I took a lot of joy hearing how there’s a nice little wash of keyboard building ambiance in the distance on this one; it adds the perfect texture to a tune that feels like a late night serenade to a group of friends. Tyler Jackson’s voice has this great bit of pleasantry to it, like a kindness that’s built for bringing you joy on your saddest days. Look for the Over the Prairie EP, which drops on September 23rd via Repeating Cloud.

Dramatic Shapes Return with My AI

After a bunch of releases, Dramatic Shapes went radio silent for a minute; musical creator Theodore Appert moved, then took some time off as he settled into life. That said, I love the return on this new track; the bass work alone on this track totally sticks in your brain, bobbing up and down just like your body will be doing. Open up the musical present and there’s all sorts of delights awaiting you, from a indifferent vocal appeal to these angular and discordant guitar licks dancing their way through its entirety. You could probably throw it in somewhere between Pylon and the Rapture, but the sound is a bit satiated with its pace, making some of the notes hit even deeper as it avoids the pitfalls of being too frantic.

Alien Eyelid Announce Vinegar Hill

While the drop in from the new Alien Eyelid track is instantaneous, you’ve definitely got to stick around to hear the Houston outfit flex their songwriting chops; they take the immediacy and then completely move away as the whole tune meanders towards the ten minute mark. Those first three minutes embrace a Texas nostalgia, using bending guitars and a proper bit of twang to pull in some country flavor through the lends of indie rock. The latter half of the track jumps off into a big of an expanse of musical exploration, displaying the group’s more communal approach to songwriting this go round. Vinegar Hill will drop on September 5th.

New Music from Das Kope

Das Kope has has been on the ATH radar for some time now, and with the announcement of his record, we wanted to be sure this new little banger was on your radar this week. The artist is really toying with our expectation, as his previous work has really been hyper-melodic and infectious. Don’t get us wrong, this tune does have a nice little bit of a hook, but it’s sort of disguised in this murky haze of sun. In the first minute, you’re subdued by this trickling bit of production, with a twisting guitar note that just seems suspended in the air. When it drops in, the pop connection is made, illustrating how far into the dramatic pop form Das Kope has gone; expect a new album to hit later this Summer.

Dreamy New Tune From Deleterolf

Things will likely be a bit slow this week as people shut ease into a holiday weekend on Friday. Before then, we of course have a few songs to throw your way for mid-week and weekend vibing. Though it’s early yet, this new track called “Used to Be” from Zurich based artist deleterolf is my frontrunner for your track of the week. It has a super dreamy, yet driving vibe to it an gives off the quiet beauty of say Efterklang mixed with Beach House. I am sure you’ll love it.

Color Palette Release Nights Alone

If you find Mondays, or every day at this point, a struggle, then you’re going to enjoy this Color Palette tune getting under your skin. It’ll hit you almost instantly, in a similar fashion to what you’d find on a recent Black Marble or Ducks Ltd. record. There’s certainly some post-punk energy, particularly in the way some of the guitars hit sharp notes and intertwine with this driving rhythm section. The infectious nature of the track swirls around with the cooled vocal flavoring giving a nice little dark coat to match the underlying melody of what’s pumping through your speakers. Good place to start the week with new tunes!

Last Week’s Jams (6.23 – 6.27)

Okay, so we might have gone a bit overboard somehow. It was just one of those weeks where there were hits everywhere you turned. Austin popped up a ton on our end, with new stuff from Stella and the Very Messed, Whalers, Gus Baldwin, Thanks Light…and some retroactive love for Drunk Uncle and Little Mazarn. Fortitude Valley and the Beths battled it out on the site for pop rock supremacy, but you get to make the call which you love the most. Tons of great records were about too, with new stuff from Jeanines, Ryli, Tom Henry and more. The IT Department popped in with a reminder of Cut Copy‘s new album…plus a touch up on some other great jams from Mac DeMarco to Emily Hines…there’s a little bit in here for you all!

Show Review: Thievery Corporation @ Stubb’s (06.28.2025)

On Saturday night in our fair city, the air hung thick like a sweaty veil of heat and incense. Writhing and swaying bodies passed the vibe check under the towering live oak canopies of Stubb’s Amphitheater. In a quick annual return to the Capital City following a stop at Emo’s in May 2024, this was once again the kind of performance where reality feels soft at the edges. The audience was ripe for a descent into Thievery Corporation’s kaleidoscopic world, and they delivered over the sinuous two-hour set that served as the final stop of this leg of tours until the fall. With a well-deserved break imminent, the touring group pulled no punches and left it all on stage. Read more

Sleek Teeth Share Video for Same

Sometimes the algorithm wins.

Sleek Teeth are a darkwave duo out of Los Angeles. This track that was released a few days ago found me through a recommended list on Roon. Layered vocal tones that harken back to early synthesizer-based goth, beats that build off of EBM roots in Belgium and Berlin. Interestingly, the band will be playing a one off show down at Paper Tiger next month with Hallows and Cold Body Club (solo project from Jonathan of Urban Heat). Maybe a road trip is in order…

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