Tasty Electropop from Korine


B. Gray is going to be so jealous that I stumbled onto this new collection of electro hits from Korine. The Philly band just released their latest Corsage, and man, it’s definitely going to hit home for those of you in love with the 80s club sound. I think my personal favorite of the tracks is “Sweet Mystery,” rocking the darker tones of the synth vibe. Admittedly, it’s nothing out of the ordinary when it comes to the genre, but sometimes the execution is all that matters…and they do it perfectly in these 5 tracks. Give it a listen.

Have A Nice Weekend

It is ACL again. I am going sans long lens and will be actually listening to bands with Nathan and an entire squad of randoms that come in town from round this great country. Get of my blanket, football in the beer tent, occasional runs to the front of the crowd to get sweaty and be dumb – festival things. We do get Day Wave.

UT/OU ManU/Liverpool #COYS

On to a shareable jam. Here is a lovingly crafted piece of synth pop by Empathy Test that has that darker vibe followed by that last-song-on-the-Depeche-Mode-record that had just a slightly uplifting message. The full length, Safe From Harm, is due November 17th.

Get To Know Choir Boy

Inspiration is sourced from experience. For Adam Klopp, an early education in religion and some life-changing moves made for a foundation to launch his project called Choir Boy. Along with Chaz Costello, whom you may know from Human Leather, this dreamy and slightly dark synth pop out of Salt Lake City has a driving undelrine that runs things as Adam’s vocal range and strong yet elegant warble guides the listener through a coming of age story. I dig. Listen.

Order up the single over at Dais Records.

A Challenge From John Maus

Do you like your pop music quirky? You anti-synths? You want to hear what happens when electronic foundations are slightly shaken to provide flourishes of syncopation from analog devices? It really is the break at around the two minute mark and instrumental bits that follow that won me, so hang in if on the fence.

Just check out this track from John Maus. The new record, Screen Memories, lands 10/27 on Domino. It can be ordered individually or as part of a six LP box.

TR/ST Flexes On You

It was SxSW a few years back and I had just seen TR/ST for the third time. Having exchanged pleasentries side stage at Mohawk and in passing during the week, I worked up the nerve to ask for a quick portrait. His immediate response was, “No.” Magical moment. Right?

TR/ST, aka Trust, aka Robert Alfons, has captivated mindshare since I happened across “Candy Walls” six years ago. I think I listened to it seven times, over and over. It led the way for the record TRST in 2012 that still gets pretty heavy rotation in my house. It has been three years since Joyland and it is about time for a new track. And here it is. I planned on making this part of a have a nice weekend post, but it is too good. Maybe I was just tired and brain-fried when I listened to it yesterday, but damn. He tells Fader that “Bicep” is about “…the struggle between accepting and resisting shame, as well as an expression of sexual fantasies.” Perhaps, but this is brilliantly dark and danceable, just as you’d expect with that familiar edge lurking in the waveforms.

We’ll be waiting impatiently until 2018 for the new record.

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NITE Want You to Dance Like No One is Watching

NITE is recently added favorite to the ATH IT Department. Their new record, Reborn, is available for preorder at that link kicking off the post and is landing in couple weeks via Cleopatra Records. In advance, they have released a video for the song “Dreamer”.

The song sounds like Tears for Fears tour bus collided head-on with Little Boots backing synths and a Juan MacLean groove. I dig it, looking forward to the new record. Twins, Myles and Kyle Mendez, are pushing the retro-future thing hard right now. They have an upcoming show with Night Drive and Blackbird Blackbird in Dallas, you should go if you are in the metroplex.

Show Pics: Black Marble @ The Sidewinder (6/24)

You ever go to a show excited about the headliner, and in fact, very impressed by the headliner, but walk away a bigger fan of an opener?

That very thing happened last Saturday when Austin converged on The Sidewinder last Saturday night. Black Marble was outstanding. They ended up selling the place out. However, I was really taken by Body of Light; they were fully on target for the renaissance of analog synth pop/dark wave I am delighted to see surging right now. The fact that openers Draa held their own here was also worth praise.

Click through for a few thoughts and plenty of pics.

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Show Preview: Black Marble @ Sidewinder (6/24)

If you are out and about tonight, perhaps you should go say to Big Bill at friends at Electric Church. It is one of the best lineups of the residency. Check it out here. But if you are keeping it lowkey tonight and want to burn it out tomorrow…

We make no bones that Black Marble had one of our favorite records of last year. It’s Immaterial is packed with waves of density, haunting basslines and respites of sparse tension. This show at Sidewinder instantly went on my calendar.

I also want to highlight the openers. I missed the PR blitz when Body of Light‘s record Let Me Go came out last summer. I am bummed about that. It is full on new wave perfection with peppered in samples that will haunt you until you figure them out. Draa rounds out the bill bringing gorgeous echoing pop. Listen to previews of all three below.

This bill is stacked.

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