Leather Girls Break Out New Single

While the modern era of psychedelia has gotten a bit bogged down with a dime-a-dozen cliched acts, it’s good to see a band like Leather Girls making it entirely their own. The video definitely wears the psych aesthetic, as do the guitars as they work and shuffle atop each other. But, what draws me into the band’s music is their penchant to make it a wee bit grittier, a wee bit more rock n’ roll. Putting this song on you’ll push yourself into territory where you picture yourself frantically spinning and stomping your feet, spinning about uncontrollably as joy overwhelms you. The band are releasing their self-titled album on June 2nd via Yippee Ki Yay Records.

Brand New Music from School Damage

I’m always going to post new tunes if they come out via Chapter Music, as that’s one of the first labels I fell in love with over in Australia. Today, the label is bringing you School Damage, a slightly odd-ball pop outfit that features members of Chook Race and Ausmuteants. They begin this tune with a deep tone before guitars ringing in patiently in the background, paced by a bobbling bit of synth. Vocals dance on top, calmly flowing from Carolyn Hawkins; the song discusses the concept of death, with tall poppies growing atop our narrator…I love how she elongates the lines “bury me”. You can grab the band’s self-titled debut in June.

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Stream the New Album from The Crystal Furs

crystalfursI have a feeling the first part of this week will be me covering hits I missed while we took a bit of a breather. One thing I actually listened to quite a bit, but hadn’t posted was this rocking indiepop record from The Crystal Furs (they released it just a few days after Christmas). Throughout the entirety of the listen you’ll hear great hooks and boundless energy, leaving you with an enduring bit of pop to spin for the rest of the week. I think my favorite tune at this point is “Never Walks,” but things could change as I spend more and more time listening. Do the same, and you’re sure to find joy.

Rainy Day Track from Harry Permezel

harrypermIt’s rather rainy in these parts, which definitely makes this new single from Harry Permezel the most fitting tune for my day. It’s little more than some bedroom loops with a guitar line and voice working on top of it, though that simplicity really allows for the song’s emotional impact to connect with the listener. Harry’s self-titled album is being released this week, so spend a little time with it to see if this is something you’d like to get to know a little more…I know I would.

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Another Track from Pure Moods

PURE_MOODS-BLooks like we’ll be spending some time over in Australia today, as we first ran a Lower Plenty track, and now we’re here with this Pure Moods hit. I’ve really taken to the band’s approach; they seem to take the pages from the Mac Demarco notebook and slow it all down…like the DJ Screw of indie rock. There’s a nice meandering bit of guitar jamming out right after the 2 minute mark, but even that has a subdued wash to it. To me, this is chillwave, but with instruments! Looking forward to the group’s debut self-titled album, out November 4th via Deaf Ambitions.

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Revisiting Deep Time – Band to Appear at Bill Ball 2 (10.8)

deepThis Saturday is Bill Ball 2…and while that’s important in and of itself, I think it’s high time someone devoted the proper attention to Deep Time‘s 2012 self-titled album on Hardly Art. I mean, the band is playing this weekend, and they’ll likely play a good amount of these songs there…which is all the more reason for you to attend.

I’ll throw in a little bit of my history with the album, as well as a track by track discussion of each tune! I’m making a declarative statement in saying this is the best album to come out of Austin in the last decade. Read more

Pleased to Meet You: Tyrannamen

tyrannWell, I’m pleased to meet Tyrannamen, though participating members of Twerps and Whipper mean I’ve likely already met the band in some form…not to mention their initial release picked up some minimal traction Stateside. That being said, the group is getting a worldwide reissue of their self-titled album via Static Shock Records. If you haven’t heard of the group before, this is a perfect introduction, offering up a ramshackle of hook-laden rock n’ roll; it’s got rough edges and pop sensibility, with a brevity that begs listeners to come back and listen time and time again. Not unlike fellow countrymen, Royal Headache, you can hear bits of soul/R&B blaring through your speakers, waiting to make you boogie down with your besties. Look for the album on September 23rd.

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Pleased to Meet You: No One Mind

noonemindNo One Mind grew out of previous projects, The Love Language and Birds of Avalon, so the songwriting is familiar, though the sound is entirely new. There’s a brooding sensation in the tones of the guitar/bass as the song pushes forward, taking on a tone of bleakness that relates to the path that led to the formation of the group. I love the way the song fades out with a cool vocal repetition that starts just before the 3 minute mark. Looking forward to what the band brings to the table when they release their eponymous debut on September 9th via Third Uncle Records.

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Slow Burner from Fire to the Stars

fireIn yet other Australian news, Fire to the Stars have just signed up with Seahorse Records to release their eponymous debut. This track is a brooding number, slowly building the song’s structure via the voice. It’s interesting, as the song begins with the purity of that vocal, pushing ahead slowly, building the wall of sound behind. Eventually, the noise breaks through, but I like that it’s restrained; it’s not too distorted or atmospheric, but almost pretty, if that makes sense. You’ll have to take a listen on your own in order to get into it, then look for the album for your own personal collection.

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More from Private Victories

privatevictoriesJust a few weeks ago I was raving about how much I enjoyed Private Victories first single, “Heal You,” and I’m back again to praise the work of Grant Carey’s project. I’m still hearing bits of Jens Lekman in his voice, especially in his vocal changes. Still, the musicianship on this song’s quite enjoyable, moving in various directions throughout, yet all remaining focused. Man. On the fourth listen I started to hear Antony! I love how each turn brings up something familiar yet wholly unique. Looking for some musical discovery you’ll rave about for some time? Look for his self-titled album, Private Victories, next week, May 20th.

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