Nueva Cancion from Fantasmamidi

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I get that the language barrier makes the average pop fan turn away from the non-Anglophiles, but you’re missing out if you haven’t jammed to Fantasmamidi; I absolutely to listen to their self titled LP (HERE) and tell me you don’t love it. None of that really matters at the moment, as I want to turn my attention towards the band’s latest single off the forthcoming Letargo. Not to jump to conclusions, but the word translates to lethargy, which seems to have a sonic impact on this single; it’s far slower than the previous fare, though equally as special. The guitar lines have these deep tones that are accented by these sparkling electronic notes. In the vocals you have this solemn delivery, sort of like looking back with fondness on the band’s early sound. Looks like the new LP will be handled by the great Discos de Kirlian.

En Attendant Ana Announce Juillet

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If you thought 2018’s Lost and Found was a brilliant pop record, you better get prepared to be blown away by En Attendant Ana‘s follow-up, Juillet. Their opening single alone packs this incredible punch, moving through the various stages of intoxicating pop. You get thirty seconds of this dreamy performance and soaring vocals; the vocals stick around, but the band build in this furious rhythmic pulse accented by little angular guitar plus and machine gun drum rolls. But, the band wouldn’t have landed on such a special label like Trouble in Mind if they weren’t willing to push boundaries and expectations; they spend a good part of the song’s latter half flirting with discord and experimentation, only to bring back the vocals to complete the full pop circle as the song draws to a close. Could your favorite song of the year just now be popping up? Yeah, yeah it could. Juillet will be out on January 24th via TiM.

Pia Fraus Share Hidden Parks

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I was really blown away by 2017’s Field Ceremony (Shelflife), the last long player from Estonian outfit Pia Fraus. Since then, they’ve slowly begun to round out the noisier bits into this really beautiful dream pop; it’s the sort that takes all these little atmospheric layers and bundles them together in tiny little pop nuggets. For instance, the vocals almost seem to match, and then again they almost don’t; they seem like these ethereal echoes dancing around one another, which works sublimely with the feathery jangle of the guitars. As I’m writing this, the weather’s damp and rainy, and nothing else seems more fitting than this tune. The band have a new 5 track EP scheduled for early next year via Seksound, but in the meantime, head to their site and hear some remixes of this single!

Scott and Charlene’s Wedding Share Back in the Corner

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It’s weird to think of Scott and Charlene’s Wedding as a great little secret, but sometimes it still feels like that, even after their growing collection of releases. Today they return with the announcement of their new EP, When in Rome, Carpe Diem…and an accompanying single. This particular number seems far more rooted in the nostalgic rock of the States, as opposed to the band’s home of Australia. There are some understated jangles in the guitar lines, but the curl of the vocals definitely makes me think about everything in my dad’s record collection from the 60s/70s; I don’t mind that notion not one bit. Looks like the new EP will be dropped at the end of November.

Another New Tune from the Just Joans

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Feel like I’ve been away from really broad sweeping pop music for a minute, but when I hear the Just Joans, they bring me back to a safe place, a place shared by like-minded American acts like the Magnetic Fields. Everything they do is witty, and often self-deprecating, but it’s also the finer details in their craft that make their songs so lovable. Here, it’s the sort of forlorn sentiment of the track that brings that wry smile to your face when you discover it truly is a love song. I think the vocal interplay is quite successful too, balancing out the narrative approach of the tune. Fans of orchestral pop and clever lyricisms will surely feel right at home with this tune; I expect the same from the group’s new album, The Private Memoirs and Confessions of the Just Joans, out January 2020 via Fika Recordings.

Please to Meet You: The New Mourning

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Thomas Pronai has a pretty extensive music career in Austria, both as a musician and engineer, but for many folks, myself included, The New Mourning is our first introduction to Pronai’s work. It’s already got the backing of James from Ultimate Painting (who recorded it) and Pete Astor (who plays on it), so you know that it’ll easily get my stamp of approval…oh, and it’s being release by KUS (easily one of my favorite labels). The song they’ve presented from their new single is this not quite psychedelic pop ditty; it has this bright guitar presentation, with the slightest hint of that acid washed world. That said, its the vocals that sort of take on a mantra of their own that really seals the deal…the simplest little line and yet its been stuck in my head all morning. Give a listen and grab it HERE.

Who’d Stop The Sun from The New Mourning on Vimeo.

Poppongene Shares Wet Towel

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Feel like I’m spending a great deal of my space on writing about Aussie acts today, and I’m quite okay with that fact; I particularly am fond of this new Poppongene tune. At first, it sort of slithers its way into your listening; it seems unassuming, just catchy vocals over some quick percussion. But, as the song picks up, Sophie begins to add more energy to her performance, just as the guitars begin to jump off more emphatically to boot. All of a sudden, the track has its hooks in you, letting the vocals sort of drift into the slightest realm of dreaminess during the chorus; it’s a nice pop moment totally stuck in my head. This tune will appear on a forthcoming EP.

Pure Moods Share New Pop Number

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It’s been a hot minute since I’ve heard anything from Melbourne outfit Pure Moods, but there’s a brand new pop tune to get you tapping your toes. This one’s right up my alley, using those crystalline guitar lines that sparkle and shine in the sunlight, turning ever so gently to match the natural warmth that comes through the vocals; this is guitar pop at its very finest. Speaking of the vocals, when matched with the pace of the track, it all combines to carry this sort of dreamy indifference; you’re not sure if you should care of if they should care, but you do care because the song’s great. Go on, listen to it. It’ll appear on Upward Spiral, the new effort slated for November 29th via Tear Jerk Records.

Sprinters Share Video for Missing

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RayRay and I have both been pretty high upon the forthcoming album from Sprinters, but before the band drop Struck Gold this Friday, they wanted to be sure you had one more reason to grab the LP. “Missing” is one of the record’s standouts, fueled by the perfect juxtaposition between too-cool-for-school vocals and enthusiastic guitar fuzz; it all gels so perfectly that in the end, you’ll find they’ve crafted the perfect sentiment in one tight little pop number. The accompanying video is great, especially for US audiences who might not get the chance to catch the Manchester band too often; they’re clearly enjoying playing together here. Fun times and fun pop win every time; you can grab the LP this Friday from Meritorio Records.

Parker Longbough Shares Burbank Safari

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Parker Longbough is a band, not a person. In the end, that doesn’t matter much, as what matters is the quality of the band’s songwriting behind leader Matthew Witthoeft. While the style might leans towards lo-fi tendencies, the band don’t shy away from building their sound with this blessing production. It might be one of the more rocking tracks I remember from the group, with the guitars harkening to a slight Hammond Jr’ inflection; the softness in Witthoeft’s voice here does remind me faintly of Jens Lekman, which is never a bad comparison. Green and Gold/Drink the Hemlock, the band’s latest LP, will be out on November 22nd.

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