Introducing Robot Fox + Announcing Sham Rage

It’s time we introduce you to the world of Robot Fox, a brand new outfit from Melbourne featuring members of Crepes, Cool Sounds and other local acts. Listening through the band’s debut single from their Sham Rage LP, this is how psychedelic pop music should be made. Full stop. In the first few moments, you’re seduced by this meditative guitar that seems to sedate the listener, like sinking into your chair and drifting away on some LSD trip. When Pierce Morton enters the fray, his lackadaisical delivery feels like a mantra, like a calling out from the beyond; you’ll hear an increased musical element shimmering, along with some backing vocals. I love how they let the song breathe too, allowing the listener to bathe themselves in the sound. Throw in a little jazzy breakdown that comes out with this sky ripping guitar solo and you’ll be totally in love with the band’s sound. Their debut is Sham Rage, and its out on April 30th via Osborne Again!

CLAMM Share Beseech Me Video

For those all about pigeonholing Melbourne’s music scene (yes, myself included), don’t forget to listen to CLAMM…in order to destroy both stereotypes and eardrums. When this song begins, the rhythm section immediately has you on edge, grinding your teeth, feeling nervous; skittering guitar licks don’t do much to settle you before Jack Summers begins his vocal tirade. Going through, I actually tend to gravitate towards the band’s use of space in the song; it allows for them to really keep that propulsive groove while letting the song and listener breathe. It feels like you’re on some runaway mine cart tunneling through the dark caverns of Earth, like Indiana Jones with a death wish; to be honest, that feels pretty great. The group release Beseech Me on April 9th via Meat Machine.

Quivers Announce Golden Doubt

I was all in on Quivers when they dropped We’ll Go Riding on the Hearses, so of course I have high expectations for their forthcoming Golden Doubt LP! I’m sure they’ll hate hearing this but the first 2 minutes or this so sounds like classic Grant-led Go-Betweens, using a casual vocal pacing from Sam, and incredible backing harmonies from Holly and Bella…needless to say, I was slow-tapping my toes and enjoying myself. But, as a fan of 10-20 second moments of pop magic, the musical interlude around 1:40 was a nice additional touch, setting me up for the body-tingling pop eruption at 2:30! Group harmonizing never sounded so sweet, and the churning jangles and overall brightness guarantee we’ll all need a copy of the new album; it drops on June 11th via Bobo Integral/Spunk/BaDaBing!

New Track from Cong Josie

Already a fan of No Zu, it didn’t take much of an art twist to turn me onto Cong Josie, the alter-ego of bandleader Nic Oogjies; today I’m stoked to share the latest single from the project’s forthcoming LP! Dipping my feet into this one, it’s definitely the opposite of what one would expect, particularly in the pacing of the song. This one’s entirely slow-burning, dripping with heavy vocal curls and angelic uplifting backing tracks, all walking carefully in this synth-laden landscape. Still, a slow burning synth track isn’t outside the norm, but what Cong Josie does it develop the song into a bit of a stretch, tossing in little nuggets of joy just before the 2 minute mark, and again twisting about in the close staring at 3.5 minutes, almost hyperventilating with sensational pop bravado. This single is out courtesy of It Records, with a debut LP to follow this year!

Bart and Friends Share It’s Not Your Fault

Bart and Friends have a forthcoming mini-album all set for release via Kleine Untergrund Schallplatten, and today we’re more than excited to offer you a sneak peak at one of the standout tunes on the record. Bart’s really gathered some indiepop heavy-hitters, bringing in the likes of Mark Monnone, Pam Berry, Gary Olson and more to the fold for the recording of this record, so the sounds are basically the core of every indiepop sound you’ve ever loved. Lightly jangling guitars ring circles around your ears, with that heavier guitar line working in perfect contrast. And as much as I hate to say it, the vocals are perfect; they’re crisp and velvety, involving some melodic backing vocals just faintly behind the mix, leaving listeners with the perfect swoon. Plus, at just over 2 minutes, it’s the perfect pop nugget to consumer bright and early and smile the rest of your day. Pre-orders for Tolmie Wild Thymes are available from KUS now!

New Tunes from Walt

Oh Mondays, catching up on what we missed over the weekend, which in this case seemed includes Melbourne’s Walt. Over the weekend, I Love You on the Internet was dropped, and the EP’s title track is a nice way for those of you new to the band to get your feet wet. There’s no rush here, as the song slowly works in with heavy synth notes before the guitars are even in the building. That speed is perfect, almost that sort of spaced glam pop that feels like we’ve lost all control of our own gravitational pull. I suppose it fits into the realm of dream pop, whatever-gaze, but it seems like it makes your entry into this Monday a perfect little venture…slow and spacey as yo escape the weekend haze and get ready to rock.

Stream the Debut LP from Quality Used Cars

When I first heard “To Wendy Love Steve,” I’ll admit, I wasn’t sure what to make of Quality Used Cars; Francis Tait has a rather distinctive voice, and I wasn’t sure whether I was on board for it or not. But, when that chorus dropped in, I was stunned, and couldn’t wait for more. Today, we get more as the Good Days/Bad Days is finally available to stream. These feel like the songs you want to accompany your favorite storyteller; the songs have great narratives, wound about these gentle little Americana elements sliding off into the sunny horizon. I’ll admit, it doesn’t have that immediate reward that makes for the thirsty hits of today, but dammit if its not rewarding if you just bathe in the joy of Tait’s songwriting. Grab the LP from Spoilsport Records.

Farewell Horizontal Share Doesn’t Matter No One Cares

In case you haven’t checked in on Farewell Horizontal, you ought to scurry on over and give a listen to their latest record, An Argument with an Idiot. Pat and Lauren just keep churning out these little treats of guitar pop that will likely spin on repeat for the entirety of your day. The tune below is the perfect example; bobbing with hints of churning guitars, pulled under by the melodic undertow of the warm vocal delivery. It’s like this clash of the perfect musical titans, power-pop from Europe battling with the classic Oceanic guitar sound. Trust me on this one, you’re better off just turning it up and sitting back.

Quality Used Cars Share To Wendy Love Steve

While having worked in the Australian music scene for some time, Francis Tait finally has a project to call his own, Quality Used Cars. On February 19th we’ll all be treated to Good Days/Bad Days via Spoilsport Records, and here we’ve got another single that might grab you. Francis has a very matter-of-fact delivery, distinct in tone and style, which is one of those things you take with you when you walk away from this track. I like the subtlety of the song’s he’s writing too; they’ve got these brief little pop nuggets that bubble to the surface during the chorus, as it does here, but its almost like a brilliant fireside storytelling from a great Australian bard. Been really feeling this one and here’s to hoping you will too.

Flyying Colours Ready Fantasy Country LP

We’re all looking around the world today, hopefully; looking at all the hard work artists have put into making our lives better. One group I’ve been digging on, who just recently announced their new LP, is Melbourne’s Flyying Colours; they’ll be releasing Fantasy Country at the end of the February via Poison City. The single below is the latest off the forthcoming album, and honestly, its got me punch-dancing around my classroom as I await my students. The tune’s propulsive in nature, with just the right amount of guitar screeching to make it more than your average affair. I love the dual vocal harmonizing, creating this softness in an otherwise upbeat pop rock affair. The LP drops on February 26th!

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