Tag: new single

Keeps Share Brand New Single

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Years ago, we befriended Tennessee’s Keeps; we even had them play one of our SXSW parties (before we got priced out of fun). So, recently they reached out to let us know they had this delicious new tune we might want to check out. I was hooked immediately, as they employ this shattering guitar wall, woven in the track’s natural melodic fabric, keeping the heavy pop vibe. In the verses, you get something that definitely feels akin to a lot of modern acts, something you might find on a Good Morning or Hovvdy single too. We just really love the way that chorus kind of rides through your speakers, and we hope you’ll feel the same.

That New Tim Burgress Tune

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I generally try to avoid tracks that hit more than 1k streams on the ole YouTube; I just figured there’s another band that needs my small voice. That being said, when two things happened when listening to this track from Tim Burgess; it’s actually just one thing, me and Tim meeting in the middle. As soon as I played the track, I got transported to my youth where I was spending a lot of time with what was coming out of Britain, the Charlatans being among that lot; it was a feeling radiating from the track, something emotionally pulling on me. So, I read the press release and Tim’s quotes as saying “it’s a simple song, and it’s a feeling more than anything.” Me and Tim, tied together by a mutual feeling and a really incredible pop song. Just enjoy it.

Ceremony Drop New Single + Hit the Road w/Turnstile

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It’s really interesting to hear the progression of Ceremony throughout the years. I’ve seen the band put on some incredible shows (that Fx3 was a real highlight!), fueled by Ross Farrar’s harsh vocals and bravado as he stalked the stage. But, I’ll be honest, this new single from the group definitely feels like something more up my alley, at least nowadays. It feels like something Edwyn Collins would be behind, sort of hinting at jangling, but adding a little bit more of a jazzy inflection to it to kind of give it this dark lounge act groove. It’s a plot twist, but I dig it. You can hear it on the group’s new Vanity Spawned by Fear 12″, then try to catch them on the road, as they’re hitting the whole of the US through April/May.

Vintage Crop Drop the Duke Single

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The release of Kibitzer is still a few months out, but this new single from Vintage Crop definitely has me anxious to hear what’s in store from the whole record. Immediately rushing in with this frantic brand of spastic post-punk, you’re quickly called to riot, with the song begging you to take on the energy. Tossing in a chorus of “the duke/the duke/the duke” seems like the perfect call to arms for a live audience, throwing up your fists in the air as you shout the chorus right back at the band. Then, turning and twisting with furious electronics, it’s halted, and the song’s over. You’ll have to wait until June 24th to hear more from Kibitzer, dropping courtesy of Upset the Rhythm.

Baby Combat Share Heaven is an Izakaya

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We’ve been jamming to Portland’s Baby Combat quite a bit the last year or so, and this new single continues to illustrate the beauty of Noel Yeo’s songwriting. It opens with a bit of restaurant noise, perhaps an allusion to the song’s love of an izakaya (Japanese pub). Then sharp guitar lines start to ring in your ears, with a heavy bass groove bobbing in the ocean’s beneath the front of the mix. I love how Yeo hits some high notes, like in the area right after the 1 minute mark, keeping the song earnest and playful. In the end, one of the reason’s I adore Noel’s songwriting is that it very much hits the notes of fuzzy pop, but it never quite settles; the track’s always seem to take a turn here or there, offering a little wrinkle that allows things to continuously captivate listeners and sound fresh.

Ted Tyro Release How Can Single

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A band featuring members of Wombo and Murals, dedicated to the sounds of Talking Heads and Omni, is surely going to find its way on our pages. So, here we are with Ted Tyro and their latest single. Let the first half of the song set the scene, calmly wrapping guitar notes around you, allowing the vocals to sedate you as the drum work keeps time. Then, you hit the 1 minute mark and the chorus jumps in, shifting the focus into that more artful twist and turn you might find in a track from the aforementioned Omni. But, I’m digging on how its a little heavier here, at least in tone, just on the cusp the angular ways alluded to elsewhere, but rounded and darker…as the band are clearly making their own path with this fresh tune.

ViVii Drop New Single, Vegas

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One of the acts Brian and I really enjoyed at SXSW was Swedish trio ViVii; they offered up a dreamy brand of pop that actually felt like it was crafted in Texas. You can hear that in the band’s new single, particularly in the way the vocals seem to tumble across the track like weeds out on West Texas roads. Musically, things back up that approach, with guitar notes bending and turning, all the while hitting those crisp notes that feel like Summertime. It’s a nice little dreamy dose of pop from an act we’re really enjoying; keep an eye out for their new MaviDavilon EP, out June 3rd.

Best Bets Share King Cnut

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If you’re feeling, like me, a bit overwhelmed on this Friday, and just want a minute to turn up the noise and bang your head a little, then hit up this new track from New Zealand’s Best Bets. It’s a rocking from the get go, hitting with heavy riffs and guitar noodling after the band count it off at the start. The vocals definitely are filled with passion, almost sounding exasperated in their tone, but with just enough melody in the tone to make it feel like a solid bit of pop songwriting. Earnest and loud, which makes for great guitar pop all around. Grab On An Unhistoric Night from Meritorio Records.

Automatic Share Venus Hour Video

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I don’t know what it is about Automatic, but the band seems almost too cool for me to listen to on a regular basis. Today they drop another track from their forthcoming Excess LP, and I just can’t help but get sucked into their tunes. At its bare bone, the songs are these bopping exercises in rhythm, with little else moving through aside form the bass and drum work. Yet, there’s something in the way the vocals feel sheepishly hip, like they’re unaware how much cool exists in their craft. They remind me of this weird mixture of Deep Time and Pylon, thrown in with a nod back to 60s pop groups; Excess is going to rule, and it drops on June 24th via Stones Throw.

Chronophage Share Black Clouds

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One of the reasons the Austin music scene can be so frustrating is the fact that Chronophage aren’t one of the most talked about acts around. Just recently they uploaded the stunning “Black Clouds” with an announcement of their new self-titled LP, and I should have rushed to share. In the opening minutes, you feel as if the band have matured, sonically, coming off arty, but still headstrong…then, as the minute mark crosses the song begins to get a bit of a growl in the vocals; the song continues to grow, emphatically pushing itself into leaving you with the best song Paul Westerberg never wrote. This band should be your life. Chronophage is out on June 3rd via Post Present Medium/Bruit Direct.

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