Last Week’s Jams, Today (9.26 – 9.30)

Hitting our stride last week, or so it seemed. We wrapped up the week streaming tons of records we’d been jamming, plus new stuff out on Friday from Gold Star, Midwestern Medicine, Matching Outfits and more. Personally, I got stuck on that Melby tune, wondering what it would take to make them huge in the US. And, since we got to spin some records, we’ve also got some upbeat numbers sent our way by Fujiya & Miyagi, Certain Times and No Zu. There’s a little bit of everything for everyone, so like us, its all over the place. Happy Monday.

Key Out Share Drive Single

I’ve been keeping an eye on Sydney’s Key Out with their Afterville LP set for release in mid-October, and their latest single is precisely why I’ve been so keen on the tunes. This single begins rather benignly, just offering these heavy vocals over strong synths, but give the tune your attention, for as soon as I switched to casual the song begin to build extra textures with backing vocals and then these ringing guitar sounds. To me, the build is what makes the sound explosive, although the volume seems to hold just below the melody, letting that star shine through. If you dig it, the band are releasing Afterville on October 14th.

Last Week’s Jams, Today (7.11 – 7.15)

Was a bit of a hectic week, as I was out of town for a good part of last week, so RayRay helmed things solo, keeping you up to date with new jams from The Berries and Sorry. I crept in towards the end of the week with recent favorites like Key Out and Scarves, but I was most excited to hear new music from Bubblegum Lemonade hitting the airwaves! Oh! And a brand new album out of the blue from Neil Brogan! I mean, it was a short week coverage-wise, but some surefire jams to listen to in here.

Key Out Drop New Single, Announce Afterville

Sydney’s Key Out just announced that they’ve got a new LP lined up, and with their new single officially in the world, I wanted to be here to encourage you to give them a little listen. There’s something really special about the way the guitars and the drums meet up at the beginning of this song to set it all off; it immediately reminded me of late 90s college jams, and for some reason, Rainer Maria. But, the thumping drums get offset with the kindness of the vocal tones, softening the vibe a bit, before erupting into a fuzzy chorus filled with dueling harmonies. It falls somewhere between the modern pop rock styles and the charming indie rock of Nada Surf and Death Cab (at their peak!). Afterville will be out later this year via False Peak Records.

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