Premiere: Gus Baldwin and the Sketch Share Relief

I’m not entirely sure there’s a single that can capture the live energy the drips from the stage when Gus Baldwin and the Sketch are up there, but this brand new single is pretty damn close. This new single kicks off with a stuttering guitar lick before zooming off into the ferocious heavy jangles that aim to rip right through your speakers. At times, there’s certainly a West Coast psychedelic tendency that seeps out, like the Growlers or early Fresh & Onlys. But, the band goes beyond being a one trick pony playing into simple tropes, as the leap into a more Goner Records/Jay Reatard guitar explosion when the tune hits the 2 minute mark. Just goes to show you can still be catchy as hell while playing really fucking loud. Gus Baldwin and the Sketch play at Hotel Vegas tonight, then head through various cities across the South/Western US through the rest of May, so keep an eye out for shredders. Out today via GetWithIt Records!

Islands Share The End Lyric Video

If you’re looking for a fitting way to end your album, why not go the route of Islands and simply title the last track, “The End?” It’s the perfect summative statement, but one that also thematically ties into the band’s sentiment, especially after years in the indie game for Nick Thorburn. Thematically it reflects on the end of record, but also the end of a journey? Were you happy? Did you want to go back? Where do we step back in time? Musically, the song’s a classic Thorburn gallop, with rolling drums and Nick’s distinctive vocal delivery riding atop as if he’s just won a great war. And as we reflect on Islands, and what came before it, I’m hoping Nick is happy, as he’s continued to leave us with songs that always bring a smile to our faces. Look for What Occurs on June 21st.

Fake Fruit Return with Mucho Mistrust

Back in 2021, Fake Fruit dropped their debut LP, and it was pretty much unanimously adored by the indie kids; they return now with a brand new album titled Mucho Mistrust, and the title track is now available for you. The band definitely toy with the post-punk genre, working with the riffs that are sometimes angular and sometimes bouncing, yet they always crash into one another to create this wall of brilliant noise that shakes your walls. Ham D’Amato’s vocals remind me of an American answer to Courtney Barnett, taking this sort of indifferent delivery and spinning it into something that delivers undeniable cool. If you’re looking for a rad listen to wrap up your summer, better pencil in Mucho Mistrust, out August 23rd via Carpark Records.

This Is Lorelei Shares Where’s Your Love Now

While I’m sure folks already have a lot of records penciled in for year-end awards, one that maybe wasn’t on my list that’s risen up there pretty quickly is Nate Amos’ This Is Lorelei project. There’s something to be said for just writing damned good songs, absent of excessive frills and genre trappings. This new track offers up this striking sincerity, and while there clearly are some arrangement pieces built in, you could easily hear Amos singing this song to a quieted room, casting his magical spell over them all. You likely won’t be able to pull yourself from the emotive detailing here, and that bodes well, as this is the third single with such power from Box for Buddy, Box for Star; the record drops on June 14th via Double Double Whammy.

Plus/Minus Share Calling Off the Rescue

As much as we probably pay attention to release dates and all that, it doesn’t seem like Plus/Minus (+/-) really have missed a beat, despite not having a proper album out in some time. This new single feels like it has the same gloriousness that saw the band rise in the indie realm by blending in sharp guitar licks with powerful vocals; there’s something in Patrick Ramos’ vocals that just grasps onto this ethereal nature that allows the tune to kind of flutter and flicker as it spins about the air. Really love the band’s breakdown around the 2:50 mark where they just let loose and revel in the noise they’re capable of bringing to the forefront. Look for Further Afield on May 31st via Ernest Jenning Record Co.

 

Mighty Clouds Share Anagram Single

If you wanted to start off your day with springing pop rock music, may we quickly turn your attention to this track from Mighty Clouds. For starters, the band features Fred Thomas, who pretty much has the Midas’ Touch of indie rock, guaranteeing that you’ll be charmed within the confines of this tune. It’s got a good bit of dancing guitar lines, occasionally cascading off the beaten path into dreamier territories. Betty Marie Barnes has some solid pipes too, reminiscent of Rosie Tucker, turning these notes that seem almost out of tune into earworms. If you’re into this, you’ll find this as the A-Side to a new single from Antiquated Future Records on June 7th.

New Music from OWF

Honestly, there’s not really a lot of information about OWF; there’s no Instagram or Bandcamp, and barely a presence on Spotify. That said, there’s something intriguing about the music that I’ve heard from the artists. There are moments when there’s the wry humor and heart-on-the-sleeve sincerity of Stephin Merritt, but at other times, there’s this sort of poetic playfulness like a Juan Wauters. It’s a quick little jaunt of sparse bedroom pop material, but the more I listen, the more I’m fascinated by this sort of outsider pop approach. I’ll keep you posted if we get to hear more!

Winter Share’s Shaniatwainlovestory

Samira Winter is set to release her new …and She’s Still Listening EP, and this time takes on the narrative of Shania Twain’s husband leaving her for one of her best friends. This song works with a meandering guitar line that is joined by a thick beat that provides the rhythmic element holding the tune up. There’s a nice little jump up too when you hit the track’s latter half, as distorted guitar smashes through your speakers as the tune draws to a close. It’s a continuous process, and one that shows Winter growing into new sonic territory. Plus, a bonus for those of you in Europe, as there’s a slate full of dates throughout June!

Letting Up Despite Great Faults Share Swirl

Okay, so “Swirl” has been floating around for a few days now, but to be fair, there’s been a lot of really great music, so I’m finally sitting down to enjoy new stuff from Letting Up Despite Great Faults. This new song illustrates some recent moves of the band, allowing songwriter Mike Lee to let go of the vocals, thus giving Annah more of the light. This move, as apparent on the tune below, maintains the band’s dreamy softness, as Fisette’s voice isn’t too far off from the tones Lee offers when he’s on the mic. I love the classic dance of the guitars here, sounding like something you’d find on a Republic B-sides collection…and a bonus for the band as they got Jay Som to lend some mixing help…another sign that these are good things on the rise.

Zero Point Energy Share Disintegration

This Friday Zero Point Energy will finally release their forthcoming Tilted Planet LP, and I am definitely going to be spending a good deal of time with it. Today, they offer up another single that’s grabbed my attention, as the music holds to a spirited style of indie rock, but Genesis’ vocal performance offers us a glimpse at something a little different. Where there have been hints at an underlying edginess, the vocals have this guttural growl this go round, providing a bit of a rough edge that slightly changes the band’s dynamic sound. I like that prospect, as it allows for just a hint of differentiation on the listen. Tilted Planet is out via Danger Collective on Friday!

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