Sunset Rubdown – Dragonslayer

dragRating: ★★★½☆

Let’s face it, Spencer Krug is a prolific guy.  Not only does he have the time to put together hits with his friends in Wolf Parade, but he also has made several records under the Sunset Rubdown moniker. Dragonslayer is his third proper album under the title, and it’s being released by Jagjaguwar Records.

Since the release of his first album, Shut Up I Am Dreaming, Spencer has enlisted various other members to flesh out his sounds.  The most noticeable change on this new album is that Camilla Wynee Ingr plays a more prominent role in singing backing vocals.  Her voice does a great job to compliment the sometimes wavering voice of Krug, providing a solid balance to the sound.

Of course, since the first release, we’ve come to expect that the songs of Sunset Rubdown would be grandiose affairs, almost epic in a sense.  This album gives you much of the same as almost every song sprawls over the five minute mark. Opener “Silver Moons” is your traditional piano driven Krug tune, and the restraint he uses in staying within the boundaries of the song definitely provide the listener with some of the album’s finer moments.

But, the opener is followed up by three raucous numbers, which those in search of a faster pace to accommodate Spencer will enjoy. While “Idiot Heart” slowly builds towards a calamitous ending, “Apollo and the Buffalo and Anna Anna Oh” takes off from the minute it picks up.  One of the detractors from this period in the album is that at times there seems to be too much going on in the space of the song. Spencer’s softer side seems to be the most fitting for his voice in this setting, and when he goes into other territory, the songs seem a bit strained. “Black Swan” is one of those numbers that seems to struggle with too much going on within the song.

As always, this man can pen some absolutely wonderful songs within the span of an album.  “Paper Lace” is one such song where you realize just how perfect he can be.  Keyboard and guitars seem to just hang in thin air, while his voice never seems to falter one single bit.  If only he could consistently knock out ballads like this every time out. And it also serves as the song that kicks off the best moments of the album.

“You Go On Ahead” and “Nightingale/December Song” are some of the best moments on this album.  Here the band finally has all the pieces of the cryptic puzzle put together.  Tribal drums dully rumble beneath the songs as Ingr’s vocal accompaniment displays the depth of the line-up.  When the sprawling tunes sound this strong it’s hard to see look back and see where the album ever took a misstep.

Then we close it out with “Dragon’s Lair.” It’s the ten minute epic that caps off this record perfectly.  It combines all the elements that you’ve witnessed on the album early on, and it puts them in a one-song extravaganza to encapsulate all the ideas posed by Spencer and the rest of Sunset Rubdown.  It’s a fitting end to a splendid story.

[audio:https://austintownhall.com/wp-content/uploads/2009/06/05-paper-lace.mp3]

Download: Sunset Rubdown – Paper Lace [MP3]

Odawas – The Blue Depths

odawasRating: ★★★½☆

Odawas come to us from Berkely, California via the Midwest, which is definitely an attribute one can find on both ends of the spectrum when listening to their newest album, The Blue Depths, off JagJaguwar Records.

This an album of soundscapes, carefully sculpted with an artists touch, as the duo of Isaac Edwards and Michael Tapscott, pay attention to every inch of the recording process and the musical concept.  Clearly, this is an album where they sat down together, determined a common path they wished to depart upon, and decided to take us their with them.  Even the album artwork and the song titles illustrate a journey of sorts, for all those participating in the listening experience.  Titles like “Swan Song of the Humpback Angler” and “Moonlight/Twilight” clearly represent a canvas on which the band can paint.

Oddly, they choose to do a lot of the percussive work with a twinge of eighties pop keyboard elements.  The backing sounds are remarkably similar to every soundtrack you would hear in the pop-culture movies of the eighties.  Still, it keeps some of the more brooding moments rising above the seemingly somber moments that exist throughout. And yet the band push on with their sound, carefully filling every single inch of space with some form of instrumentation, be it harmonica, string arrangement or vocal melody; they don’t leave a single musical stone unturned here.

Vocals all over the album are a little bit in the vein of something we would have seen with Jason Lytle, just a whole lot gentler, as if the Californian has been sampled, slowing his voice down to a whispering tone.  It’s a trait that allows for the band to put the music on the forefront, with the vocals remaining just an extra instrument for them to utilize in the ultimate construction of this album.  This being the case, its hard to take a lot of quality understanding from the vocals in the realm of lyrics, but that probably isn’t the point at all.  They want you to be drawn in, pulling your ears closer to the speakers as you fight to take meaning from their compositions.

In the end, this is the seeming purpose behind this release, as it surely is a moment of pure mood music.  This isn’t to suggest that you need to be in a certain mood to grasp the record; this is by no means the purpose of that statement.  The purpose of making a blanket statement such as that means that while listening to this album in its entirety, as you should do with all albums, you will find that your mood has been altered.  This is precisely what Odawas wants of you, they want you to immerse yourself in their wonderful world of space and sound.

[audio:https://austintownhall.com/wp-content/uploads/2009/02/02-swan-song-of-the-humpback-angler.mp3]

Download: Odawas – Swan Song of the Humpback Angler [MP3]

New Tunes from Swan Lake

swansSwan Lake is a supergroup, featuring members of Frog Eyes, Wolf Parade, and Destroyer. Their newest album, Enemy Mine is slated for release via Jagjaguwar Records on March 24th. While early indications claim Frog Eye’s Casey Mercer as the better writer this time out, you can’t count out Destroyer’s Dan Bejar. Just take a listen to the following track.

[audio:https://austintownhall.com/wp-content/uploads/2009/02/swan-lake-spider.mp3]

Download: Swan Lake – Spider [MP3]

New Tunes from Will Sheff

We all love Will Scheff and his band Okkervil River, but Will recently released a split 7″ with Charles Bissell of The Wrens. Will covers The Wrens “Ex-Girl Collection” while Charles covers Okkervil’s “It Ends With a Fall.” The release is already out in stores, but if you want, you can head straight over to Jagjaguwar Records to purchase your very own copy. 

[audio:https://austintownhall.com/wp-content/uploads/2009/01/ex-girl-collection-the-wrens-cover.mp3]

 Download: Will Sheff – Ex-Girl Collection [MP3]

Okkervil River – Lost Coastlines

The highly anticipated release of Okkervil River‘s The Stand-Ins has finally let us get our hands on a single to toss your way. This song has an additional singer on it, or Will has done a lot of work on his vocals. The rest of the song seems really low-key, but in a throwback to old Okkervil River.  

Don’t forget that they will be playing this year at Austin City Limits, and I’m sure they’ll schedule another show around that time for all of us to enjoy.  

The Stand-Ins comes your way on September 9th via Jagjaguwar Records.  

[audio:https://austintownhall.com/wp-content/uploads/2008/07/lost-coastlines.mp3]

Download: lost-coastlines.mp3

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