Monde UFO Share Government Employee

Being introduced to the new LP form Monde UFO has really allowed me to kind of let my brain venture out into the outer regions of the indie realm. If you peel away the layers, you’re likely to find a light-hearted bit of bedroom pop bouncing through your speakers. But, I don’t want to peel those layers as they offer up this careful bit of tropicalia; it also feels organic rather than mere mimicry of the style, which is one of the reasons I appreciate the band’s willingness to go beyond the standard. They’ll drop Vandalized Statue to be Replaced with Shrine on April 21st.

Kindsight Share Madhouse Breakout Multitool (SXSW Artist)

I was a big fan of Swedish Punk, the debut LP from Kindsight. After a bit of adoration, I finally get a chance to catch the band live next week when they come to Texas for SXSW. In preparation, the band have dropped a wonderful new single in anticipation of their journey, and also in the midst of working on their sophomore LP. It highlights the band’s penchant for song movement, bringing in soft little melodies that blossom into charming bits of buoyant indie rock. They’re one of those bands playing a brand of indie rock that seems completely built on their own terms and not on the trends, so it feels familiar yet fresh. They’ve got shows set up for SXSW, so be sure to follow them on their socials to see see where they’re playing. This single comes to you courtesy of the band’s label Rama Lama Records.

Dropkick Share Don’t Give Yourself Away Video

If there were a band in the indiepop/power pop realm that I feel folks were overlooking, I think I’d have to put UK outfit Dropkick right up near the top. They’re churning out these gentle pop numbers, just left of the dial, but with all the melodic hits that make pop so incredibly endearing as a genre. I love that their latest video has the band just doing what they do best, playing in their own studio space; there’s no pretense or drama…just good old fashioned pure-pop songwriting. The band will release The Wireless Revolution on April 28th!

Greg Mendez Announces Self-Titled Album

Over the last few years, I’ve definitely enjoyed Greg Mendez‘s work, but the announcement of a new self-titled LP comes with what might be his work to date. The Philly songwriter feels like he’s taking notes from the old Elliott Smith school of songwriting, allowing the listener to imagine themselves right next to Greg as he serenades. It’s a level of intimacy that feels often imitated, but Mendez knocks it out of the park, even opting for a more low-key arrangement throughout, maintaining that DIY ethos we’re all seeking. Greg Mendez, the album, will be out via Forged Artifacts and Devil Town Tapes on May 5th.

Meet the SXSW Band: Semiwestern

The end of this week will see the official kickoff of SXSW, which brings tons of bands and tech companies and movies to our town, so we’ve been trying to highlight some of the acts on the music side. This round, we get to lock into a Texas artist, Semiwestern, coming at us from about 3.5 hours North. There’s a full-length from the artist slated for later this year, and perhaps you’ll get a chance to taste some of his Italian cookies!

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The Ghost Party Share Severed Hands

Ghost Party is a new outfit on the Texas scene, though admittedly, they’ve got a familiar vibe going on here. Their first single brings back a smoky psychedelia, laying really low like a bit of rustling leaves in your yard. They build in a nice little plot twist when they hit the chorus, letting the melody evolve into more of a playful boogie or stomp, something that gives off a bit more groove to the genre. As the song circles back through another cycle, it eventually fades out with this bit of ambient space, leaving you with your own ability to take in a deep breath.

Symphony Orchestra Drop Intersection Video

While I love the mellow tones of that Constant Follower tune we just dropped, you’ve got to make sure to pick up the pace, which is why this great new Symphony Orchestra tune kills. It’s got a new project from a few artists we’ve already covered in their other projects (Badge Epoque’s Max Turnbull and Michael Rault), but that doesn’t mean I got exactly what I was expecting here. In the opening moments, it has the playfulness of early MGMT, albeit with the musicianship the focus as opposed to the hook (that hook is still huge though). Then it moves into some funkier space, letting the guitar work speak for itself while the vocals get this metallic coating that turns the song towards fresh territory. Then when they return, they almost dwell in this bossa-nove croon for a wee bit. Lots of movement in textures and sounds, so should make their debut, Radiant Music, a special listen; it’s out on May 12th via Telephone Explosion Records.

Constant Follower and Scott William Urquhart Announce Even Days Dissolve

If you read these pages from time to time, you might have read about the moving performance I caught from Constant Follower last year, not to mention the incredibly intricate brand of folk they’ve been writing. Recently, the group announced a collaborative album with Scott William Urquhart, which only adds another delicate layer of guitar work to Stephen McCall’s moving pieces. Here, I love the openness running through the track; the tune allows the song to find its own way, leaving space to breathe and allow the musicianship to shine through. The writing all came about organically, inspired by the poetry of Norman MacCaig, to whom McCall is indebted. Together they will release Even Days Dissolve on April 14th, so prepare to delve into one of the year’s most intimate listening experiences.

Cleo Handler Charms with Gold

There are a lot of wonderful storytellers in the indie sphere nowadays, but as of the last few months, I don’t know if I’ve run across someone so instantly enchanting as Cleo Handler. In a way, the songwriting is similar to early Moldy Peaches, flirting with a matter of fact nature that borders on the absurd; I love that there’s this sincerity to the tracks, a world without pretense as you wear your heart on your sleeve. Throughout Gold the songwriting just sparkles with humor and charm, built on the backbone of stellar pop musicianship, so get at it now.

Beach Fossils Return with Don’t Fade Away

While there have been a handful of releases in the interim (jazz album, single, etc), Beach Fossils have been fairly quiet since the release of Somersault in 2017. But, worry no more as the band announce Bunny today, their brand new record for Bayonet. Our first listen has us circling back to the group’s sound, building layer upon layer of synths and swirling guitars; this one had me hooked from those opening lines, and it only gets better as the chorus evolves and you get a little extra guitar focus that adds a beautifully dreamy wash to the song’s middle. Stoked to listen to the whole of Bunny; it drops on June 2nd via Bayonet.

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