Last Week’s Jams (10.20 – 10.24)

Not sure what it was, but for some reason, just didn’t get a ton of new stuff out into the world last week, though I’ll admit, sometimes life takes precedence. We were fortunate enough to grab some new tracks from our favorite Austin acts like Annabelle Chairlegs and Daphne Tunes, not to mention a little show coverage for Nations of Language/Deeper over at Mohawk too. There was some new stuff I thought was really special from No Lonesome and Hush, and then Optic Sink dropped a slow burner that I’ve had on repeat for a few days now. Feel like last week was very much a quality over quantity, but you be the judge.

Optic Sink Share Construction

I hate that I’m not on a dancefloor this morning, as nothing would be better than cranking this Optic Sink tune up and just punching the air in pure unadulterated joy. While I’m enjoying the dense club grooves, particularly that thumping bass buried deep, I also adore the way they walk the line of their punk roots too. It’s not a sort of played-out post-punk, but rather a refreshing club hit with a bit of a disaffected punk vocals thrown atop it. The propulsion is a tad slowed too, which gives off that solo dance vibe, allowing you to just lose your body in the best way possible. Their new album Lucky Number is out on October 31st via Feel It Records.

Last Week’s Jams (9.15 – 9.19)

ATH got her groove back! Okay, maybe not entirely, but feel like we’ve gotten some solid coverage this week, bringing you some stuff that the other hit promoters might have missed. I wanted to start the playlist off this week with the new single from Massage, as that track made me rush out and count my quarters to grab a copy. RayRay reminded us that Shy Boys are still a force to be reckoned with, while B.Gray is out there encouraging those remaining tickets for Levitation to get picked up. Otherwise, we’re a little all over the place, stylistically, moving between the post-punk of Optic Sink and electronica of Sam Prekop to the quiet beauty of Greg Jamie; there’s a little something for everyone if you click play below!

Optic Sink Announce Lucky Number

Post-punk tracks are a dime a dozen, but I’ll always welcome the bands that are stretching their own sound, like Memphis Trio Optic Sink. They manage to work on this groove that begins with almost this sort of break-beat influenced groove, akin to something you’d hear in the late 80s underground. Natalie Hoffman takes on this cold industrial vocal approach, sharping delivering each note over screeching electronic pulses. When the tune turns in on itself, it revels in its own magic, tripping and hopping in that territory where club music meets punk in a glorious hug. But, you’ve got to stick around to the end to hear the group really take the sound into their own hands. Lucky Number is out on October 31st via Feel It Records.

Last Week’s Jams (8.14 – 8.18)

Okay, so I’m back in school and coaching women’s volleyball, which of course meant we couldn’t dare draw near the 40 or so tracks we covered the week prior. But, that being said, there were some really special tunes, and some of my favorites popping up in here. Blue Ocean and Seablite announced new LPs, while the Smashing Times dropped another stellar single to whet our appetites. Local favorites Single Lash and Sun June both announced new releases too, so it was a pretty solid week. Oh, and that Optic Sink jam was so good, we might have accidentally overlapped and posted it twice! Stream below!

Optic Sink Drop Glass Blocks Single

For me, I love a track that forces me to indulge, to let myself go and just be present in the musical moment, such as this new hit from Optic Sink. When you open the door to this tune, you’re hit by these thumping industrial beats, though left with plenty of space to allow your mind (and the song) to drift. Natalie Hoffmann (of NOTS) calls out near the two-minute mark, offering up this distant post-punk delivery that feels as if its got icy cool running right through it. We get to journey through the song, letting the band build and fold textures into one another; there’s a weighted heaviness at times, and other times, they employ space to keep the playful side alive. They’ll be dropping Glass Blocks on September 8th via Feel It Records.

Optic Sink Share Personified Video

Optic Sink is the new project from Natalie Hoffman (NOTS) and Ben Bauermeister (Magic Kids); they’ve just announced their debut felt-titled album via Goner Records. While the presser hints at a wide range of sounds, our first listen is this pulsing electronic number, matched up with this visual enhancer. For me, the song sort of strips the humanity from Hoffman, offering an almost sterile machine-like vision, devoid of emotions in its presentation. Perhaps its a last gasp, a final attempt to hold onto all that we hold dear as we struggle with loss on so many levels. Whatever it may be, it’s definitely cool to my ears. The LP will be released on October 2nd.

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