Michael Beach Shares Societal Breakdown

Is it Goner Records Week over here at ATH? We’ve covered Power Supply, Exbats and now our friend Michael Beach drops this great new single with Goner as the follow-up to his most excellent Dream Violence. This new single is this crunchy rocker, fuzzed around all the corners, with Michael struggling with the ways of the world, as alluded to in the song’s title; you can feel that strife in his vocal delivery…or so I think. For me, a fan of ten second snippets of joy, there’s this great moment at 1:42 (and 2:43) where the drums stutter, and Michael’s voice softens, delivering this beautiful melodic moment amidst the crashing guitars that really will stay as part of a collection in my bag of the “Best Ten Seconds.” Please enjoy!

Cold Beat Drop Year Without a Shadow

When I first pressed play on this hot track from Cold Beat, I kind of thought the synth work reminded me of Robyn; I expected Hannah Lew to burst in with this exuberance. Luckily, the hook gets delayed, and even when present it feels obscured by the band’s own stylistic nuances. Right before the 2 minute mark, for instance, there’s this shining pulse that bursts through the mix, but in the distance, there’s a wash of atmosphere that kind of sedates everything in this heavy wash. Ultimately, what I love about this song, and the album that’s coming with it, is the ability to show this restraint, sort of offer up a steadied exploration of electronic leaning dream pop; it really lets you revel in the craft. War Garden is out tomorrow via Like Ltd.

Still Corners Share Heavy Days

After dropping The Last Exit this past January, Still Corners return with a reminder of their dreamier side on the new single “Heavy Days.” Synth lines dance in and out of the verses, propelling the song along with the rhythm section pushing forward. Guitars are mostly absent here, though they appear in expansive form in between the verses, serving as a great link between this tune and their last LP. The song’s lyrics serve as a wonderful reminder for all of us to “turn it off to stay sane,” which is as solid a motto as there can be for those of us hooked on our socials. So, listen to the song, then turn it off!

Good Morning Share Burning

I don’t remember the first time I wrote about Good Morning, but suffice to say, its been quite awhile. Over the years, they’ve gradually grown in both confidence and styles, and this new record of theirs seems to show some maturity in songwriting that might not have been expected. This track’s got a steady pop ballad vibe through it, bouncing on the back of a bounding piano line, though I think they tether themselves to their past with a little bit of heavy guitar distortion in-between verses. They’re still a little distinctive inflection in syllable delivery, such as the line “when I was a child/going out for the night” that just gets me; its a slight moment, but those little nuances that grab my ears. Barnyard is out on October 22nd (that day is packed with jams!) via Polyvinyl.

Public Body Share Formica Single

There’s something in the water today down in Brighton, with this new track from Public Body being our second offering from the city today! This group is both exciting fun, seemingly crafting their own post-punk recipe with influences from the likes of Devo to Parquet Courts…and probably bits and pieces of everything in between. It’s the sort of tune that immediately feels like your thrust into the live setting, pogoing about with a huge shit-eating grin strung upon your face, looking around, and everyone feels the same…its a communal joyous rapture…and we’re grateful Public Body have provided. The group will be dropping their Flavour of Labour EP this December.

Emma Russack & Lachlan Denton Share Done My Time

On the first single from Emma Russack & Lachlan Denton, Lach took the spotlight, but here with “Done My Time” the control is given to Emma. I really fell in love with the percussion here, soft and gentle, like something you’d hear on an early Belle and Seabass album, or a Kings of Convenience track, like a fox running through the snow. Emma maneuvers her voice atop a softened strum and a punctuating piano line, adding just the faintest bounce. Fall’s creeping in on our end of things, and its starting to open my tastes up a bit more to some great contemplative pop, so this is perfectly fitting. Something is Going to Change Tomorrow, Today. What Will You Do? What Will You Say? is out on October 8th via Bobo Integral.

Swansea Sound Announce Live at the Rum Puncheon

Surprise! We’re working with Swansea Sound! The band, made up of members of Pooh Sticks and Heavenly (as well as Catenary Wires and Talulah Gosh) will be releasing Live at the Rum Puncheon on November 19th; it’s a join affair with various media available; we’ll be handling the cassette version here in the States on ATH Records. While a few of the tracks have been tossed out as early singles, not to mention the incredible E-Bay auction, everyone involved felt it only worked to announce the album with a brand new track for you all to enjoy! Plus, if you head to the band’s site, you can hear the song in Cymraeg. We’ll keep you up to date with things, but we wanted to celebrate and with you all and tell you how stoked we are to be part of this. Keep up to date with various ways to grab the album by checking in on the group HERE.

Sweet Nobody Share Young in Love

Choo choo! That’s right, that’s the sound of the Sweet Nobody hype train rolling right through the ATH campsite. The Long Beach band’s newest single is a bit of a slow burner, pulling on you with Joy’s opening vocal display. Soon, she’s joined by the crashing waves of the rest of the band, and while the guitars are tethered to a bit of a pop jangle, you can also hear a bit of pure fuzz still buzzing on the edges here. I love how the band seem to walk that perfect line between indie pop and indie rock accessibility. Be sure to keep your eyes out for We’re Trying Our Best, out on September 17th via Daydream Records.

Furrows Share Grey Cities Single

Furrows, the project name of Peter Wagner, is a relatively new act on my radar, but I’ve really been able to dive headfirst into the latest single, “Grey Cities.” The song is a sort of reflective piece for Wagner, who said the tune is an “elegy for all the ghosts we carry with us,” and the music seems to match up with that, even allowing the voices to have their own voice. Up through the first two minutes, you get this steady strum and drum work, not too far off from where you might find a Real Estate…then, just before the 2 minute mark, you get to hear the past start to make itself known, with little nuanced notes ringing out in the mix.

Kyoto Lo-Fi Return

Our old Dallas based friend Nehuen Erazo and his band known as Kyoto Lo-Fi fell mostly silent during the seemingly never ending pandemic. Now that things are sort of (are they?) getting back to normal, the band is playing around with some new sounds as they look to create a ton more music in the coming months. The first taste of this new material comes in the form of this new track “Everything is Forever” which features the band expanding on their indie pop sound and sprinkling in some edgier, rockin elements with growling vocals and an overall more frantic pace. I’m excited to see where we go from here.

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