Nathan’s Top Albums of 2025
I could wax, poetically, about the meaning of year-end lists and how they turn us onto great tunes to create our playlists, but instead, I feel like this is my sort of last gasp post of the year, in what seems like a last gasp moment for blogs. I instilled some silly rules on myself in crafting this list…but if I disclose that, it could ruin your fun of jamming to all these records. So here’s a list…put whatever meaning into it you can, and just remember, I love to do this…even when its tough to string words together…so please keep coming back and we’ll keep doing this.
Not sure what it was, but for some reason, just didn’t get a ton of new stuff out into the world last week, though I’ll admit, sometimes life takes precedence. We were fortunate enough to grab some new tracks from our favorite Austin acts like Annabelle Chairlegs and Daphne Tunes, not to mention a little show coverage for Nations of Language/Deeper over at Mohawk too. There was some new stuff I thought was really special from No Lonesome and Hush, and then Optic Sink dropped a slow burner that I’ve had on repeat for a few days now. Feel like last week was very much a quality over quantity, but you be the judge.
As we poured through B. Gray’s photo coverage of Levitation, we also were able to get in some pretty solid tracks, even a premiere here and there, so a pretty busy week on our side. We did some Austin repping with that new Mugger tune on Friday, if you dare to let it rip! Dropped brand new stuff from Strange Passage, Marni and the Lions Constellation, all which are worthy of your listening. Plus, even got to stretch our taste a bit with the likes of Greg Weeks, Devin Shaffer and Magic Fig, so feel free to step outside the confines of today’s indie rock playlist!
What a delightful way to slide into the middle of the week, especially after spending a weekend Levitating; there’s a new