Nathan’s Top Albums of 2025
I could wax, poetically, about the meaning of year-end lists and how they turn us onto great tunes to create our playlists, but instead, I feel like this is my sort of last gasp post of the year, in what seems like a last gasp moment for blogs. I instilled some silly rules on myself in crafting this list…but if I disclose that, it could ruin your fun of jamming to all these records. So here’s a list…put whatever meaning into it you can, and just remember, I love to do this…even when its tough to string words together…so please keep coming back and we’ll keep doing this.

It was a pretty busy week on my end, heading back into the school room and what not, but lots of great music making its way to our ears. Kicking it off with one of my favorite tracks of the year, with the latest single from Sorry, but then moves in to hear our friends I Was a King dabbling in the softer side of power-pop. Plus, the folks at Skep Wax and Slumberland keep pumping out the hits with new music from The Cords and Telephone Numbers. Really excited for you to hear the newest single from Austin’s Living Set too, if you missed it by accident; there’s another Austin act in there too named the Point, you might want to check if you’re into stretching your musical brain! Click play and see what’s up.
If you’ve been following the storied career of Norway’s
Pretty solid wee of new music last week, and we got to as much as our time allowed. We even managed to start getting some of our SXSW coverage together, as the festival is somehow just over the horizon; RayRay got an interview up with Population II you should check out. We even got back on some album stream coverage, making sure to have the homies in Constant Follower and Daily Worker up there. We continue as the one-site hype machine for Sharp Pins Radio DDR reissue, but there some of my favorite acts also returned with their own new jams to grab us, like Dumb Things and Jetstream Pony. I even jumped on the Sports Team train with their latest single. Get into it below.
It’s Friday, and there’s nothing better than wrapping yourself up in a blanket of melodic pop, such as Norway’s
You’d have to go back years and years to find out when I first feel for Frome Strostad’s songwriting; he first came to my attention with I Was a King, but has played with folks like Peter Buck of REM and Norman Blake of Teenage Fanclub. After dropping a new I Was a King LP, he’s now focused on another project,