TG Shand Releases The Deadpan Break

When I clicked go on the new tune from New Zealand artist TG Shand, I found this solemnity in the opening moments; there’s this motorik beat, but it seems to be pushing full force into this mellow wash of atmosphere, like its struggling to gather pace. As Annemarie Duff’s voice enters the fray, the textures begin to take color, with light brushes of guitar and synthetics brushing against one another in the background. Duff’s voice, too, feels like a texture, light and capable of maneuvering between the beat and the coating of noise. And, as the song fades, it settles into this club groove, with a slightly more bold bass line and snappier drum rhythms, pushing the tune to its close.

Slackin Beats Shares Full Mind

After a week of torrential storms and end of school activities on my end, I felt like I needed something to get me grounded this Friday, so luckily had this new Slackin Beats track to kind of kick into the weekend (and my official summer break!). It jumps in with this almost march, using the percussive element to set the beat before allowing the vocals to do their work atop the march and added percussive grooves. Just as you hit the 1 minute mark, the tune drops into magnificence, spinning with a more celebratory mood and a different vocal texture that seduces the listener. A little downtempo electro never hurt nobody, and if you’re digging it, keep your ears out for a the debut LP from the Swedish producer.

New Modern Nature LP On the Way

Jack Cooper has been rather omnipresent in the music scene of the last decade or so, being a key component in Ultimate Painting before pulling away to focus on Modern Nature. Their last LP was in 2023, and now there is news that we’ll get The Heat Warps at the end of this summer. Our first listen has the band repositioning their approach, taking grooves and riding them out into expressions of emotion, then staying stationary in hopes of letting that feeling sink into the soul of the listener. In a way, it reminds me of a sort of combination of Low and Fugazi, sort of taking music as meditation, then splicing in album themes through little clips of lyrics. Should be a definite staple of your listening this week; The Heat Warps hits August 29th via Bella Union.

Emily Hines Releases All of Our Friends Single

Since being picked up to work with Keeled Scales for her forthcoming LP, Emily Hines has definitely been growing in our listening rotation, as I’ve definitely enjoyed the two early singles from the album. With her latest single, you can hear Emily beginning to stretch her legs and settle into her sound. There’s this quieted intimacy in the production of the instrumentation, with listeners able to hear fingers sliding up and down the strings. However, there’s this exuberance and childish freedom in her voice too, which was the highlight for me, hearing her folk leanings and taking them to a broader playing field of accessibility. These Days will be out on August 1st, and will definitely get some playing time at my house.

The Perfect English Weather Share Pilgrimage

With this Spring lighting up with great indiepop, I want to make sure we take a moment to celebrate the classic pop stylings of The Perfect English Weather, particularly their charming new single. Little time is wasted here, with the tracking opening up with budding arrangements, setting sweeping brooms of chamber pop into motion, I keep being drawn towards that lonely piano line walking us along intermittently. Still, I’m a massive lover of moments, the shocking sort that just put you on your toes and sweep you away; I found it here, for the first time at the 1:20 mark, with the line “he didn’t want to be loved by people” breaking me perfectly. Their new album Just Beyond the Lights will be out on Friday via Matinee Recordings.

The Spiral Electric Share In Too Deep

We find ourselves starting our morning with another track from a great San Francisco band, the Spiral Electric. They’re bringing a sound on the edge of psychedelia and slowcore shoegaze, and you get that almost instantly as they shoot off into these mellow bending notes of guitar. You can slowly hear those notes start to build in their power, and that’s when the song blew me away, hitting the perfect chorus with a burst. But, it was the melodic twist in the vocals there that really grabbed me, reminding me that above and beyond, I’m always going to be a basic bitch pop fan with an extreme adoration for great hooks.

Ryli Give Us Break Single

When the thundering drum groove opened on this new Ryli track, it settled me for a nice little ride; I hitched on, waiting for the voice of Yea-Ming Chen to join, along with the guitars. As soon as that settled, the track embraces a cooled glow that works with this earnestness that takes a dreamier style and pushes it into something that feels a touch more haunting in its presentation. In a sense, it reminds me of a more sparkling version of late Fresh and Onlys, tying in elements of garage and psychedelia, albeit with a touch more polish to maximize the listener’s joy. The band’s new LP, Come and Get Me, will be out on June 27th via Dandy Boy Records.

Autocamper Share Red Flowers

While the opening track on Autocamper‘s new LP offered a slight nod to the Pacific Northwest pop of the 80s/90s (and beyond), their new single switches up singers, giving us a glimpse at how diverse the group’s new record will sound. Niamh takes vocal duties, sprinkling in the softer side of the pop spectrum; it’s a drifting little melody, hanging in the air as guitars and keys churn out the joy you need in your life. In a sense, it reminds me of the Allo’ Darlin, sharing a consistent charm from the song’s start to its finish. Their debut What Do You Do All Day LP will be part of the great summer releases from Slumberland; it hits on July 11th.

Tropical Fuck Storm Offer Teeth Marche

One of my favorite things about doing what I do here on ATH is being punched in the face by my own expectations. You think you know a band, you think you know what you’re getting when you press play, but then you get a band like Tropical Fuck Storm who just say “fuck you” and created art in the best way, just because it feel right. Their earlier singles from the forthcoming Fairyland Codex have mostly featured Gareth on vocals, delivering their sort of post-art-punk sound, matching his rhythmic delivery. “Teeth March,” on the other hand, has this natural unfurling, with these light guitar notes that feel like a red carpet being rolled out for singer Erica Dunn to present her storytelling. In that, there’s this little hip-shaking swagger lurking beneath, with a complete breakdown twisting the plot just a wee bit in the midst of the beautiful madness. Please grab a copy of Fairyland Codex on its June 29th release date, courtesy of Fire Records. And, they’ve got a few US dates at the end of June, including an ATX show at the Ballroom, so be on the lookout!

Fresh Tune from Far Caspian

An unexpected release that just popped up on our radar a few weeks back, Far Caspian is quickly building my anticipation for Autofiction. On the latest single, you get to hear this incredible balance between frenetic pacing and Joel Johnston’s calmed delivery; it’s a balancing act that when presented in this fashion, wraps the listener in this cocoon of joy. Plus, it allows for a little more space, letting the guitars race off to the track while the vocals disappear, bring in this almost minimalist post-punk vibe that’s both striking and anxiety-ridden. Then it all switches off, as the track embraces the gentler moments of companionship with friends as it draw to a close. I have a feeling we’ll spend a lot of time with this LP; it drops on July 25th via Tiny Library Records.

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