Little Mazarn Announces Mustang Island

Since their earliest EP back in 2016, Little Mazarn has felt like a great secret within the confines of the Austin music scene; they are the artists’ artists; they are a band with an unparalleled musicianship…and now, they’re stretching their sound beyond ‘the gate’ of their own sound. On this first single from their forthcoming LP, the group have almost entirely erased their folk traditionalism (thought faint hints remain) in favor of embracing the expanse of the world as a whole, allowing this to work almost more as a vocal piece. It leaves the lyrical content front and center, and in the case of this song, touching upon the concept of grief and how one deals with its omnipresence. Honestly, this feels like Little Mazarn taking their sound and moving it into territory previously occupied by Low. Mustang Island is out on June 20th via Dear Life Records.

The Perfect English Weather Share London-By-The-Sea

For me, Tuesday’s are always the struggle (I’m a Monday kind of guy!). So, with that, this velvety bit of jangling pop from the Perfect English Weather is the perfect salve for my morning grumpiness. According to the notes, the tune was penned after the band reflected upon a chance meeting with Morrissey back in 1984, and in that, our narrator seems to question is it possible to still love the person he has become (or that’s how I see it). If that’s the case, it’s a quite biting tribute, but disguised in this chamber pop fever dream that seems perfectly suited for a cafe in London-by-the-Sea. The group will be releasing their first album in seven years, Just Beyond the Lights, will be out this May via Matinee Recordings.

The Electorate Return with the Great Divide

Having played in the Aussie music scene for some time, the mates in The Electorate are coming at us with a professionalism that, honestly, we just don’t get that often nowadays. The arrangement boldly builds, only to pull back so that the lyrics can join in, moving towards that sweeping jangle I adore. Light little bits of accented vocals give emphasis to the main mix, creating this budding heaviness that washes over the listener as the song seems to spin into sonic territory that borders on shattering all the pop sensibility they’ve built up. Yet, the restraint and production are such that they never seem to step out of line, making their new album, By Design, seem like a forthcoming highlight of our year; it drops on May 30th.

Eric Schroeder Shares High Low Video

This song from Eric Schroeder was pitched to me as “the greatest hook that Evan Dando never wrote,” and it’ll take you just a few moments to jump right on board with me here. Instantly the guitar sound had me, only furthered when the galloping drums and light piano play join up to drive the song into your brain before Eric even enters the fray. His dulcet tones add a sense of striking calm, with the guitars embracing a deeper tone, albeit one tinged with bits of Western swing nuance. If you’re digging on his sounds, swing on by and listen to his new record, Cat’s Game!

Slack Times Share Swing the Dial

What wasn’t finished on Gone Things, now has a home, as Slack Times have finally put the finishing touches on this bouncing jangler. The Alabama outfit have this incredible nature to bring this bit of Southern rock n’ roll swagger to the world of jangle pop, but for this new track, it’s the instrumental breakdown that has me fawning; it feels like something left on the cutting floor of a Go-Betweens recording session, and that’s never a bad vibe. The style of the vocal recording also appeals to my senses, and guarantees that if we wait patiently, the next LP (which is in the works!) is going to be out of this world. New ditty comes courtesy of Meritorio Records.

Kill the Pain and Power Solo Share New Ditty

You’ll recognize the names of Melanie Pain (Nouvelle Vague) and Phoebe Killdeer (together working as Kill the Pain), but I acknowledge that their partners in this new morning jam, Power Solo, are brand new to me. Together, they have united to create this sort of rock-a-billy meets garage punk sound, fueled by Melanie’s penchant for pop music crossing-over into hook-laden territory. I mean, if you catch onto the refrain in the song’s latter half, it begs the questions of “if you wanna have fun?” Well, do you? If so, keep an eye out for the joint venture on 7″ for Crunchy Frog Records, coming at you real soon.

Sports Team Bring Out Sensibile

I wonder if Sports Team is responsible for Pulp’s return, as both bands seem to embrace this very British form of pop, one that bridges in the peculiarities of rock n’ roll and fuses them with reflections on the mundane aspects of modernity. That being said, this one seems to be poking fun at the common people, in a sense, criticizing the way many approach life by embracing certain simplistic activities; it seems like our narrator finds those things a waste. Their new album Boys These Days is set for May 23rd Release.

Cranking Up Second Act’s Latest Single

As of late, I’ve been itching to dive out on a skateboard and just hit the local park, speeding down with something delicious cranking in my ear, and if I’m being honest, in terms of new skate punk, you’re not going to find anything better than Second Act. Every little riff in this song, whether its the punk nod or the metal breaks feels exactly like my adolescence all rolled up in one song. If you dive into that chorus, you’ll hear the anthemic nature rising to the top, which creates this undeniable power that has me diving deep inside the group’s latest LP, Midlife Crisis. This is the perfect place to grab your coffee and get in your car and crank the stereo all the way up.

Gentle Leader XIV Share Title Track, Joke in the Shadow

In a world full of immediacy, for which I’m admittedly a sucker, Gentle Leader XIV are offering up an entirely different brand of electronica than our typical fare. For starters, the drawl of the drum sampling seems to be tugging at the time stamp, holding it one place for the track’s duration. Even when the synths take on their full approach, there’s restraint; just listen to the nod to Depeche Mode after the 30 second mark. All of this work leaves plenty of space to be filled, and while the vocals entering adds another layer, even there, the song has space to move and wiggle. You get a ripping guitar cutting into the song’s middle, yet it all feels tethered to the percussive march, and in the end you’re left with this brilliant blanket of modern pop that greets you on its own terms. Their new record, Joke in the Shadow, is out on April 18th via Feel It Records.

Steel Wool Release Self-Titled EP

The perks of dropping your EP a day before “release” day is that folks like me have time to sit and absorb before we’re bombarded with the millions of other album drops…so it’s given me time to soak in the shoegaze-y waters of Steel Wool. As you’ll hear on the track below, there’s this permanent layer of fuzz you can’t scrape off, weighted, and almost crushing in its spirit. But, one of the things this lot has done differently is their approach to the vocal content; they’re more dramatic, and almost more like a radio pop performance, providing a different twist to the genre itself. So, if you’re seeking drama and shoegaze in one, take some time today to stream Steel Wool!

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