Tag: stream

Nicamus Return with Trust Fall

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I first caught onto Portland’s Nicamus a few year’s ago when they dropped Dog Days, and so they have returned with Trust Fall, their newest effort for your ears. This go round, they’ve taken their twee-leaning tendencies and turned them in the direction of blistering rock n’ roll. Don’t get me wrong, the cleverness and the angular jangling persists on the track’s like the one below, but they come bearing a bit of power and bravery, punching above their weight-class so to speak. If you’re looking for a dip into the more DIY realms of psych and indie rock, you probably can’t go wrong spending the morning with Trust Fall.

Immaterialize Share Will You Stay With Me Video

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I know that I’m probably stepping out of bounds here in terms of my musical nod on the new Immaterialize single, but the Chicago duo seems to have latched onto the space vacated by Broadcast. They clearly enjoy employing an electronic foundation, but the way the song’s move, fluttering subtly as textural guitars are built around the voice of Lipsticism. There’s this density to the craft, yet it’s coated in a pop purism that fascinates, even as the vocals fade into steady beats to close the tune. Word is this song will pop up on an LP early next year, but you’ll have to keep an eye on Angel Tapes/Fire Talk for more details!

Circling Back to Pocket Full of Crumbs/Kan Kan Split

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I’m not sure how I missed this, as Cherub Dream Records has been pretty consistent in uncovering acts that are blending all the perfect touches of punk and noise and modern indie. Recently they dropped this rad split from Pocket Full of Crumbs and Kan Kan, and the lead off single from the release is possibly one of the raddest songs I’ve had. There’s this punk rush to it, though it’s incorporating some of the noisier modern flare into the picture, all of it tethered to a gentleness that appeals to the masses. It’s just a straight ripper, and it will likely be playing on repeat all damned day long.

Joyer Are At the Movies

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The much anticipated Joyer record is just two weeks away from the drop date, and with that, they’ve got one more album sampler for your ears. Of all the tunes they’ve dropped this might be the one that hits closest to my daily listening habits, hanging on the edge of an atmospheric piece that takes an acoustic structure and stretches it into this pensive realm where your able to sit in the middle of the tune and soak the melody up. Really enjoying the previews we’ve got, and looking to On the Other End of the Line, out October 24th via Julia’s War.

Cistern Announce Debut Album

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Canadian outfit Cistern have been on my radar for a few years, featuring members of Nov3l and Crack Cloud, so when news broke of their debut album on the list for October releases, I was ready to jam. On my first several runs through of this lead single, I was instantly drawn to the sharp groove that hits, cutting the dancefloor up with these high kicks and just a little playfulness; you’ll get a little vocal treat that’s reminiscent of their hit “Crisis” too, so stay with your ears locked in. The group worked on the album by piecing the tunes together, working in notes here and there, and you can certainly hear that in the back half of this tune. If you’re ready to rock to this tune, then you’ll be ready to rock to Rhizomes when it drops on October 17th.

Speed Week Return with Automate Me

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A few weeks ago we brought you the lead single from the forthcoming Speed Week LP, and now here we are with another growling bit of indie rock that solidifies the band’s place in my listening rotation. Musically, they shift into snapping rhythms and angular knife cuts on the guitar, providing the listener with a jittery sensation while Elliot Gee stalks the audience. The song’s swirling about you, but Gee keeps things centered, like the gravitational pull with an emphatic delivery that matches up with the modern world; I do love how he pulls a little bit of Johnny Rotten in the line “I want you to automate me!” Look for their Weak Speed LP on August 16th via Endless Recordings.

Trash Man Share Cool Until It’s Not

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Tony Molina better watch his back, as Trash Man are sliding into that 1 minute power-pop territory; I think there’s both as long as they keep cranking out infectious earworms for us all. “Cool Until It’s Not” jumps right in with a grinding guitar swells, met my Alex Majaverian’s voice. Those vocals seem to climb the stairs along the way, tip-toeing along the melody as the song rises to meet your ears. The fade out into the refrain of “cool until it’s not” is met with some swollen keys too, buoying the hook and making sure you come back for more. This is the title track to the new Cool Until It’s Not LP, which is out this Friday via YK Records.

Dedstrange Sign Sunset Images

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Today we bring you news that two of our favorite things are uniting: Mexico City and Dedstrange Records. RayRay and I love DF, and we’re really excited that the the label has picked up industrial noise makers, Sunset Images. Below you’ll find a new single, which is a remix from A Place to Bury Strangers. The drum work bites at your heels, forcing you to run through a shadowy hallway filled with reverberating riffs of noise; those moments get an emphatic punctuation from time to time, highlighting the intensity of the sound coming from the group. Their new album Oscilador will be out in January of next year, so expect more noise coming your way soon!

New Jay Som Single featuring Hayley Williams

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While the pop world has their Taylor Swift album, the indie world will get their equivalent this Friday when the new record from Jay Som drops. Melina Duterte has spent the past several years working in the studio, bringing other people’s crafts the special touch her ear can bring. But, as we turn to her work and latest single, it’s clear that she’s mastered the balance that makes indie folks listen into her work. This song begins in a benign fashion, sampled drum beats and a trickling guitar while the vocals embrace a bedroom pop fashion. When the live drums come into play, you can feel the craft begin to build, though Duterte holds it back, letting the listener sort of thirst for more. They’ll get that in the latter half of the tune where the heaviness is unleashed, backed by Hayley Williams joining in to lend her own vocal strengths to the Jay Som project. Belong is out this Friday via Polyvinyl Records.

A New Bee Bee Sea Single

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The Italian scene is one I like to circle back to, unearthing some gems that probably skip the masses here in the States, like this new single from Bee Bee Sea. It’s a sloppy bit of frantic garage rock, the sort that would have made Thee Oh Sees really proud. The drum work gives the song this steady beat, while the guitars provide this jittery energy that shakes the tune and the listener to the core. As a band, they flirt with the song’s edge and energy, while also getting in just a bit of playfulness that makes the whole thing a joy. I’ve included the 7″ link, as the B-Side is a power pop gem you’ll want to also spend a minute or three with! It’s out now via Wild Honey Records.

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