Tag: new album

Missed Out on Puppyy

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I generally do my best to keep an eye on the goings-on over in Melbourne, but somehow I missed out on the solid work of Puppyy. It’s mostly the one-man product of Michael Gibbon, who has managed to flesh out these ballads throughout the whole of the latest release, World Record. At times, you get some traditional slow-core balladry, but the tune below has just the slightest pick-up in energy, relying upon the heaviness of the strum to provide the slightest glimpse of movement; the extra guitar angling in also plays its part in crafting that feeling. If you’re looking to cozy up with a great intimate listen, you’d be advised to dive in here.

Check Out Golden Toad

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UK outfit Golden Toad just dropped into the scene this very year, and so it seems like we should celebrate their work by throwing a nod to their debut record…dropping last week. The entirety of the LP is an exploration of electronic synthesis, progressive at times, or as is the case below, stretched into another entity entirely. This one has this sort of sinister crawling to it, and the recording of the vocals almost feels like its a haunting by Kim Gordon, chasing you down some dark hallway with a light flickering on and off…spooky and cool as hell. Their Unite the Worms album is available for you now!

Crabber Release Sweet Credibility

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I’m a little bummed that I wasn’t even aware this new Crabber LP was coming your way; it’s immediately getting repeat spins on my computer as we speak! This German outfit just dropped Sweet Credibility, and it’s the special sort of jangling guitar pop that makes fans of all things Sarah Records and Lucksmiths come over for tea. Right now, “Wither Without Me” is my jam, but, several runs through and there’s not a bad song in this batch; it might be one of the most complete indiepop records of the year. There’s a CD version available from Jigsaw Records too, if that’s your bag!

Kirk Windsor Offers Ghost City

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When I first pressed play on this new Kirk Windsor jam, it felt light; the guitars had a classic rock twang to them, but for a moment, it was too mellow in the songwriting sense. But, then the everything swings in the other direction when the full band sound enters the fray and the sound embraces this sort of modern glam pop. It’s interesting that the song’s title refers to “Ghost City” as there’s a definite ghost of Ziggy era Bowie, which is ultimately what grabbed me as I love the mixture of whimsy and rock n’ roll cool. You’ll find the song on the his new effort, Ups and Downs Town.

Belated Voxtrot Coverage

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When Voxtrot reconvened a few years back, I was over the moon, both for myself and for the band. They dropped a few LPs, one of combined 7″ singles and the other a rarities compilation…and we all felt like this could be the band making it back for good. Yesterday, news broke that the band are officially releasing a new LP, recorded at bassist Jason Chronis’ studio in Lockhart. The new lineup is a little bit slimmer, but huge Austin music fans will notice the sparkling backing vocals from Jennifer Moore, whose band Deep Time is sorely missed in my opinion. On the new song, you can hear the driving rhythm section, which is one of the band’s strongpoints, allowing Ramesh to weave his storytelling through these stellar pop moments. Really happy to hear they’ve got a whole new record, Dreamers in Exile (February 27), and looking forward to seeing the band when they hit the road in the Spring.

Strange Men Share Under the Compass Rose + Drop Come Yesterday

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Sorry for the long-winded title on this post, but I’m a bit frazzled as I play the new LP from Strange Men. They just released their debut album after a handful of singles, and I’m honestly surprised that there hasn’t been more buzz from the West Coast contingent, as the band rips. The tune below reminds me of the perfect smash between Pains of Being Pure at Heart and Comet Gain, noisy in the right spots with a beautiful tendency to lean into the pop side of things. Elsewhere on Come Yesterday, you’ll find scuzzy rockers and little indie nuggets, all of which will make you appreciate the group’s first offering!

The Mary Onettes Release Sworn

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Nearly twenty years ago we were lucky to stumble upon the work of the Mary Onettes; they crafted this brilliant blend of dreaminess and noise, and quickly solidified themselves as one of my favorite acts. They were pretty productive for the first 5 or years, but then pulled back, sprinkling a single or two every year…until today when Sworn is officially available worldwide. I continue to be impressed by the balance between their broader pop tracks and their more pensive reflections, all of which get tied together in a cohesive LP. Trakcs like “Hurricane Heart” employ thick rhythm sections to catch your ears, while the subtle moments in a song like “Slide” illustrate the depth of the group’s construction and texturizing. If you’re looking to let an album carry you away, stream the entirety of Sworn below!

Dimitriam and the Bug Club Drop Instant Coffee

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It’s never easy to climb over the hump of the middle of the week, but we suggest you settle into your morning routine with the knob turned all the way to the right as you crank out this Dimitriam and the Bug Club LP. The group’s sound is not unlike many a garage rock outfit, particularly if, like us, you love a little bit of grit and a whole lot of hooks. Just listening to the opening track, you can easily hear where they could plug in and get gritty, but they highlight the fun with the emphatic ” on color tv” shout, leaving you with your edge wrapped up in joyous pop rock boogie. Stream all of Instant Coffee below!

Natalie Jane Hill Announces Hopeful Woman

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It seems like just yesterday that Natalie Jane Hill was wowing us with Azalea, her debut LP when she was in the Austin area. Here we are a few years later, and she’s got her third LP on deck, along with a new place to call home. It took me less than 20 seconds to fall in love with this single, as her heavy notes breathed life through my speakers. When her voice stretches for higher notes, there’s a lonesome bit of guitar hanging out in the distance, providing its own lonesome narrative to balance Natalie’s performance. As spirited as the first 2 minutes are, Hill switches it in the back 45 seconds, letting the thematic element of “never left me” dwell in the presence of the listener’s brain. Really excited ot hear more from Hopeful Woman, out via Dear Life Records on January 26.

Nothing Announce New Record

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I reckon this song will be everywhere in the next hour or so, so wanted to be one with the masses and share in the joy of a new Nothing record. Their penchant for noise has not escaped them as they push for new territory, but they’re employing a similar, albeit slightly harsher approach, to what Dummy have been doing recently, bridging a love for dreamy noise textures with an undercurrent of electronica. Interestingly, this new single seems to have the two forces almost working against one another, with the beat work seemingly running in the other direction from the swarm of feedback and noise that crashes through your speakers. Looks like A Short History of Decay will watch as Nothing peel back the layers of expectations and go forward with new direction; the record drops in February via Run For Cover.

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