The Chairman Dances Share New Single

The Chairman Dances are one of those bands that you treasure, keeping to yourself, except, when you can’t, because you want everyone to enjoy. You’ll find this single on the forthcoming LP, the Strength of Your Arm, which comes out at the end of July. For me, this song flirts with branding itself as sort of an indiepop tune, though you could easily just file it under a mellow brand of exploratory indie rock. The vocals are feathery, with light jangling bits coursing through the tune; I’ll be honest, however, as I feel there’s some resemblance here to the early charms of Death Cab, with the group really working to build in some textural elements throughout.

Check Out This New Doug Tuttle Tune

Probably not a bad day when you get to enjoy a new track from Doug Tuttle, not to mention it coming with a fresh EP announcement. I love how steady this tune is, mostly working with Tuttle’s guitar setting up the coolness of his voice. In a weird way, it kind of feels like Doug’s doing a GBV impersonation of a Tom Petty cover, so he’s sort of zeroed in on really classic pop rock sounds with just a hint of modern flare. There’s a nice little fuzzy solo burning through near the end, but the voice here is still getting the gold star on my end. Pinecone EP is being released by Wild Honey on July 9th.

Mt Misery Share Taken by the Tide

There’s something really special in store for those that are willing to take some time to sit back and listen to Mt. Misery. The Hartlepool act have this very casual pop style going on, somewhere that toys with the modern guitar pop sounds of Real Estate, though looks upon the melodic nature of some of the best in Aussie pop; it’s sort of a cross between jangling indiepop and every band you’ve been told to love. Their take is perfect, and I love the fact that the vocals have this distinctive clarity that lets you ride with the melody on your back and a smile on your face. Once Home, No Longer is out June 25th via Prefect Records.

Grace and Elliott Share Beauty Queen

I’m not going to lie, when reading about Grace and Elliott, I had to look up the Island of Guernsey where they live (it’s in the English Channel). But, one thing I was assured of was the power of Grace’s voice; it was striking from the very minute the first verse comes into play. At times it appears fragile, like it could shatter in thin air, but other moments it’s purely passion, like a fiery roar from the deepest regions of her soul. Plus, you mix that in with the emotive quality of the interplay between guitar and bass, and well, these two had me wrapped around their finger in an instant, so I reckoned I should put that before you!

New Music from Alex Riegelman

Are we Alex Riegelman stans? Uh, you bet we are! And why wouldn’t we be, as Alex is one of the kind souls of Austin’s music scene…and that doesn’t even scratch the surface of his songwriting ability. On his latest single “Once” you get to hear the other side of Alex (who stars in Big Bill), as he’s offering up this shuffling little pop number, fueled by these lightly jangling guitar riffs and uplifting synth lines. Honestly, the star, for me, is Alex’s vocal performance; I thought his opening verses were great, but then he erupts to let his pipes soar along with his guitar chops! Damn, that breakdown in the song’s close is stupendous. Get you some Alex!

Kings of Convenience Share Fever

Twenty year old Nathan was very much still in an emo/pop punk lifestyle when he encountered Kings of Convenience; it was one of those bands that kind of had me turning a little softer in my tastes, taking up some of the other pop styles in the indie sphere and really getting lost. So, here they are with their first album in a decade, and not a lot has seemed to change…though admittedly, this one does have a more “adult” vibe to its craft. Their music has always been about the vocals and the melodies they share together, not to mention the intricate crossing of guitar lines. I’m still a big fan. Peace or Love is out June 18th.

New Jam From Loulou

Wandering what’s hot from Australia? I mean, I usually am. That’s where I found the latest tune from Loulou, which should definitely have you keeping your eye on the band’s brand of rambunctious indie rock. The band name references to Eddy Current and Parquet Courts, but I can hear bits of Wedding Present in the guitar playing; I also hear touches of our friend Santi (Growl/DaphneTunes), though I’m sure that’s purely unintentional. This trio keeps churning out these great bops that wear badges from your favorite genres, yet always seem to somehow escape being perfectly pigeonholed; they’re creating their own recipe of rock n’ roll and I’m totally on board.

Justus Proffit Shares New Single, Burning the Ground

Over the last few years, we’ve managed to get lots of coverage up on LA’s Justus Proffit, so I’m going to take sole responsibility for his signing to Bar None Records (that’s how it works right?); he’s also recorded an EP with Jay Som, so maybe it wasn’t ALL me. Alas, there’s now a really strong slowcore ballad for you to enjoy, with hints at a new record, plus an accompanying video to boot. The song’s got hints of Elliott Smith, as I’ve said before, where there are moments that Proffit’s voice feels like little more than a whisper worked over carefully crafted guitar lines. He’s begging you to come sit with him, let him share his stories with you. There’s something about his song that haunt you, something that just seems to get absorbed by your soul as you press play.

CIEL Release Never Alone Again

CIEL wowed me when the dropped their debut EP; it featured one of my favorite tunes of 2020, so seeing them continue with that success in 2021 has been huge. This latest single is like taking the dreamiest elements of what Alvvays does, building in a more shoegaze guitar sound, giving it a heavier vibe, albeit one with this sparkling light star in the song’s horizon. That star is Michelle Hendriks, opening up to the audience on some of the demons that lurk in her past; it’s a dark subject matter matching the song’s tone, though the band’s approach make sure it never shies to far from great pop moments. Keep on keeping on, CIEL.

Fuzzy Bop from No Suits in Miami

Sweden keeps sending upbeat indiepop my way, and I’m not ungrateful, so here I am to push the latest from No Suits in Miami. This single is the follow-up the bands recent I Hope That No One Sees Me LP, which won rave reviews for the band. There’s a great bit of contrast in the band’s sound, using hook-laden synths and rhythms, contrasted against a nice energetic wall of distortion; it all spins you about and gives you a bit of vertigo until the warmth of the vocals rise to the top and tie everything together. No word on the next album, but this tune is sure to be part of that mix!

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