Tag: new album

Cola Announce Cost of Living Adjustment

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There’s never a bad day when Tim Darcy and Cola drop a new track. What I am interested in is the impact of trip-hop drumming sneaking into modern indie rock; it’s definitely something that seems pervasive in the rock scene, and honestly, I’m not mad at it. The big draw, however, is the familiarity of Darcy himself, who has had such a distinctive delivery that seems to change with the times; it feels more melodic on this venture, which seemed to really take flight as his last project came to an end. Cost of Living Adjustment is the name of the new LP, and it drops on May 8th via Fire Talk Records.

La Securite Announce Bingo LP

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About 24 hours late to the game here, but I definitely wanted to make sure that this new La Securite jam made it out with our support. This is probably the most on-brand version of post-punk for me, as it features really sharp knife cuts from the guitar lines, all of it bending and jittering around the growl of the bass; I love that heavy growl sound as it flirts with the darker side of the genre whilst the guitars adhere to the more danceable elements. And, illustrating their playfulness, just listen to the syllabic breakdowns throughout, as the song seeks to keep you off-balance and totally in awe of their craft. Their new album Bingo will be out this summer via Bella Union.

Gun Outfit Share Unfelt Loss

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While there was a compilation of tracks that popped up in 2021, we haven’t had an official new release from Gun Outfit in nearly a decade. But, they’re back now, with a brand new record for Upset the Rhythm, and this new single has my attention. They offer up a sort of desert psychedelia, with this tune driving forward on a galloping bit of percussion; I love the way the backing vocals sort of blow across the song, tumbling through the track. If you’re as excited as I am, be sure to pick up a copy of Process and Reality, dropping on May 8th.

37 Houses Share Eye for an Eye

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If you’re a sucker for a huge voice, then you’re going to love cranking the newest single from 37 Houses; Erin Sydney’s voice hits with this immediacy that’s dripping with emotion and force. Listen and you’ll hear as she climbs the scales, only to tumble down to the ground again; it’s an element that seems perfect for the thematic element of the track and their new record. Musically, the song ascends and crashes to tumble about in the gritty ground. How does that fit into the song’s narrative? Listening to lines like “tell me please/is there any light you can see/I’m drowning/but so in love” portray the struggles the duo faced in the evolution of their marriage; it’s a common thread throughout the whole of When and How It Happened, which will be available on April 24th, but you can grab it HERE.

Seasonal Falls Prepare The Unbearable Loudness of Stupidity

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I first fell in love with Switzerland’s Seasonal Falls in the lead-up to their album, Happy Days; it was a record with some pastoral folk feels spliced with elements of bedroom pop. Next week they’ll be releasing their follow LP, The Unbearable Loudness of Stupidity, which I can only assume is a nod to America, right? Regardless, the album’s opener is the perfect indiepop feel, and its execution is something I’d put right alongside the best of the Lucksmiths. It’s a bouncing bit of folk-infused pop, working with this feathered vocal discussing a strained relationship where the narrator has built up a protective wall. For me, there’s this stretching guitar bit in the end that’s both forlorn and bright, which is the perfect summation of the vibes you’ll take away. Look for the new LP next week!

Touch Girl Apple Blossom Announce Graceful

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I’m a longtime champion of Austin’s Touch Girl Apple Blossom, and we’ve been patiently waiting to inform you of their signing to one of my personal favorite labels, K Records/Perennial. The legendary label has had their hands in some great indiepop, especially of late, and TGAP knock it out of the park on their debut single here. They drop in dueling guitar lines instantly, letting the jangles rip before Olivia enters the scene with her vocal performance; I also don’t want to overhype the angular guitar notes, as the group has a ridiculously solid rhythm section that builds the infectious nature of their work beneath the surface. Olivia’s vocals are picture perfect too; she has this great knack to sit within the rhythm, bouncing her syllables in unison, but these slight vocal twists like the tonal change at the 40 second mark just melt you to the floor. We couldn’t be happier for the group, and we’re looking forward to grabbing Graceful on May 15th. Also…they’ll be touring through March with Good Flying Birds, so keep your eyes out for a show near you!

Broken Social Scene Are Back

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It’s been over a decade since we heard fresh new music from Broken Social Scene, though I will own up to the fact that I generally try to find ways to sneak the band into my DJ sets, be that their own records or their side projects. Alas, the band return today with a jazzed up bit of indie rock, working with producer David Newfeld again to create this perfect mixture of horns and layered vocals. It’s a relaxing number, filtering horns through all the negative space to give a burst of liveliness to the subtle pop structure that pervades the tune. Really enjoying letting this kind of wash over me, especially as I hear there’s new of a Metric single and tour later in the day too! It’s Canada Day! Look for Remember the Humans on May 8th via Arts and Crafts.

Prism Shores Announce Softest Attack

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Last year, Montreal’s Prism Shores delivered the most excellent Out from Underneath LP, and they’ve wasted little time, returning today with the news of another LP coming out in early Spring. In the song below, you can hear their lineage to noisy pop purveyors like Teenage Fanclub, building up swirling guitar bits in the background whilst pushing the vocals up front. For my two cents, there’s a definitive earnestness to their vocal performance, almost as if they’re fusing their power pop sound with hints of late 90s emo. It’s a successful track, and one that already has me looking for the funds to grab Softest Attack, the new LP out in April via Meritorio Records.

King Tuff Returns with Moo

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It’s been a hot minute since I’ve thought about King Tuff, though I’ve always enjoyed his habit of brandishing garage rock with hooks. Today, after a few years off, Tuffy returns with a new record titled Moo, and as one has to do, he’s shared a brand new single/video for you to soak up. When listening through my first few times, I definitely notice some slight changes in his sound; he’s still adhering to the history of garage rock, but in doing so, he’s softened a bit. This song relies more upon a stomp with large hooks smashing about; you’ll also get to hear a little more patience in the vocals, which feels like the culmination of years of growth as a songwriter. Stoked to hear where this record heads; Moo drops on March 27th via Mup Records.

Winston Hightower Announces 100 Acre Wood

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K Records/Perennial has consistently put out great records for decades, but they’ve really found their way into my constant rotation with releases from acts like Sharp Pins and Feeling Figures; today the powerhouse label announces a fresh LP from Winston Hightower. Much like the title, “Lay Low,” the song feels like a strong vocal experiment; the poetry is weaved through various musical textures, subtle in its presence, allowing Winston’s voice to bob and bounce between the lines. I love the video, particularly when you can see Hightower soaking in the joy of his own work in the studio. 100 Acre Wood is out on April 13th.

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