Verandan Share Night Single

With a few singles under their belt in 2021, Finnish outfit Verandan have one final tune to close out the year, appearing on a compilation for Spanish label Kocliko. This tune doesn’t stray too far from the band’s sound, creating this natural softness that leaves tons of open space for reflective notes; it does feel like its something Phil Collins would have had his hands in crafting. Ville’s voice is just magical here, and I can’t get enough of each little note as it curls around the dense musical underbelly. The group are working on a new album for next year, so keep your eyes and ears peeled for that news!

Nicfit Share Deviation Video

Looks like we’re spending some time on the Japanese tip today, getting you into Nicfit and their latest single. The band operate with this sound that feels like you’ve taken the best bits of Fugazi and like-minded post-hardcore outfits, then mixed it up with modern twinges of psychedelia and pop music. At times the track can feel really heavy, particularly as it smashes to a close, though it can also feel fun and off-kilter immediately following. The track keeps you guessing, which makes for the best listening longevity. They’ll be releasing their Fuse LP in January via Upset the Rhythm.

New Single from A. Sinclair

We’ve been covering Aaron Sinclair’s music since he fronted Frank Smith back in the day, but he’s been knocking around Austin as A. Sinclair for some time, as well as moonlighting as a drummer in various rad acts about town. This last week he released this wonderful new single, and I’ve really just been relishing his vocal performance here; a nice little polished feel, though still every bit as emotive as he’s always been. I’m also fond of the way that guitar line sort of bends around the track too. Feel like this is a great way to kick off a Thursday, so enjoy the latest from Austin.

Ryan Pollie Shares Don’t Lie Single

Friday, you’ll be able to get your hands on Ryan Pollie‘s new LP, Stars, dropping courtesy of Forged Artifacts/Mapache; but, before you get there, why not tease you with one final single to lead you with a trail of joy. There’s this beautiful fragility to the tune, carried with a sense of uncertainty in the lyrical content. Every time I press play, I feel like this is the journey I’d be on if I’d grown up an emo kid with a penchant for covering Grateful Dead songs; there’s something about both sides of that coin that seem to reside in this single…and frankly, I think that’s stunning, so I can’t stop pressing play here. Don’t forget the LP drops Friday.

End Scene Share Bittersweet Spell

When you send me an email name-dropping the Go-Betweens and early REM, you can bet I’m going to listen, and likely going to cover it. Such was the case when Sydney’s End Scene sent me their latest single, “Bittersweet Spell.” This tune has great ringing guitar lines, but they’re delivered with the vocals that seem weighed down with emotion a la Michael Stipe; this is the sort of tune you’d probably say was penned by Robert Forster if we’re sticking to the band’s musical nods. One of my favorite things here is that the tune has this sort of quiet magic; it’s the sort you play time and time again without even knowing it, gradually swooning more and more with each listen. If you, like me, love it, then be sure to check out the band’s forthcoming LP, All My Ghosts, which drops this Friday.

Pink Milk Share New Single, I Lose My Mind

Having just recently released their album, Ultraviolet, Sweden’s Pink Milk return with this hazy bit of dreamy indulgence. Every musical note seems to shimmer, hanging in the air like some sort of foggy mist descending upon your bedroom as you play this track through your headphones. There’s something angelic and haunting in the vocals, like the faintest echoes from lives lived in the past; they seem to always be just out of reach, creating this sort of disorienting feeling that I assume ties into the title of the tune. So, if you’re into altering your mood this Monday morning, I suppose you can’t wrong immersing yourself into this experience. And be sure to also check on Ultraviolet.

Reptaliens Drop I Feel Fine

Another January release I’m excited about here is the new LP from Portland’s Reptaliens. Now, with this record, the full songwriting was paired down to just Cole and Bambi Browning, and while I’ve enjoyed previous releases, the switch in approach seems to have provided the perfect vehicle for Bambi’s voice. There’s just something coyly playful, but also sort of indifferent in the way each lyric is dropped out there into the world. Her performance in the chorus takes on a softer melodic tone, but I think it has a stunning contrast, giving the sound this sort of solid base to carry on its own adventures. Those little nuances included a mix of spaced guitar licks battling for space with the surfier nots, both constantly pushing to keep track with the voice. This is for sure a tune and a half! Multiverse is out on January 21st via Captured Tracks.

Wombo Drop New Single

On the heels of their Keesh Mountain EP, Wombo return with a brand new single…and a tour announcement. I love that the band describes this tune as “the balance between chaos and structure;” it definitely fits with my listening habits. The guitars throughout the song do have that dangerous edge, particularly when the song opens up. But, it’s Sydney Chadwick’s voice that drives the song, letting the guitars and drums work around to create the balancing act while she steadies the ship. Just a really solid tune with these slow burning riffs and smoky vibes that easily sedate you as you kick back and immerse yourself in their latest jam. They’ll be kicking off a nice tour in March of next year that starts at SXSW, then sort of bounces around the middle of the States, so keep an eye out.

Azure Blue Shares Define Your Dreams

To celebrate the 10 year anniversary of Rule of Thirds, Tobias Isaksson and his Azure Blue project share a brand new single, with hints at a future record on the way. This one hits hard immediately, pulling in a pulsing synth beat and these heavy grooves that drive the track forward. The song flirts with a dark edged vibe, though Isaksson’s voice constantly provides a melodic flourish that’s hard to ignore; I love how his vocals always seem to have some calming gravitational pull while the tunes pulse and push around him. For now, we’ll let you enjoy this new tune courtesy of Hybris Records, but we’ll keep you in the loop as we get more info on the new LP.

Marissa Paternoster Shares Final Single from Peace Meter

This Friday Don Giovanni will be dropping Marissa Paternoster‘s proper debut as a solo artist, and we’ve been covering the singles all along the way. I’m excited by the album because I feel like we’re really getting some insight into Paternoster’s life, and while its been there before, it feels much more intimate and relatable in the presentation of this record. Musically, this song seems full, yet stripped down. The mix feels peeled back like the layers of an onion, leaving us with the core that is Marissa’s unique voice driving the emotional pull of the track. Peace Meter drops Friday, so be sure to check it out, grab it, you know, support your favorite artists.

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