Alibi Shares After the Earthquake

There’s all sorts of beautiful nostalgia in every little note being crafted by Mike Naideau for his Alibi project; I think of bands like Arab Strap, Bedhead and a slew of bands on early Saddle Creek. Of course, this sound is one that’s quite personal, one that sometimes is best experienced in the quiet of your bedroom. That’s an interesting experience, as it almost feels like Mike’s recorded this tune in that very manner, layering vocals to build in some fragile intimacy. In that, it feels like Naideau is celebrating life’s little imperfections, all the way down to the ambient soundbites that fill in some of the song’s negative space in the song’s latter half. Then the song returns to round things off with these half-hearted drum rolls and softened vocal notes before fading into the ether. This song has all the feels; it’ll be included on his new record Become Your One, out on Epifo Music later this Fall.

The Golden Dregs Share Clarksdale MS Video

I don’t know how many of you are paying attention, but if you’re not listening to Benjamin Woods and his project, The Golden Dregs, then you really are missing out on something special. The last single from the forthcoming Hope is for the Hopeless has him channeling something darkly beautiful, something along the lines of Cohen or Cave…and its not just the baritone speaking. My favorite line comes around 2:30: “and the Jesus on the dashboard is shaking/cause he knows there’s no way home.” But, this isn’t all clever word play and idealistic homage, there’s some incredible craftsmanship, particularly in the way the tinkering piano moves into the more prominent performance just after the 3 minute mark. The LP is out on September 27th and you’ll be sorry you don’t have it, if that happens to be the case.

New Jonathan Bree Video

Jonathan Bree has been on my radar for several years at this point, but I feel like he’s finally starting to get a name going for himself over here in the States. He was top of my list of last year’s SXSW performances, for both sound and the spectacle of the performance itself. This video offers a precise glimpse at what listeners will get when they catch Jonathan on his first official North American tour; it’s an orchestral pop song performed by a band without a face (the band has no face), which certainly grabs your attention in the live setting. He’ll be in Austin for Levitation, but will spend much of October and November throughout the continent, so if he comes near you, I assure you that won’t want to miss this.

Sasha Bell Announces Solo Album

Sasha Bell has a remarkable resume; she’s been a key part of Ladybug Transistor, Essex Green and The Sixth Great Lake…and now she’s stepping out on her own with Love is Alright. There are definitely some musical elements that will sound familiar; the first thing that stuck out to me was the dreaminess of the guitars churning in the background, combining that sparkling jangle with crisp notes that ring out in step with her vocals. I was really drawn to the space the song allowed around the 2 minute mark, allowing some air to sort of breathe into the song, giving off this celestial quality you won’t forget. Of course, the power of Bell’s vocals can mesmerize you as well; I love the way certain notes get curled from emphatic delivery to understated elegance at the end of syllables. Quite a start to a solo career; Love Is Alright will be out November 8th via Both Sides Now.

Robert Sotelo Shares Infinite Sprawling

Infinite Sprawling is the name of Robert Sotelo‘s forthcoming LP, and the Glasgow based artist just recently put up the album’s title track for our listening enjoyment. There’s two distinctive sounds for you to enjoy within the track’s confines, so lets explore a little bit. The verses have this bright sharpness, using these chords bending around Sotelo’s voice to craft an almost bossanova version of post-punk. The chorus takes on more energy, with the guitars having more force and Sotelo’s vocals taking on more purpose, almost a calmed rush of melody bursting out. The new LP is out next Friday (9/13) via one of my faves, Upset the Rhythm.

Jeffrey Lewis and the Voltage Announce Bad Wiring

There aren’t a whole lot of artists that I think are universally revered, but I know that Jeffrey Lewis has long been one such musician, at least in the circles I run about. He’s a wordsmith at heart with this dry sense of self-deprecating (for mankind) humor, with some similarities to the likes of John Darnielle mentioned often. His new album will be handled under the name of Jeffrey Lewis & the Voltage; the Voltage seems apt as there’s definitely some sonic oomph added to this first single; Lewis’ role is much as it’s always been, all the way down to his deliver, but that energetic blast is an interesting twist…or at least one I never noticed before for some reason. Lewis has found himself a US home for the release of Bad Wiring, dropping on November 1st via Don Giovanni.

 

Brooding Pop Number from Teen Blush

This Teen Blush tune has been floating around for a few weeks, and when I woke up this morning to prepare for some all day training, it kind of made it back into my listening world. Felt like it’s a great tune to find early in the morning; it has this sort of brood to it that drives the song forward, but beneath that, there’s this really positive mood. It’s like waking up, knowing your day’s going to be a bit of a struggle, so your down, but as the day unfolds things in the world start to shine on the bright side of things, giving you a slight bit of positivity. This young Chicago artist is just now making their name known, so go on, give it a listen.

Moon Duo Share Eternal Shore

The shapeshifting project that is Moon Duo are back with another single from their forthcoming Stars Are the Light. This one shows there more psychedelic vibe, which has long been their home base genre, though they’ve moved about. There’s plenty of guitar noodling, notes twisted in and out of the rhythmic pulse that sits behind the song’s entirety. Sanae pops in from time to time throughout the song’s jam to deliver these smoky vocal lines that sort of trap you in this mystical trance mode; they sort of feel like something out of some darkened den of the late 60s.Their new album will be released on September 27th by their longtime label, Sacred Bones Records.

Phony Bedtime Drop Possum Songs

There’s not a whole lot of info to go along with this Phony Bedtime other than the group just dropped their Possum Songs EP this month. There are definitely a few solid tunes, but I’ve been gravitating towards “Invitation.” I love how the song has this really airy vocal that’s used throughout the entirety of the song. It’s broken up by this wobbling pulse that bursts forth, recedes, then bursts forth again, crafting this unstable wonky pop sensation that really clears the air for the aforementioned lightness of the vocals. All sorts of reference points, musically speaking, but I’ll let you do the pigeonholing here.

Eggstone Return with Indiepop Gem

Eggstone have a history long-rooted in the history of Sweden’s underground pop scene, having risen to the top in the early 90s, not to mention the influence their own Tambourine Studios has had on the scene in Malmo. Here we have the band back with a new single for Danish label Crunchy Frog, and it’s got this youthful earnestness one might not expect for a band kicking on some 30 years down the road. While the song’s melody is solid, I’m digging on the bouncing of the organ and the swelling arrangements hanging in the distance. Fans of Shout Out Louds and that whole pop brand will definitely find something to love here.

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