Love, Burns Shares Just for a While

Your Monday just got a whole lot better, particularly if you’re a pop aficionado! Love, Burns just recently announce a brand new mini-album, bringing a classic style of pop back into our life. You’re probably thinking that the likes of Chime School and others have done their job, but Phil Sutton’s vocals have this brilliant croon to them, which has always resonated with my own tastes. And yes, there’s jangles and playful percussion giving life to Sutton’s voice, letting the tune brim with a crystalline brand of pleasurable pop vibes. You’ll hear this song on Blue, the new release that drops on September 6th via KUS.

 

Dummy Share Blue Dada Video

Those of you who continue to look for Dummy to repeat themselves on Free Energy are going to be drastically disappointed. They’ve taken their flirtation with beats and techno grooves and given them the freedom to take the lead, whilst the group workout ways to add bulk to the vibe. For nearly two minutes, the group flirt with a sort of trippy brand of house pop, letting these subtle ,shadowy melodies run amok amidst thickened beats; you’ll find a stark change in direction at the 2 minute mark, where the band rolls out a more rock oriented vibe. Guitars ring out quickly, building another blanket of warmth within the song, furthered as the vocals wrestle with one another while guitar squiggles of noise squeeze through the speakers. Free Energy finds the group continuing to push this genre to extremes; you can grab it on September 6th via Trouble in Mind Records.

Ohr Share Runaway Video

When you wake up on a Monday, sometimes you just want to spin right into the world, and I think if you give this new jam from Seattle’s Ohr a play or two you’re going to fall in love with what’s outside your door, even if its only for a minute. There’s that same pulsing rhythm and groove that filled the minutes on old LCD Soundsystem records, though when its done here, there’s a softer skin, as if the melody’s saturated the track, putting the hook just behind the front of the mix. Don’t get me wrong, there’s still a spiritual freedom in this jam, but I love that it’s slight more of a mist of pop as opposed to a cliche downpour of beats. This tune appears on Afterglow, which drops this Friday!

UV-TV Return with the Optimistic Wrench

After a few years away, Brooklyn’s UV-TV have returned to the scene with a fresh collection of songs titled the Optimistic Wrench. They’ve always flirted with nostalgia, particularly by utilizing Rose’s dynamic vocal range, and here, they go even further back to the hey-day of Athens in the early 80s, which loosely ties to the way they came about some of the songs on the new LP; they utilized an Omnichord for build progressions, making them, like the Athens sound, wholly original here. It’s a sound tethered to post-punk in a sense, but moving beyond as they employ their own little percussive touches and jagged lines to bring it into the now. I know a lot of folks are excited for this one! The Optimistic Wrench hits on October 11th via Papercup Music and No Non-Fiction.

The High Water Marks Return with YFF

The High Water Marks are one of my absolutely favorite bands from the last few years; their last LP, Your Next Wolf, was probably one of the greatest pieces of power pop we’ve heard in years. Now, they’re back with a fresh single to honor the election cycle, taking aim at fascism and all those who’ve encouraged it’s rebirth into the mainstream consciousness. While it’s such an incredibly important topic, there’s still much charm to this track that it’s hard to ignore their graceful approach to the subject, making you melt with melody like nothing else you’ve heard this week. Maybe not Beyonce, but a great political piece you can crank up real loud.

New Single from Joyeria

I keep waiting for folks in the States to really catch on to Joyeria, as the project continues to impress with each new sprinkle of pop that comes our way. You’ll hear tons of similarities in the voice, from David Berman to Tim Darcy to Nick Cave…and that’s where you fall in love. That voice feels primal, like it’s escaping out of necessity, unable to be contained, and in such, you can feel the emotion, freshly smashing into you as it makes its way through the speakers. Musically, it’s the bits in the negative space that make me marvel, wondering how much I’ve missed, as the stark nature of the vocals forces you to focus on darkened space we often overlook…and here it’s filled with muted guitar lines and fuzzed out horn work. This song is part of a special cassette planned for a forthcoming art show…so be on the lookout for a couple of other tracks to pop up.

Abbey Blackwell Shares River or a Road

When listening to Abbey Blackwell‘s solo efforts, you’re going to get transported; her work in a sense, is reminiscent of old folk singers, like this magical crossroads between Joni Mitchell or Joan Baez on guitar with the heavy dulcet tones of Nico. It’s an enchanting place to play, with Blackwell carefully detailing our impact on loved ones, and what we leave behind in moments of separation, all of it carefully balled up beneath this ornate strum. The video below has some wonderful digitalization, bringing the sentiment in Abbey’s work to a colorful screen near you. Her album Big Big Motion is out on September 13th for those looking to disappear into an artist’s musical statement.

Sybris Share Dead, Ready Gold On Hold

Originally recorded in 2011, during the band’s heyday, Chicago’s Sybris are finally prepared to share Gold on Hold, the long awaited 3rd album. And, while the skeptic in you is surely wondering why now, the simplest answer is best: it’s just a good fucking record. My ears hear remnants of acts like Life Without Buildings or Pretty Girls Make Graves, while also harkening towards more recent trends that blend the harder edges of psychedelia and punk with a wink and a nudge. Just listen to Angela Mullenhour’s delivery, shimmying and shaking between the rhythm section, sort of sliding in and out with this prowess that lets you know both the song and the audience are eating out of the palm of her hands. Pop and spice and everything nice that’ll guarantee Gold On Hold is as awesome as I’ve promised. They release the record on September 6th via Absolutely Kosher.

Robert Sotelo + Mary Currie Share Expectations

We’re in a futuristic age, so we need futuristic music, and what better way to awaken to this world than by listening to this new single from Robert Sotelo and Mary Currie. From the instant you press play, you’re greeted with this mesmerizing stuffed creature, wiggling about as this cavernous bit of brooding no-pop pumps through your speakers. Hearing the vocals for the first time is what made my hair rise; it feels like some sort of spiritual seance, with both male and female vocals working to completely immerse the listener in this otherworldly march into the unknown. This is our first play into the duo’s new Dream Songs EP, out October 4th via Upset the Rhythm.

Feeling Figures Drop Co-Operator Single

At the risk of sounding like a complete asshole, I think Feeling Figures might be kicking out a brand of rock n’ roll that’s an absolute rarity, making them one of the biggest threats to the needle on your record player. Honestly, they completely fooled me here on their latest single, the opening track from Everything Around You. It opens with this sort of playful anti-folk, bending meandering guitar lines around one another; I was on board, regardless, but then the drums kick off, and the guitar lines take on a bit more presence, setting up this kick ass vocal that’s part croon and part growl. Crunching in for a brief moment, they blast you with pure aggression, only to pull it back a bit, like leading the listener with a carrot on a string. Some joyous backing vocals call in to join up, and the song just plunges into these depths of the best indie sounds you’ll hear this year. This record is so good, you’ll probably need two copies for when one wears out; Everything Around You drops on September 27th via K/Perennial Records.

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