Tag: new album

Enumclaw Sign with Run For Cover Records

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There’s just something about the songs Aramis Johnson writes for Enumclaw that have the perfect balance between emotional indie rock and punchy rock. Their latest single, accompanying the announcement of a new album and their singing to RFC, encompasses that tightrope act, walking between these thoughtful moments that would fit on any modern playlist, all before bursting into these riff-oriented crashing waves; it forces you to find your footing emotionally, while also indicating the joyous nature that coincides with Johnson’s songwriting. Home in Another Life will drop on August 30th.

WUT Announce Mingling with Thorns

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When your band’s resume features members of Knife Pleats and Tough Age (plus an appearance from Christina of Artsick), you already come to our ATH table with built in clout. WUT is the band, and they’re not messing around as they announce their new record, Mingling with Thorns for the masses; it’ll be out later Summer via HHBTM Records. Today, we offer up this rolling bit of jangling pop, and almost from the first falling vocal I was floored; the line “sea of green/empty screen/I’m waiting/Now I know has this beautiful voice that just drops the tone, sucker-punching you with charm…a feat they continue to utilize throughout. But, this track’s not about a singular moment or mere vocal treats; take a listen to the buoyant bop right at the 33 second mark, twisting the song with just the slightest wrinkle. Within the lyrical confines, you’ll find the band questioning the patriarchy and capitalism, reflecting and wondering where one finds their way in such antiquated systems. For now, the only way you need to go is towards the band’s site and pre-order a copy of Mingling with Thorns; it drops August 28th via HHBTM.

Cursive Return with Devourer

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As an avowed Cursive fanboy, I feel obligated to tell you that they are returning with a brand new album that’s going to blow you away! Today, Run for Cover announce they’ll be releasing Devourer, their first album in five years! I love the new tune, and feel like it might possibly be some of the best stuff Tim’s done since the Ugly Organ; his vocal control throughout the single is as remarkable as ever, solidifying his role as one of the voices I’ll always carry with me. I don’t need to wax poetically here, as if you’re reading this site, you likely already love the band and their work; the new LP will drop on September 13th.

Justin Sconza Shares View of London

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I suppose the rainy weather in Austin at the moment has me on a heavy diet of soft songwriter works, and Justin Sconza is another one of those great voices that I think you’ll enjoy this morning. The single below features on Justin’s new album, Campfire, which you can grab right now, if you’re inclined. One of the reasons his work resonates is the artistry and craft, as Sconza is the sole composer on all the elements in his songs. He manages to take the basic strum and build of a ballad, but then builds these textural layers into the tune that make it swell into a masterpiece. Personally, that plodding piano line working atop sharp beats set the scene, letting his cooled voice gently wash over you. Give this a listen, then consider checking out Campfire.

Shortcuts Announce Gather LP

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Our friend Stephen Svacina was a long time Austin resident, working in bands like Sweet Talk and Missing Pages, but life led him to Philadelphia where he’s hunkered down to complete his first album as Shortcuts. His earliest songwriting endeavors owed to a punk fanaticism, but on the Gather LP, it looks like he’s turning towards a more melodic brand of guitar pop, mentioning acts like Tall Dwarfs and Cleaners from Venus as nods he’ll be making throughout this new record. The single below has this natural springiness to it, bouncing right off the fret board through to your ears; his vocal delivery is calmed and offers up careful melody, balanced perfectly in the mix. Gather will be released on June 28th.

The Martial Arts Share Not Coming Down

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There’s a new album coming soon from The Martial Arts, and if we’re going in on this new single, it sounds like we’re going to be spinning around to some magnificent pop sweetness. The band claim this is “the indie pop/power pop answer song to Irene Cara’s ‘Flashdance (What a Feeling)’, and that makes sense as there’s a certain pop stomp that cruises through the song’s front half; it’s as upbeat and fist-pumping as you’re going to get form a pop rock act. They double down after the 2 minute mark, driving the riffs and infectious nature right through the speakers with such volume that your body is naturally inclined to sing-along, even if you haven’t memorized the lyrics just yet. You’re allowed to have fun and still be cool, I promise. We’ll keep you posted as we hear more about the new record, slated for an August release from WIAIWYA.

Great Earthquake Shares Trauma and Impact

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Noah Symons has a catalog chock-full of explorative pop music under the name Great Earthquake, and it looks like we’re set to see another album from the songwriter come out this August. Beginning with a little metronomic beat, the track starts at a crawl, letting Symons settle into the moment as guitar lines dangle themselves into the mix. As it progresses, a synth line of atmospherics and a snappier bit of cymbals and snares build the texture beneath Noah’s voice, giving the tune this nice little dosage of sweetness that elevates the emotional ties here. The new LP Abstract Expression will be out on August 2 via Lost and Lonesome.

Sinai Vessel Announces I Sing

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Our friend Tony from the excellent Keeled Scales reached out to us the other with news of another great LP he had ready for this summer, Sinai Vessel. The first single from the record popped up yesterday, with tons of folks clamoring to hear what the band and the label were offering, and we were all rewarded. Caleb Cordes, at least evidenced in this track, isn’t really trying to get caught up in the modern realm of cool flourishes and dreamy atmospherics, instead delivering really classic songwriting. There’s a great softness to Cordes voice, and the song itself feels very delicate, in the best way possible; it all makes sense, as Tony’s got an ear for great songwriters. Keeled Scales will release I Sing on July 26th.

Exit Row Drop Hauntology

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You can always count on Athens, Georgia to have an independent spirit just ready to pop out, much like Exit Row, who’ve just dropped Hauntology. The trio are employing a similar style to regionally adjacent act, Omni, especially if you listen to the below focus track from the release; it’s got that similar jittery bit of angular guitar lines seemingly crawling all over each other, scrambling to make their way out of the speakers. That said, there’s something in some of the way they play with the vocals, operating almost as more of a transmission from a distant planet, which I certainly found as a cool touch. But, please listen to the whole of the LP, as there’s a great bit of variance, and all of it equally as charming as what you get here!

Nightshift Announce Homosapien LP

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I can’t tell you how excited about a new Nightshift LP on the horizon. I actually only got into the band a few years ago when they dropped Zoe (though I somehow ended up with a CD not an LP–weird choice on my part), but I did play it out pretty non-stop. I likely wanted to put the Glaswegian lot in that post-punk box, though if you listen to their new work, it’s clear that they’ve carefully been wiggling out of those trappings since the get-go. Little slinky guitar notes angle their way into the picture, washed ashore via the ambient soundscape behind; Eothen Stern scrawls her vocals across that soundscape, though the notes leave plenty of space for musical cascades to fall from the speakers, sharply knifing through each up-and-down note climb. It’s like they’ve embraced the jam, albeit in their own distinctive nature, and we’re totally into it. Homosapiens drops July 26th via Trouble in Mind Records.

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