The Legends Return with Loser

Johan Angergard’s a seasoned hitmaker, playing roles in Club 8 and Acid House Kings, but it’s his Legends project we’re hear to listen to right now…and it might be my personal favorite project of his. This latest single immediately grabs you with this snappy little snare bounce, giving your leg that uncontrollable need to go up and down with the beat. In the guitars you’ll find the driving rhythmic nature that makes a good pop song, though its careful to hide beneath the vocals, only popping up in between to display the musicianship. Vocals, as you expect from Johan, are drenched in sugar, with duties shared with Club 8 bandmate Karolina Komstedt. Can’t wait to hear a new LP!

The Psychotic Monks Share Gamble and Dangle

Honestly, I don’t know too much about The Psychotic Monks, but when listening through to their new single “Gamble and Dangle,” I thought it was just enough outside of what I’ve been posting today, so felt fitting to kind of end there. In it’s crawling pace, the song maneuvers over a thumping, rolling drum, almost meditating on this sort of anti-pop style. At times, the vocals and the guitars flirt with noisy experimentation, ultimately weaving this tapestry of darkened post-pop that evades the trappings of modern indie rock. This tune appears on their new LP, Pink Colour Surgery, so I look forward to diving further into what the French outfit are constructing.

Dropkick Announce The Wireless Revolution

So glad to have a new Dropkick tune to warm us up a little bit today. The group, led by Andrew Taylor (also of Boys with Perpetual…) are masters of crisp pop songwriting, hanging out somewhere in the realm between jangle rock and power pop. Just like his other project, there’s nothing that blankets you in joy like the sound of Taylor’s voice; it’s got that fireside familiarity, allowing you to revel in the crisp riffs that ring out. Good old guitar pop doesn’t get any better than what this lot push out there; their new album the Wireless Revolution will be out this April.

Nothing Natural Announce NN EP

Well, seeing as I’m just getting through all my emails today, may as well stop with another track from the Bay Area…Nothing Natural. You might already be familiar with the band’s members, with us having covered their other projects like Parallel and Aluminum. This act, however, are hitting on these classic 90s guitar vibes, slowly letting the guitar notes light up in the track’s background while the vocals have this heavy indifference; it’s that perfect college rock vibe, best if listened to really loudly through your speakers as the echoing distortion let’s you know this more than just a slacker rock affair. Listen loud as the group hit that perfect balance between ballad and grungy riff work; NN EP will be out via Dandy Boy Records on March 3rd.

Hydrodate Share Early Reflections

I’ve come to realize that I’ve always been a bit of a pop fan, and as much as I’ve tried to deny that, it’s always come back to the fact that I can’t steer clear of hooks. That said, I’ve grown to love searching for those hooks in distorted realms, built on textured guitars and heavy atmospherics, much like the world Hydrodate have crafted on their latest single. For all intents and purposes, this is just a casual ballad, buoyed by dual vocals playing off one another. Still, the cavernous world the band create is filled with billowing guitar noise and begging for me to get lost in their little noisy fantasy world. I’m wiling to dive further in today, so you can join me by pressing play. Single released courtesy of Fire Talk/Open Tab.

The Reds Pinks and Purples Announce The Town That Cursed Your Name

It wouldn’t be a year in music without at least one release by Glenn Donaldson, so it’s good news that there’s already a new Reds, Pinks and Purples LP on the books for Slumberland Records. Honestly, I can’t imagine a better song to live through the shit-show that is Austin right now; there’s this comforting feel in Glenn’s voice, sort of what I imagine some celestial being encompassing, wherever I end up. According to Donaldson, the entirety of the new LP is based around “living while also feeling called to make music.” I’m definitely glad he’s had that calling, as my record collection wouldn’t sound nearly as moving if Glenn’s work wasn’t catalogued accordingly. The Town That Cursed Your Name is out in March via Slumberland Records.

Roller Derby Share Always On My Mind Video

If you recall last year’s SXSW recap, you might remember me harping on the work of Roller Derby. The young German outfit are in the midst of finishing up their debut LP, and with that, they’re teasing us with this incredible single. This tune is precisely why I love the act; they bring in this knack for huge choruses and boast powerful vocal work from Philine. Plus, you won’t ever hear me arguing with the jangling guitar work throughout; it’s the sort that gets you jumping about joyously, like the folks you’ll see in this video! Still, it would be easy for the band to circle back through verse/chorus/verse/chorus, but they don’t!. There’s this beautiful breakdown just after the two minute mark before the group dance right back into the hooks! Can’t wait to hear this band’s LP!

Jana Horn Announces The Window is the Dream

It seems like the world has finally caught on to Jana Horn, and you’re all the better for it…as we pointed out years and years ago. Today we got news that our old pal has announced an entirely new LP, The Window is the Dream. With it, we also get this enchanting lead single that carries over the striking prowess that was visible on Optimism. In the musical element here, you get this openness that’s perfect for Horn’s storytelling; the strings and guitar work build a layer of vibrance, but they never stray over the line, instead letting Jana use her vocals to draw us inside. Her voice feels delicate, like it could trail off into time and never be heard again, but in that sense, it’s spellbinding, keeping your ear pinned to every word. I expect rave reviews from the new LP; it’s out on No Quarter Records on April 7th.

Frankie Rose Shares Sixteen Ways

If you expected the same Frankie Rose record to repeat the story’s of albums passed, well, you’re out of luck. The newest LP, as personified in this track below (and the first single) see Rose circling back to a pop ethos that drove her songwriting early on, with a heavy bent on the electronic vibe. There’s this almost club-induced vibe here, embellished by the digitalized video work accompanying the tune. Frankie’s voice is the gravitational pull, though the pulse of the song allows you to completely let yourself free in its universe; you won’t need a dance partner here, as this treat is just for you. If you’re digging on it, be sure to pre-order Love as Projection from Slumberland Records; it’s out on March 10th.

Another H. Hawkline Track – Plastic Man

Listening through all the singles we’ve heard from H. Hawkline thus far, it seems like the project is build for deep cuts and longevity; I can’t think of another artist who seems to be operating in the same musical stratosphere at the moment. There’s this pop rock bounce that recalls Bowie at his most playful, with Huw’s vocals riding along that funky stomp of the beat all the way. You’ve got tons of accompaniment pieces in the background, throwing horns and layers of added guitar lines right at you; it’s a pop world we don’t often get to here from these days. Milk for Flowers is out on March 10th via Heavenly.

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