Have You Listened to Walt?

Seeing as we’re always trying to bring you the best news from the Australian scene, I thought I’d introduce you all to Walt…another great act out of Melbourne. But, while the relaxed pacing of this single might be familiar to those in love with this particular musical scene, the comparisons stop there (thus why pigeonholing scenes is dumb–note to self). Musically, this is dense pop world that doesn’t feel crowded; there’s plenty of space for movement, allowing notes to take on this resonation that billows through your speakers. This dream vision is one of the earliest glimpses we get at Walt’s craft, with a debut album dangling on the horizon.

That New Tim Cohen Tune from You Are Still Here

Well, this Tim Cohen tune came out yesterday, but our attention was turned to our Catenary Wires/Heavenly, etc takeover, so we didn’t get a chance to praise the tune, until now! It’s been really interesting watching the Fresh and Only’s front man weave his way in and out of his solo career. This tune has this certain slow-burn to it, like a candle flickering in a dark carpeted room, perhaps for sance purposes. For me, aside from this voice, I think my favorite thing is that he seems to have completely erased the sound I associate with him, almost presenting me with something brand new…like a Cohen protg, with just a little more pain in the voice. You Are Still Here will drop on March 26th via Bobo Integral.

 

The Catenary Wires

With everything else going on, our main band, The Catenary Wires, took a back seat. We had a bunch of gigs booked in the spring, but obviously they all had to be cancelled. However, the album that we had started putting together at the beginning of the year is now nearly finished. We managed to record a few songs here, before lockdown, but most of it has been recorded since. Fay recorded her keyboards at home, Ian added some extra finger drums, weve done our parts and Andy has played bass and put the whole thing together beautifully. We are lucky to be working with a band who arent just musically gifted, but technically clever too. We are going to release a single early next year, called Mirrorball. Its the story of two lonely individuals who attend a retro 80s disco, and are forced to re-live the horror of the worst music of that decade but then make eye contact across the dancefloor. Yes, its a love song!

We dont have a video ready for the single yet, but we thought we might include a live performance we did for the Wedding Presents At The Edge Of The Sofa virtual festival. These songs will be on the new album: they are The Overview Effect and Like the Rain.

Follow them @catenarywires. Buy music HERE.

Katy Kirby Shares Title Track from Cool Dry Place

On Katy Kirby‘s latest single from her much anticipated Cool Dry Place LP I’m really in love with the way she uses the song’s storytelling to naturally build tension. The exposition has this careful fragility, mostly Kirby working her voice over ornate guitar play and light percussion; you can feel the volume grow, moving towards a more pronounced moment. But, even then, it’s a false dawn of sorts, as there’s still a more pronounced presence coming down the line…a climax of sorts…all this powerful storytelling, and that’s not even getting into Kirby’s lyrical content. She’s at the top of her craft here, and there’s no looking back. Expect big things when Cool Dry Place drops via Keeled Scales on February 19th.

Freshcard Releases Brand New LP

The collaboration of Stanley Brinks and Clemence Freshcard has given us several gifts, with Midnight Tequila being my favorite of the latest entries. Unsurprisingly, Stanley wrote a bunch of brand new songs for a new Freshcard LP, and here we are with Five Mountains. For me, the duo’s power revolves around their ability to maximize emotion in these seemingly stripped down numbers. Brinks offers minimal percussion, staying out of the way throughout the LP, allowing the light strum of Clemence’s guitar to lift up her voice. If you’re into that realm where folk and pop intermingle, then you’ll be delighted to hear this album today.

Shame Announce Drunk Tank Pink LP

The moment we’ve all been expecting has come to be; Shame, today, announce their brand new LP, Drunk Tank Pink. There have been hints that something was in the air since the release of Songs of Praise…but I’m actually referring to the musical style they’re brandishing on their latest batch of singles. They seem to have discarded the formulaic call and response post-punk that’s become quite the fad, instead favoring a more elaborate approach, often slowing things down to let notes ring out and build that internal tension for the listener. There’s still a solid release, but there’s time to reflect, rather than just be bashed over the head by blunt rock. Drunk Tank Pink will be released the day before my birthday on January 15th via Dead Oceans.

Enjoy This Orchid Mantis Tune

It’s more likely than not that you are unfamiliar with the experimental sounds created by Atlanta based musician Orchid Mantis. I assume this not because the music is not worthy of recognition, but because the artist has flown largely under the radar for the last several years (possibly on purpose). Popularity and notoriety will surely follow if more songs like this one called “Can’t See the Sun” continue to find their way onto the interwebs. Though somewhat experimental, the track is just downright catchy as hell and evokes a feeling of a more stripped down version of Beach Fossils with vocals akin to Jonathan Pierce of The Drums.

This song appears on a new album entitled Far From This World due out November 20th on Z Tapes.

 

3108 Releases Brand New LP

Kyle Hill already has a few albums beneath his belt as 3108 that we’ve covered previously, and he’s just returned with this 3108 (YLW), his latest long-player for Dreamland Syndicate. Listening though the entirety of the new record, you can kind of hear the journey that Hill has taken during his lifetime, or at least time as a musician. It opens with “The Shame of it All,” this sort of psychedelic power-rocker, like if J. Spaceman ever decided he wanted to craft a rock-song. “Subside,” the next tune, brings in this sort power-pop garage vibe, and its been one of my favorite tunes of the record. Of course, I’d be remiss if I didn’t remind you of “Counterpart,” this pseudo-new wave psych pop rocker that is surely worthy of repeat plays throughout the rest of your week. Little psych here, little garage there, lot of pop and a whole lotta good on this record, so be sure to press play below!

The Boys With the Perpetual Nervousness Return with New LP

Please label this under things I desperately needed but had no idea were coming…a brand new LP from the Boys with the Perpetual Nervousness. The band, a duo split between Spain and Scotland, charmingly won me over with their debut, Dead Calm. It was a this perfect amalgam of all realms of pop, past and present; it seems like they’re not straying too far from that with their latest release, as you can hear in the single below. It’s got huge harmonies shared between the two singers, giant sweeping pop chords that ring out brightly in the mix and just enough of a beat to keep things rocking along. They’ll release Songs from Another Life in February of next year via Bobo Integral.

Coral Share I Just Want You Cause You’re Gone

Coral is a new Swedish project that just recently popped up on my radar, primarily the work of Miranda Coral Engholm. I’m sharing this new single for multiple reasons. First, the video just reminds me of what it feels like to be fun and free. I know we can’t all get that now, but if this video offers and solace, then its done its job. Second, I can’t get the guitar line out of my mind; like its burrowed in their like some musical ceti eel. I want it to just kind of run though my brain all day in every little thing that I do. Oh, and it doesn’t hurt that Miranda has this sparkling voice to match that guitar line, creating this wonderful pop gem you’ll devour on this Monday.

 

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