Another Tune from Maff

Chile’s Maff have already given us one spectacular single, and they’re back with a new tune…this time in English. Once you listen, you’ll clearly hear the distinctive sound of shoegaze, though I’m particularly fond of the presentation here. The verses are soft, predominantly percussion and reverb vocals. It’s the space in between verses where the pedals jump in with walls of distorted guitars cascading down through your speakers. Perhaps the strength of the group is the restraint, as they craft their noise around a central melody, never jumping too far into the noisiness that accompanies the work of many a peer. The band will release their Melanina EP, and let’s hope that sets the tone for a future LP, as I can’t get enough of this.

Premiere: Ralph White and Steve Marsh Drop “Ledge”

Collectively, Ralph White and Steve Marsh have a history deep-rooted in the Austin music scene. Together, they’ve written Two Distinguished Gentlemen, with one of the album’s standout tracks running down below. What I’ve come to appreciate about the two is how their musical friendship seems to shine through in their folk stylings, with guitars counteracting, then swinging back into balance. And while those leanings might hint at a purely folk vibe (and it is), there are these light little atmospheric brush strokes that exhilarate even as the song seems to subdue you. It’s the slightest hint of extra effort, elevating the sound beyond mere pastiche. Their LP drops this Friday via Self Sabotage Records.

Another Track from Josh T. Pearson

I’m always on a Josh T. Pearson kick, though admittedly that’s mostly been from that other band he was in back in the day. That being said, there’s a lot of promise from what we’ve heard off his forthcoming The Straight Hits. Opening moments of the tune have Josh carrying his distinctive vocal drawl, but always one to push the envelope, it stretches near falsetto around the 1.30 mark. Something about the keyboard sound almost makes this track playful, and I love the way he swirls the vocals in and out of the front of the mix. This new LP will drop on April 13th via Mute.

The Ancients Are Back

The Ancients first came to my attention when they released Night Bus via Chapter Music back in 2013. Today news has made it overseas that the band will release a brand new LP, this time on Tenth Court. There’s a slightly new line-up since the last record, though it still is centered around Jon Michell. In regards to the song, it’s precisely what I love about the band, casually plodding along with these airy guitar chords and delectable melodies floating in and out. They take the liberty to playfully jam out as they wrap up the song’s last minute, filling in every inch of space with layered instrumentation. Prepare to be charmed on February 23rd when they release Frozen Aisle.

New Music from Firestations

London-based Firestations have been on my radar for some time, and I’m really looking forward to the release of their new LP, The Year Dot. We’ve got their new single below, which should be an indicator of positive things to come when the album hits worldwide. This track takes on a darkened brooding pop tone from the get go, forcefully entering your listening space. But, while the song feels heavy, there are little touches that create the perfect pop balance, particularly the male/female vocals harmonize with one another. It’s like futuristic indiepop, and I dig it. Look for the album to drop on April 6th via Lost Map Records.

Show Preview: The Spook School and Diet Cig @ the Sidewinder (2/21)

Clearly this is the show pop fans have been waiting for, and you’d better get there right at 6:30 so you can prepare yourself for The Spook School. Sure, they’re the opening act, but they might just have released one of the best albums of the year in Could It Be Different. The record is insightful and biting, but also naturally charming…and no one is doing indiepop better than this band. And, they just kill it live. Hands down. Plus, you also get to see a few other way popular acts in Great Grandpa and Diet Cig…they need no introduction. You can still grab yourself tickets HERE, and once you do, get in line behind me because I’ll be rushing to the stage to sing along with the Spooks at the top of my lungs.

Brand New Fake Your Own Death

San Fran’s Fake Your Own Death have been pretty prolific as of late, dropping EP after EP, single after single, and they’re not letting up. Today they unleashed this brand new tune from a forthcoming EP, slated for release later this year. The group bleed elements of propulsive psychedelia with washes of shoegaze, reminding us all just how similar the genres can be at times. At times, this track seems like a more goth version of Fugiya & Miyagi, at least in the way the rhythm section keep the pace; they constantly push the issue, contrasting against the stark vocal deliveries. This is a fine addition to an already stacked back-catalog; we’ll keep you posted as more news drops about this forthcoming release.

Another New Track from Mount Eerie

It’s still really hard to listen to A Crow Looked at Me; it just seems like something so personal that I had a hard time listening, as much as I loved the songs. But, Mount Eerie returns with another album seemingly dedicated to his late wife Genevieve. This album, and the new single, still holds that quiet intimacy, retelling stories and memories that clearly defined the relationship of the two. There’s this enormous amount of honesty and openness in this process, and as we digest more songs from Phil, perhaps we too can strive for that in our own lives. Now Only will be released on March 16th, and we’ll all scamper off to our own quiet corners to sit alone with Elverum and his new songs.

Brand New Music from His Name Is Alive

Thirty years into the career of His Name is Alive, and the band still remain vital to the musical realm. Today they release a brand new single from their forthcoming record, Black Wings; it operates in three stages. The first 45 seconds are filled with ambient electronics and very light strings with light vocals floating through the noise. In the middle, synths seem more distant, as the focus moves to the pop vocal performance in the foreground; it should be noted here that this record evolved out of playing around with acapella harmonies and sound. Then the tracks spends the waning minute elegantly fading out…light strings, vocals as instrument and a careful wash of synth work…who else could pull that off as perfectly? Black Wings is a double LP, set for release on April 6th via HHBTM.

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