Tag: Dinosaur City Records

Geoffrey O’Connor Signs to Dinosaur City

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After several releases with Chapter Music, Geoffrey O’Connor has announced he’ll be working with Dinosaur City Records on his new LP. Atop of writing great pop songs, Geoffrey also creates his own videos, this go round opting to go with an adorable cutout penguin as his companion. The musical pieces around O’Connor’s voice highlight the majesty he’s offered since his earliest days in The Crayon Fields, boosting that croon into this infectious melody you can’t steal away from, nor is that your desire. I Love What We Do will be out on February 14th, with more pop hits to follow!

Friday Album Streams: Chime School, Fake Fruit, Daily Worker and more…

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Today is one of those rare days when it is literally raining with new releases, and oddly, many of them are coming from the San Fran/Oakland area. Alas, you don’t really need to hear about my feelings on all these, just know that if they’re on this site, they’re definitely on my list of things to jam out to today. Crank em’ up and be sure to support the artists and labels!

Chime School – The Boy Who Ran the Paisley Hotel (Slumberland)

Hits – World of Dirt (Paisley Shirt Records)

Fake Fruit – Mucho Mistrust (Carpark Records)

Daily Worker – MF Genius EP (Flak Records)

Emma Russack – About the Girl (Dinosaur City Records)

Emma Russack Shares That’s Not Free

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One of my favorite voices from Australia, which surprisingly hasn’t quite caught on over in the States is that of Emma Russack. She’s readying the release of About the Girl, an album that seems filled with reflections of her past; this new tune, for instance, is a nod to the lesson that “winning at any cost/that’s not free.” All of it is put to work on a light-hearted strum and a wash of key work, while Russack gets to narrate her experience for the listener; I just love the calmed cool, as she seems so effortless behind the microphone, even when hanging syllables high in pitch. About the Girl is out August 22nd via Dinosaur City.

Emma Russack Shares About the Girl Title Track

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When we first encountered Melbourne’s Emma Russack, she was doing collaboration work with Lachlan Denton (Ocean Party/Pop Filter), but then dropped an excellent collection of soft strummers on Winter Blues. But, as she prepares to release About the Girl, perhaps there’s a little bit more of an electronic underbelly on this tune, perhaps providing Emma with the freedom to craft her own visions entirely unencumbered by bandmates or collaborators. There’s something in the synth work that feels very Broadcast adjacent, though the way the strum is built atop that fuzzy beat allows Russack to stay true to her origin story while pushing herself musically forward. Another reason you should pencil in About the Girl as a record to pick up; it drops via Dinosaur City on August 23rd.

A New Song From Emma Russack

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When thinking of some of my favorite voices from the Melbourne music scene, Emma Russack is definitely one that comes to mind. She’s done work with countless acts like our friend Lach, but hasn’t had a proper solo effort in some time. That’s all changing, as she’s just recently announced About the Girl, her new LP. Our first listen has a slightly different approach than where she left off with her solo work; this time’s she working with synths and distorted guitars as the vessel for her pop tendencies. I love how their are elements that bubble and pop with a snappiness that seemingly contrasts against Russack’s voice. Another great entry, and we’re looking forward to the new LP; it drops on August 22nd via Dinosaur City Records.

Latest Single from Bodies of Divine Infinite and Eternal Spirit

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When I heard the first track from the forthcoming Bodies of Divine Infinite and Eternal Spirit, I was fully expecting an LP of pummeling psychedelia. But, on their latest single, things seem to have completely changed, which is fitting for a record where each song is named after various settings/moods. This one is completely peeled back, offering listeners the rawest form, with the video focusing entirely on Daniel Ward’s voice atop a very lightly strummed guitar. The rest of Bodies quietly join in to add a layer of light during the chorus, but you might miss it on first runs, as it’s just the faintest bit of nuance to this really stunning tune. Bodies release All the Songs I Know About Fire on October 6th via Dinosaur City Records.

Nick Griffith Readies Something I Once Heard

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A friend of ours sent over the latest album from Nick Griffith, and seeing as he’s an artist working out of Australia, I reckoned there’s probably not a lot of coverage for him on our side of the pond…so let’s fix that. He’s tossed out several tracks from the album, and the two below are my favorite jams to get under your skin. They’re building on the coastal pop vibes you often get from Aussie outfits, throwing in strong guitar work and sunny melodies. It’s not a stretch to see Nick fitting in with the rest of the Melbourne scene, as his songs are relaxed and charming, particularly the chorus of “Porto Song.” Something I Once Heard will be out via Dinosaur City Records on March 4th.

Deuce Share Wildflower Video

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We’ve been following Deuce through their first few singles from their forthcoming self-titled debut LP, but this new video absolutely floored me. Kayleigh’s voice is just striking; I immediately thought of Angle Olsen, albeit with a little less smokiness; it just hangs heavily across the old track, dripping with weighted emotion. You can also kind of hear a little lineage between the duo’s sound and early Beach House, that dream pop sound driven by the video’s black and white tint. If you were looking for the band to make a musical statement, this might be the piece that solidifies the two as something to keep an eye upon. Deuce will be out on June 16th via Dinosaur City Records.

Deuce Share Language of Love + Video

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Having introduced you to Deuce a few weeks back with their debut single “Antipodes” it seems only fitting that we follow up on the band’s second tune…which we’ve got for you below. This tune fascinates in its ability to stun you with both its emotional impact and its simplicity; the tune primarily functions with Curtis’ vocals snaking over a looped beat and throbbing bass lines, with the occasional skittering guitar notes and squawks from the saxophone (courtesy of Snowy!) cascading across the song’s night sky. I love how Wakeling dances his voice around, almost turning it into its own entirely separate instrument; all of this song written and sung as an ode to Curtis and Kayleigh’s relationship. Their debut self-titled LP will be out on June 16th via Dinosaur City Records.

Deuce Share Antipodes Video + Album Announcement

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I’ve been writing about Curtis Wakeling’s music for almost a decade, first with his project Velcro, then later as a member of Ocean Party and Pop Filter. But, like many of the folks on his side of the great big pond, there’s always another project brewing; this time he’s working with Kayleigh Heydon under the name Deuce. Kayleigh’s controlling the vocal role on this single, nearing some of the tonal notes that you’d find on a Beach House record, though Curtis does add some subtle backing notes to her voice as well. Musically, the song has this misty quality, almost this foggy solemnity as it floats, filled with these delicious little nuanced moments. Fittingly, that accompanying mood seems to match with the theme, as Heydon notes the song is about the pain associated with longing for things you don’t have, in regards to relationships. I reckon that plays a part in the song’s title with Kayleigh in Melbourne and her family in Manchester. Deuce will release their self-titled debut on June 16th via Dinosaur City.

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