Melted Toys Offer Up New Jam

meltedThe days are growing warmer, so it’s time for us to all start preparing to get together some summer playlists; you’ve got to maximize the sun and the jams, right? This new single from Melted Toys has a sharp jangling guitar that rings in the background, though the coated vocals have this dreamy slur to their delivery.  It doesn’t hurt that there’s some electronic lasers shooting through the tune to offer up an extra bit of pep and peculiarity.  These lads will be releasing their self-titled album on July 15th courtesy of Underwater Peoples.  Get your boom box ready, it’s pool time!

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Another Hit from 3108

3108_pressphotoJust a few weeks ago I brought you the infinitely catchy “Go to Hell” from 3108, the next release from Trouble In Mind Records.  Today, I bring you another such track, offering you a song that dwells in the same vein, though this one isn’t as immediately catchy.  I don’t mean to diminish the tune, as good things come to those who wait, but it’s simply different; after all, you don’t want your records to all sound exactly the same!  The driving rhythm is similar, but the pop sensibility doesn’t unfold as quickly, lurking for you in the back of the vocals.  This self-titled record will be available for you to purchase at your favorite store next week!

[audio:https://austintownhall.com/wp-content/uploads/2014/04/10-Ease-Up.mp3]

Download: 3108 – Ease Up [MP3]

Tweens – s/t

tweens_albumcover.134023Rating: ★★★☆☆

The official arrival of Tweens comes with a lot of fanfare, namely the endorsement of Kim Deal (Breeders/Pixies).  But, can a young band live up to those lofty expectations? Can they fill your ears with tunes that are as undeniably memorable as “Cannonball?”  On their self-titled effort, there’s room for improvement, but overall, you get the feeling that the young three-piece are on to something.

When Tweens kick things off, you can tell that they’re intent upon bringing raucous noise with just a little bit of brattiness to the table.  Bridget Battle immediately takes center stage on “Bored With This City,” belting out vocals, with the occasional hiccup to add a wee bit of sugar to the track.  And, while that song pushes forth rather quickly, “McMicken,” the following tune, is just as fast, although there’s that effortless layer of cool layered in, making the tune worthy of repeated listens.

Still, with the opening tunes on Tweens winning you over, there has to be a breather, which is why the vocal display from Battle on the next track “Be Mean” offers up a slightly different look into the band’s sound.  She discards that bratty sexpot attitude, taking on a stronger role as a powerful front woman.  This is the first track where I really felt like her vocals stood out from the meat of the song.  It’s an approach I personally feel she should take more often, as it makes that song successful, much like it does with”Don’t WaitUp” and  “Forever.”  The latter tune is possibly the standout song on the record.  Musically, the band seems to have calmed down a bit, allowing for BB to win over fans with her ability to control her pipes at various pitches.  I suppose this song appeals to me because it offers that different glimpse inside of the band, as other songs seem to bleed into each other too often.

After spending several days with the album, I can definitely see where the excitement comes from.  The songs are filled with hooks, and it’s hard to deny Bridget’s dynamism as a front woman.  That being said, there are a few songs that trip over each other, and only the smart choice of slipping in some slower tunes saves the record from being a one-note venture. They salvage that, however, with the inclusion of things like “Stoner” and “Forever,” making it clear that their future might hold more than meets the eye.  Tweens are rising stars in the music community, but only time will tell just how far that star can go.

[audio:https://austintownhall.com/wp-content/uploads/2014/04/03-Be-Mean.mp3]

Austin Spotlight: Another Ghetto Ghouls Jam

ggThe last month or so has seen a slew of excellent Ghetto Ghouls tracks come our way, and I’ll happily keep harping on about the Austin four-piece.  This track will be featured on the group’s self-titled album, being released by Monofonuss Press on April 8th.  It’s a quick jaunt, but a reminder of the pleasant abrasiveness offered up by the band.  There’s a sharpness to the musicianship, yet a rough quality that embodies the live aspect of the group.  Get yourself another taste of one of our cities great exports, and catch them at one of their 5 SXSW shows.

[audio:https://austintownhall.com/wp-content/uploads/2014/03/06-Ghetto-Ghouls-Living-Alone.mp3]

Download: Ghetto Ghouls – Living Alone [MP3]

Creative Pop from Pattern Is Movement

Photo by Peter EnglishIt’s been almost six complete years since we last heard the music of Pattern Is Movement, but we’re all welcoming their triumphant return.  When I listen to this song, I hear a lot of similarities between what the group is doing and what’s been done by Dirty Projectors.  That being said, the edges here are softer, not nearly as angular.  That doesn’t mean that you’re not going to find yourself enthralled by the world the band has created on their new self-titled effort.  It’s being released on April 1st by Hometapes, and they’ve got several great shows lined up for SXSW.

[audio:https://austintownhall.com/wp-content/uploads/2014/03/02-Climb-To-Me.mp3]

 

Another New Tune from Pillar Point

pillarpointI’m really glad Scott Reitherman is still writing music, as his work in Throw Me the Statue has sorely been missed.  Of course, now that’s he operating under this new Pillar Point moniker, he hasn’t strayed too far from his original sounds. He’s still combining these melodious hooks with pop-centric focus.  Vocals are gentle, yet lofty, rising and falling throughout this song.  It’s just another sign that his upcoming self-titled debut is going to be quite enjoyable for fans of easy-listening pop; it’s being released by Polyvinyl Records on February 25th.

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Doug Tuttle – s/t

dougtuttleRating: ★★★½☆

What does one do when the project they’ve devote their time to dissolves?  For Doug Tuttle, there was only one option: forge ahead.  His self-titled effort is his first effort since MMOSS broke-up, but in all honesty, it’s ultimately more rewarding than his previous work; he seems to have found his own way while writing these songs.

“With Us Soon” takes listeners back a few decades with a sun-coated psychedelia, accented by an instrumental buzz that works its way in and out of the track.  But, most importantly, the underlying current is one of a pop-centric songwriter; this attitude will unfold further as your listen continues. While the following tune “Forget the Days” does wear some of the influences of Doug Tuttle‘s past, including the throbbing bass work, it’s the way his voice drifts carefully over every inch of the song, lightly bouncing along and giving a warmth to the listener’s ear.

Tuttle doesn’t shy away from his past too often, with most songs including the dreaded psych nod, but even when the song indulges a great deal, there’s clearly something working beneath.  “Turn This Love” is filled with a noodling guitar that perhaps goes on solo for too long, but the chorus alone warrant many repeated listens.  It’s a dreamy vocal that you’d easily find haunting any music head’s secret play list.  Of course, those indulgences do go too far on occasion, like in the following track, “Where Your Plant Love Is…Where It Grows.”  What can I say? I’m a vocals guy, and it just doesn’t do it for me here.

For my tastes, Doug Tuttle does succeed when he lets his inner songwriter shine, making things simpler and more focused.  My favorite track is “I Will Leave,” which comes near the end of the effort.  There’s a simple sincerity to the track, with just a hint of California jangle seeping into the guitar.  The vocal is steady, showing just what a voice Doug’s got, and possibly hinting at the future. There are hints at his songwriting prowess throughout, especially with a song like “Better Day” wrapping things up, so the record really ends on a high-note, closing with a wonderful 1-2 punch.

I imagine it’s hard to leave your past behind, and it’s clear that Doug Tuttle just isn’t there, and maybe he doesn’t need to leave it all behind.  He takes all the bits and pieces of his previous work while weaving a narrative of his own.  It’s a self-titled record that’s strong from start to finish, and far more than just a record wearing psychedelic influences.  You’ll love the melodies and the craftsmanship, and you might find that Doug Tuttle is the only thing you need right now.

Catchy Girl Pop from Habibi

habibiThose of you looking to sink your teeth into sugary female-fronted pop need to go straight ahead and press play on this great  track.  It’s the new single from the girls’ just released, self-titled album, which is filled with songs that are as clever as they are endearing.  Each time I press play on the album, I end up just bobbing my head and cracking a smile.  It’s the sort of music we all need to break us out of our winter time doldrums.  You’re going to want to listen to this and make your day infinitely better.

[audio:https://austintownhall.com/wp-content/uploads/2014/01/02-I-Got-The-Moves.mp3]

Download: Habibi – I Got The Moves [MP3]

 

New Stomper from Axxa/Abraxas

axxaabraxasFriday’s are for two things here in Austin: you either get weird or you get fun, or you can do both if you’re so inclined.  I think the latest track to come from Axxa/Abraxas accomplishes both, thus making my day; it’s one of those tunes that stretches over several genres, ambling between psychedelia and roots rock and pop forms.  Personally, I like the percussion, giving the track a little bit of a sideways stomp that really ups the energy level.  It’s just one of the great tunes that comes from the band’s self-titled album, which is being released by Captured Tracks on March 4th.

[audio:https://austintownhall.com/wp-content/uploads/2014/01/09-On-the-Run.mp3]

Download: Axxa/Abraxas – On the Run [MP3]

Meet Morgan Delt

MorganDelt_AlbumArtTrouble in Mind Records remains one of the most solid choices for a band looking to get signed.  They’ve got a unique blend of artists, though the all have some sonic similarities.  So, it’s no suprise that their latest signing, Morgan Delt, has his feet firmly planted in the history of California.  There’s bits of classic Cali pop, yet you’ll also find this lurking psychadelia that courses throughout.  He’ll be releasing his self-titled debut on January 28th, helping us keep things interesting to start off 2014. I’m interested to hear more from Morgan, and we wish him the best.

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