Twilight Sad Share Fresh Single
Long long ago in a land we called the real Emos, I watched the Twilight Sad, enthusiastically soaking up their thunderous performance while a young man behind me snapped photos; it was here that I met our B. Gray, thus our eternal love for the Scottish outfit. Today, they follow up their recent single with Robert Smith by dropping another brooding number in order to announce their first LP in several years. This song wins me over in various ways, with my recent attraction being the tonal playfulness of James’ voice throughout the track; his control and switching back and forth completely captivate through the course of the song. Their continued evolution through the years has been quite a joy to follow, and we’re really looking forward to It’s The Long Goodbye when it arrives on March 27th via Rock Action.

Billy Childish shouldn’t be a surprise name popping up on our end, especially as his project
Just before the end of the year rang out, we brought you news of a new act from Sweden helmed by the Angergard brothers; the duo are known for their roles in Red Sleeping Beauty and Club 8, respectively, but they recruited Eleni Tzavara for vocals as they kicked off Milano Flash. Once 2026 hit, the band wasted no time dropping this heavily synthetic banger; the thumping alone got me excited, but then they added some nostalgic “whoa oh” moments throughout to maximize the hooks. Eleni’s performance almost feels like its disco-adjacent, smoky and nearing digitalization, with each line delivered as the groove punches through the roof. Have a little fun with this ditty.
It amazes me how indifferent the indie scene seems to be to
Welcome to 2026 my friends! Thought I would kick off this year with a tune from
November was filled with tons of last minute releases, often overlooked as folks hustled towards their list-making. One record I’ve been digging a lot is The Love Synthesis LP from
As we draw near the end of 2025, I wanted to dive through all my emails sitting in here, old and new, and just kind of let the last of the year’s singles trickle out. There’s some new stuff, but mostly stuff like this track from