Category: News

Massage Share Fading Out Single

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When Massage announced their forthcoming Coaster LP, they did so with this sort of clean version of Jesus and the Mary Chain, at least in some of the initial press from folks like us. But, while that vibe certainly hangs in the background of their newest tune, there’s definitely something else that’s aching to shine through that weighted backdrop. Like a ray of sunshine, there’s this rolling vibe of euphoria bursting through, akin to some of the mid90s work that was coming overseas during the heyday of Brit pop…and I mean that as an honest compliment. They’re kind of playing off a sort of Sarah Records meets My So Called Life, and I don’t mind that one bit, and in fact, am quite eager to hear how far they push their confidence on Coaster. It drops via Mt. St. Mtn. and Bobo Integral on October 10th.

Another Great Track from Maura Weaver

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When we first encountered the new work of Maura Weaver for her forthcoming Strange Devotion LP, I marveled at her balance between folk elements and modern pop sounds. On her latest single, there’s a bit more of a retreat into the folk realm, but in doing so, her natural calm quiets the song’s waters, creating this rich, caramel dreaminess. The opening reminded me of early Cate le Bon, but as the track unfolded it was like stepping out of the cool AC into the Texas heat, blanketing me in this warmth that’s simply unavoidable. Strange Devotion is out on September 19th via Feel It Records.

Premiere: Living Hour Share Waiter

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Over the years, with everything we cover and talk about, a handful of bands sort of become those “ATH groups” who get covered consistently over a span of many years. Winnipeg’s Living Hour is one of those “approved” groups who first hit our pages nearly TEN years ago! Naturally, the band has never slowed down and have a stellar new album called Internal Infinity Drone due out on October 17th via pals Keeled Scales and Paper Bag Records. Prior to the full release, you simply must check out this new gem “Waiter,” which is sure to liven up your ear holes. We heart you Living Hour.

Pre-orders are now live for the new album!

Piggietails Drop CDs

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Up and coming Melbourne outfit Piggietails were only recently introduced to us over here at ATH, but with another solid number coming our way, it’s hard to ignore the new act as they push towards the release of their self-titled debut. If you’re a fan of the Aussie scene, you’ll hear some faint similarities, as the band can’t have avoided the sweet jangles of their homeland. But, with that in mind, they seem to take a broader brushstroke on this one, sort of embracing a Velvet Underground approach to letting the music make its own path, discarding all adherence to style in favor of just letting it rip. Stoked to hear the group making this sound all their own, putting Piggietails on my own personal anticipatory list; it drops via Spoilsport Records on September 19th.

Pop Tune from Star Moles

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I will admit that this time of year is rough on me, for various reasons, so I can’t always keep on top of the tunes. But, when this Star Moles track popped in, I knew instantly that I’d be sharing it. There’s something enchanting and pure about songwriter Emily Moales voice; there’s this bewilderment brimming beneath a solid confidence that continues to charm, offering listeners a true voice to sprinkle in your weekly playlists. The steady beat allows for little riff strums to hum in unison with the melody, whilst little nuanced brushstrokes add texture behind. If you’re looking for your favorite listen, might we suggest going to listen to all of the new LP, Snack Monster?

Flypaper Back With A Gem

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Rory Sear’s new solo project under the moniker flypaper came onto our radar in the spring of last year with the release of his debut EP Other Orbit. Well now Sear is back again this year with his much anticipated debut full length called Forget the Rush, which of course comes with new tunes to enjoy. This new joint “Oh Well,” is what I would call a true gem in the indie folk or indie songwriter genre. It shows this tuned in knack for crafting songs with personal lyrics and expertly timed hints of pop undertones. Lovely.

You can pre-order your copy of Forget the Rush now. It’s out on November 7th via PNKSLM records.

 

A Couple of New Ditties from Tullycraft

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Seattle outfit Tullycraft are about to release their delightful new LP, brimming with joy and clever wordplay you might find on a Dan Treacy penned track. They’ve just dropped a couple of new tracks to support Shoot the Point, and “Love on the Left Bank” displays the band’s ability to switch back and forth between vocalists, though never shying away from nuanced hooks in the background…just think of a purely pop version of the Comet gain. “Tarrytown” turns these great guitar lines into masterful pop seduction, and those vocal tones pull from the coolest corners of indiepop, particularly with their little rise within syllable switches. Shoot the Point is shaping up quite nicely; it’ll be out this Friday via HHBTM.

Did You Check Out Dragnet

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I’m kicking off a brand new school year today, and what better way to do so than by having my students walk into a room with jittering punk courtesy of Melbourne’s Dragnet. They’ve just released Dragnet Reigns, and you’ll get to hear various approaches that fit right into the current indie rock milieu. I’m loving “Red Square,” which has some similarities to acts like Snooper, albeit with a whole lot more attitude. But, while the punk-ness is on full display, they’ve also built in some rad grooves throughout the LP, like on “Grandstand,” bringing in a subtler melody that moves behind their raw energy. The whole listen is fast and caffeinated, guaranteeing you’ll be feeding off their energy. If you dig it, be sure to order Dragnet Reigns from Spoilsport Records.

Joyce Manor Return with All My Friends Are Depressed

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I have to cop to being only a part-time Joyce Manor fan; they have some bangers for sure, but occasionally they go over my head. This new single, however, had me instantly, with a guitar line that I thought was going to take them to a Go-Betweens-esque pop punk jam…and to be fair…that is what it is. That said, the easier nod would be to pull in some Johnny Marr comparisons, and the vocals also have that swaying croon that creeps right into that same arena. It’s nice to see some of the blends between the two-genres, as that sort of soft indiepop and punk all share history. Hoping we hear more like this from the group!

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