Tag: stream

Jonathan Bree Announces Pre-Code Hollywood

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I feel like I’ve been riding solo on the Jonathan Bree train for a long while now, but maybe now that the New Zealand artist has caught the ear of Nile Rodgers (who plays and produces on this track!), maybe the rest of the States will get in on the vibe. News came our way yesterday that there’s a new full-length coming our way, and the title track accompanied said announcement. Bree’s voice still comes off like the coolest crooner you ever did see, but there’s a nice bit of sheen to the song this go round. It feels as if this has gone full on into a sort of disco-club, albeit run though the orchestral divination of Jonathan and his work. I just can’t get enough, so I’m stoked to hear the whole of Pre-Code Hollywood, out in April via Lil Chief Records.

Brock Pytel Drops Brand New Single

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You might recognize Brock Pytel‘s name as the singing man behind the kit for the Doughboys, but now the songwriter’s out on his own dropping new jams. I’m jamming this new single, which feels like it almost takes on a classic Bob Pollard vocal approach, particularly when it gets to the chorus where Pytel seems to curl the faintest hint of melody into his matter-of-fact delivery. Musically, you get a bit of that power-pop sound, albeit one envisioned with a set of 90s glasses on your head; there’s also plenty of banging noise to, in case you were worried Brock might indulge in the underlying sweetness. Looking forward to hear more from the ex-Doughboys singer.

Weird Numbers Announce S/T LP + Share Soda

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For some reason, there’s something in the beat of this new Weird Numbers song that makes me feel like stalking about in my classroom right now (don’t worry…no students are present). There’s something dark and dangerous about it, until those buzzsaw guitars start to rip their way through the rhythm of it all. It’s like the song’s tossing and turning you like a dingy at sea amidst a storm, with the vocals serving as the rope that tethers you to the dock. All of it just feels dark and dangerous at once, with hints of hooks bubbling carefully beneath the current. The band release their new self-titled LP on March 3rd via Dandy Boy Records.

Letting Up Despite Great Faults Announce Crumble EP

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After releasing last year’s excellent IV, Austin’s Letting Up Despite Great Faults return today with the announcement of a brand new EP. That, of course, means we get a brand new single (with a Mobb Deep reference no less!). When you press play, you’re immediately greeted by this cacophony of melodic noise, matched with Annah’s vocals running through the middle. Suddenly, the noise drops off and you get the melody clear and open, sparkling with the immediacy of a great pop hook. Back and forth goes the song, balancing on the tightrope between an abyss of noise and pop. The band are set to release the Crumble EP on April 4th, with rumors of tour popping up online.

Constant Smiles Share Gold Like Water

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This new Constant Smiles stuff is sounding pretty spot on, in terms of where my listening brain is at currently. It’s just really subtle, well-executed pop songwriting, just a bit left of the dial. That light keyboard bounce that trickles in atop the bubbling beat is perfect; it creates this realm of relaxation, allowing me to sit back and let the song wash over “like water.” When the vocals cruise in, they’re lapping at your toes as you stand ashore, nipping at you with little twinkling melodies. A little percussive mix-up offers just enough differentiation to keep the song rolling interestingly along, particularly as more accompaniment pieces flutter in from the background. The band release Kenneth Anger on March 3rd via Sacred Bones, with some dates throughout March, including a stop at SXSW.

Spiral XP Share Another Ripper from It’s Been a While EP

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This Friday you’ll be able to stream all the songs from Spiral XP‘s brand new It’s Been a While EP, and with that, it seems only fitting that we hit up the latest single. For me, this song’s all about those churning riffs, ringing out in the front of the mix here. Sure, the jettisoning notes that shoot off into the horizon are great, but there’s something primal and rhythmic about the lead work; it’s like you’re running full steam ahead, almost out of balance and about to fall flat on your face. Except the vocals keep you steady; they’re calmed indifference in the midst of the noise holds you upright, keeps your ears and guarantees you get a taste of enough melody to come back to this track! Look for the EP this Friday courtesy of Danger Collective.

The High Water Marks Return with New Single

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If, by some odd chance, you missed out on last year’s Proclaimer of Things, you can certainly rectify that by running to listen to last year’s hit LP. But, if you just want to jump right in to the new new, give a listen to the High Water Marks latest single, with the promise of new LP coming later in the year! I won’t even mention the ties to Elephant 6 (oops!) because the song’s just a straight pop rock tune that you’ll want to play again and again. It brings about just the slightest heaviness in the riffs, with a solid bop going on in the percussive element keeping your toes tapping. Oh, and if your band is doing dual vocal approaches, please make them this delightful. We’ll keep you posted on Your Next Wolf when we hear more!

Going Back to Belhoss’ Hiding EP

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The great thing about running a little small site is people hit you up from time to time, just looking for an ear, which is how I hit upon Belhoss‘ Hiding EP from a year or so ago. When I played the song below, I relished the slow burn of the musical elements; it’s got this fuzzy cavernous vibe to it, and the movement is just slow enough to let the melody sink into you. In the vocals, they’re almost too distorted, just on the cusp of coming across like another instrument, which I don’t mind one bit. So, if you like what you hear, be sure to check out the full EP!

Holy Vision Share New Single

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Don’t you just love it when a song hits you right in the face upon pressing play? That’s exactly what you’re going to get from Jackson’s Holy Vision; the band offer up a blend of ambient shoegaze smattered with forceful blasts of discord and noise. The vocals get to hide just behind the curtain, lurking somewhere in the song’s shadow, creating an almost textural feel to what’s in store here. Musically, the chorus is where you get the guitars back up to speed, furiously clawing at your speakers to let the volume bleed out. Happy Hump Day!

Monnone Alone Are Back with Ways to Wear My Hair

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You know Monday will be alright if you wake up to that fresh Monnone Alone single in your inbox. After Stay Foggy, the band have regrouped to begin work on a new record, and the first single from that release has made its way overseas to my desk. Mark Monnone’s voice is always a sure-fire winner, so this track really owes its success to the stunning guitar work. I love that it employs a shuffling jangling guitar line to keep the beat of the song, while the lead guitar sort of takes itself for a walk. Plus, you get a nice little breakdown just before the 2 minute mark to keep the track moving beyond your ordinary fare. Let’s hope the new LP is just as good as this tune!

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