Tag: new single

Mandy Shares Forsythia

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Being a fan of Miranda Winters other gig, Melkbelly, is not a requirement to enjoy her new project, Mandy. What you will need, however, is a thirst for huge riffs and soaring melodies; they’re plentiful in the latest single from the forthcoming Lawn Girl LP. Those distorted waves of guitar noise greet you from the get go, and they continue to climb and crash against you time and time again. The necessary hook for repeat enjoyment (which you will have!) is definitely part of Winters’ vocal delivery; I enjoy the way her voice climbs up then drops back down in each little verse. This record’s going to rip, so turn up this tune and grab a copy from Exploding in Sound before the April 26th release date.

Gregor Shares Angels Single

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There aren’t a ton of artists out there making pop quite like Gregor does. You listen to his work and there’s so much space, allowing his voice to just reverberate as it billows through your speakers, much like in his newest single. I love the way it feels like Gregor is sort of haunting the shadows of this song; the guitar notes ring out, almost echoing while the dulcet tones from the vocals creep through all the empty space. And, just as one gets used to this sort of darkened stationary state, the vocals rise, a brief emphatic burst of up and down tones that faintly remind me of Bowie’s range within short phrases. Gregor’s work continues to beckon me with each new single; I’ll be looking forward to Satanic Lullabies, out May 10th via Chapter Music.

Mammoth Penguins Share Flyers Single

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It should go without saying that the new LP from Mammoth Penguins is definitely high upon my list of things I’m most excited to get my hands on, and today they’ve dropped another bop right into your ears. On my two cents, I love how the group manages to bang out these heavily distorted riffs, yet wrapped them this buoyant rhythm section, creating this infectious edginess. Emma Kupa, of course, sells the hook with her typical powerful vocal performance; the track’s detailing of the challenges of that rock n’ roll lifestyle are likely relatable to anyone who’s managed to get a record recorded and hit the road; it’s not an easy life…but I’m guessing folks like Mammoth Penguins wouldn’t trade that for the world. Here is out May 3rd via Fika Recordings.

The Ar-Kaics Share Stone Love

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While the latter half of this fresh Ar-Kaics tune takes off in a fiery ball of psychedelic stomp, you’ve got to lock into the classic rock grooves of the first minute or so of the tune. There’s a bit of an assured swagger to the riff work, but there’s this openness that seems faintly celebratory, like one’s gathered up in a van full of friends and ready to hit the road. When they hit the road, tambourines and shakers are passed around and everyone’s on board to ignite the fire that lights up the song’s latter half. There’s definitely an interesting juxtaposition, as the front half totally owes a debt to the classic while the back half is more akin to early Oh Sees or Black Angels. They’ll release See the World On Fire via Feel It/Bachelor Records.

Cola Release Pallor Tricks + Announce The Gloss

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One had to know that Cola was just around the corner from a new release, as they’ve had several singles pop up as of late. And indeed, yesterday we found out that The Gloss is coming our way very soon; the announcement came with a brand new single, and one that certainly illustrates the fascinating structure of the band’s songwriting. Throughout the opening minutes and into its core, “Pallor Tricks” sees to work against itself sonically, with guitar lines jutting against one another like puzzle pieces you can’t force to fit. Tim Darcy settles it down in the verses, though that anxiety-inducing aura still hangs over your head. Mild melodies seep into the chorus via Darcy, perhaps one of his best parlor tricks as he’s able to turn his indifference into something very pop forward. The Gloss is out June 14th via Fire Talk Records.

Aluminum Share Beat Single

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This day old bread from Aluminum is certainly taking a nod from some of Britpop’s finest. They obscure the sound a bit by building in these guitar textures that recall recent acts like Dummy or Peel Dream Magazine, but it very much feels indebted to to mid90s Britain. Vocals hide in the middle of the mix, even with the backing vocals sinking within, encouraging the rhythm of the tune to be the driving force that captures your attention; you’ll feel the melodic pop bits as they soak into your skin, but you’ll still feel like turning it up nice and loud. A little bit of everything, making Fully Beat an album to keep an eye on; it drops via Felte Records on May 24th.

Amy O Shares Early Days Single

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If you’re looking for a repeat of “Dribble Dribble,” you might want to check your expectations at the door, as “Early Days” provides a different glimpse at Amy O‘s songwriting. Below, you’ll hear a track that opens up carefully, working with Amy’s vocals over a guitar picking that leaves plenty of space for the notes to resonate in the empty space that surrounds you. There’s certainly some textural notes behind the guitar and vocals, providing the necessary bulk that makes the track more than an average tune. Personally, I’m interested in sharing it with my wife, as the track details Oelsner’s mothering journey that began in the early stages of the pandemic, much like my family’s experience, so something we can all relish together…and share with our daughter. Mirror, Reflect is out via Winspear on May 10th.

Camera Obscura Shares Liberty Print Video

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Long ago, when a friend first suggested listening to Camera Obscura, I remember that it was all about Tracyanne Campbell’s voice; it felt steadfast in solitude, yet charming in its emotional power. When I listen to their latest single, “Liberty Print,” I can still feel the majesty in Campbell’s vocal performance, though sonically, you can hear the band moving in new directions; even Tracyanne comments that “it’s the song most unlike anything we’ve one before.” That charming openness of the song, leaving drifting guitar notes atop sampled synth notes is perfect, leaving the song with tons of space to be filled…and they do, adding in snappy drum work that gives the song a bit of gallop. Lyrically, the song manages to detail Campbell’s grief (after the passing of her brother) from within the context of a buoyant pop song; this the charming craft of a songwriter few can beat. Look to the East, Look to the West is out on May 3rd via Merge.

Immaterialize Share If Dinner Single

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That Chicago scene is so hot right now! Another act to keep an eye on is the new project, Immaterialize, who’ve shared their latest single that seems perfectly fitting for an eclipse world. Upon pressing play, you’ll find a deep beat that pulses and trickles throughout the tune; you’ll also hear a cloud of atmosphere pressing into the speakers, creating this dreamy blanket of anxiety that you’ll somehow find comforting. I think that owes to the drifting of the vocal work, almost operating as more of an instrument than a pure vocal piece, allowing you to kind of watch as the song moves in then out. Drift right into this one!

The Looniest Toon Shares Analysis Paralysis

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It’s difficult to put yourself out there, for starters. But, to do it with such sincerity and make it feel beautiful is even rare, so my hats are off to The Looniest Toon as they prepare the release of Tripp Avenue. Bex Gaspelin fills the EP with details of her own mental health struggles, building a musical world of her own as a coping mechanism. As I listen, the natural bounce of the synths working over a thumping drum spins you into an otherworldly realm, with the vocals operating as a glimmering message from a far off distance. The dreamy nature allows for the song to offer a beacon of light to listeners, a place to get lost all on their own. Give a listen.

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