Tag: new single

New Video from FACS

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In a world where immediacy seemingly comes off as the most impactful, I’ve been relishing acts like FACS of late, as they tend to offer glimpses of hooks and melody, while turning their backs on the instant gratification. Their latest single operates with these sliding guitar notes warping around snare and cymbal snaps; they soon embrace a bit of melody before opening up the spoken notes of the vocals. As the progress is made, the vocals do get a stab and blast of emphasis, then it all recedes to let the song embrace its warped guitar mingling, then break down into a stretch of creative noise, echoing with tension rather than building walls of sound. It’s a bit more of a pensive approach, and I’m definitely grateful for the core thought process in the craft; look for Wish Defense on February 7th via Trouble in Mind Records.

Circling Back on SKLOSS

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Amidst the hubbub of last week, I neglected to highlight this new single from Austin’s SKLOSS. The brooding nature and slow build are one of the core elements of their new LP that makes their debut LP so gratifying; if you’re wont for immediacy and easy hooks, skip on my friends. Karen’s vocals provide this ghostly echo, all the while she’s pummeling the kit. Sandy’s on fire for his part, letting those riffs flow with this natural doom sentiment that crashes in waves against the speakers. I mean, watch the video and you’ll see how emphatic noise can wake the elderly! Their debut, The Pattern Speaks, hits on March 7th via Fuzz Club.

Accessory Share Single Announce Tour

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As you probably know, we’re the definitive fans of Dehd over here at ATH, so you’d be surprised that I am late on the new tune from Jason’s solo project, Accessory. This single is a far cry from Dehd, thus why it’s craft is so intoxicating, seeing how far he stretches himself sonically. I can hear similarities to acts like Panda Bear, at least in the construction, but I also here remnants of various Spiritualized albums in this, not to mention some of the drifting slo-core albums that are upstairs on my record shelves. All this joy comes with the announcement of a brief NorthEast tour kicking off at the end of this week! Keep your eyes out; he’s coming your way!

Edith Frost Offers Nothing Comes Around

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Since we’re all indoors down here in Austin, with pseudo-snow coating the ground, feels like we should rep this new Edith Frost tune, since the artist is currently one of our own. Her first album in nearly 20 years reveals a songwriter who doesn’t seem to have lost a bit of the magic, still playing in between the lines of sharp guitar stabs, rolling drums and nuanced strokes. There are certain elements of her voice that recall the Breeders, though there’s this child-like exuberance in it, coyly turning notes into little treasures for the listener to open up. This new record, In Space, sounds magnificent, and in that, you should get your hands on it before its February 28th release via Drag City.

Cats of Transnistria Prep IV

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We’re all over the Finland scene today, with a brand new single from Cats of Transnistria…one of my favorite acts on the Soliti roster. That said, they’ve mostly been quiet for the last few years since 2019’s Aligning…save for a single that seemed like a one-off for the moment. Well, today you get to visit their ethereal realm as they make the announcement that they’ll be releasing IV this Spring. When listening here, just imagine your favorite shoegaze bands focusing entirely on their shoes, dreamily being swayed back and forth by the vocals. Background moments are punctuated by thundered drum hits and walls of dense sonics, though it all hangs in the balance, waiting to see if it will crash upon you. You’ll have to listen to find out, and look out for IV this March.

More Eaze and Lynn Avery Are Pink Must

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Both Lynn Avery and More Eaze have been playing left of the indie rock center with their various projects, but now they’ve united under the Pink Must umbrella. They’ve just set the world in motion for their self-titled debut, and we’ve got the delightful opening track here for you. The tune operates with a bit of bedroom groove work, mostly working on an electronic spectrum; the beat is manipulated and toyed with, warping it into something new at each turn. How? Well, they’ll completely stop in some spots, layer with grumbling guitar notes, or bend guitar notes into dissonance, allowing the shape to twist and reform each time. They’ll release Pink Must on February 28th.

Lala Salama – Kuva Susta

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If you’re not paying attention to our coverage of the Finnish scene, don’t skip over the tunes we’re bringing you today. The simplistic opening 26 seconds of this new Lala Salama track had me floored, light in nature, but weighted in its tonal approach. When the vocals come into the light, the tune immediately begins to awaken; the buds are careful to open, like they’re shaking off the Winter freeze before suddenly the guitars are distorted and the tune’s right in your face! There’s such a huge sound waiting for you if you can only unlock the listen below. Look for their debut LP in March via All That Plazz.

Roller Derby Offer Last Night Video

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We’ve always been avid fans of Roller Derby, though when they changed the line-up, we wondered what would come of their debut album…particularly after being one of our favorite acts when they arrived at SXSW. But, after a bit of quiet, they’ve been in full force since last year, and now are set to release When the Night Comes, their debut LP. This new single has all the magic of their early work, though the maturity in the craft reveals the depth of their craft; if you listen to the plot twist at 2:20, you’ll hear a band moving beyond the confines of their sound. When the Night Comes is set to be released on February 28th.

Caroline Strickland Shares Prettiest Girl of Heaven

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When I first heard this Caroline Strickland tune, there was something in it that felt so moving and powerful, like when I first head Sharon Van Etten’s “Serpents.” It had that same sort of traditional indie rock songwriting, though coated in this almost gothic vocal, like a pained soul doing all they could to contain themselves. And just as I thought the song had delightfully settled into it’s own skin, the 2:30 mark hits and there’s a nice little plot twist with a choral of voices singing the refrain of “you are one of the prettiest girls of heaven,” adding a nice little touch to close the tune out. Caroline’s new Martha’s Calling EP will be out on March 7th via Good Eye Records.

 

Meagre Martin Drop New Tune

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Meagre Martin seem to be finding their feet as of late; they’re sound is tightening up, and they are keep pace with the black/white art approach on their accompanying singles. Their latest track, “In the Room,” hits with this sort of ethereal dream state, though it begins to move into a more thoughtful ballad format, albeit one with accentuated riffs that strut proudly throughout the track. Sarah Martin’s voice has this soaring nature to it, letting her roam wherever she feels most comfortable, and oftentimes, employing simply as a spare instrument for texture. Definitely keep your eyes out for the group’s Up to Snuff EP, which hits on February 14th.

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