Ovlov Return with Buds LP

Are they together? Are they not? Ultimately, it doesn’t really matter, as we should also just sit back and appreciate that Ovlov have announced a brand new EP. To me, the band always sound like what J Mascis has been chasing for years, stirring up a pot of melody and noise, but with a DIY attitude. You get these matter-of-fact lyrics here, delivered almost haphazardly, like a private conversation, which steadies the song. But, what’s always appealing about an Ovlov tune is that they manage to kind of create this storm around that sense of calm, not unlike some cliche hurricane analogy; everything is bringing destruction, except, of course, those vocals. Buds sounds like a ripper and it’ll be out on November 19th via Exploding in Sound Records.

Black Marble Share Preoccupation Video

So I missed running this tune yesterday, so I figured I’d remedy my mistake by running it now. I’ve made clear my adoration with Black Marble, and this track is no different from those moments. I think Chris Stewart has really worked hard here to toy with his vocal delivery; he’s drawing you in, giving rise to little subtle bits of melody from the dark confines of his electronic work. Honestly, I haven’t heard anything from this record that I don’t like, so you can bet I’ll be grabbing a copy of Fast Idol, out on October 22nd via Sacred Bones Records.

Neckbolt Announce Midwestern Drawl

I’ll be honest, sometimes the Austin scene gets a little stale; it tends to feed off of its own bravado, then implodes to champion what sells…but honestly, its felt mostly safe as of late, until I heard this new track from Neckbolt. The band is comprised of various local figures, and a few out-of-towners, but they’re building this deranged twang-core that feels like an unholy Texan amalgam. Those gritty blues guitar sounds are fuzzed beneath this heavy wash of atmosphere, dripping with tambourine presence. Honestly, it’s like taking acid house vibes from the UK, throwing in sort of the dark experimental side of Liars, then throwing it all on stage in Marfa; it pretty much rules. Midwestern Drawl is out November 5th via Spider Dispatch Unit.

Weakened Friends Announce Quitter

A few years ago, a show opportunity fell into my lap; I had the opportunity to book a primo venue for a day time SXSW show, but I had to do it in 48 hours before the show took place. Lucky for me, I know some people, and was fortunate enough to have Weakened Friends take the stage. They played in the early afternoon with such ferocity that it awoke everyone from their early SXSW slumber. Today the band announce their new album, Quitter, which is coming out via Don Giovanni Records; they’re doing it with the blasting pop rock jam that should get you as excited as I am for the LP. Sonia’s voice is phenomenal, and just the right amount of catchy hanging in there. Just turn it up super loud and thank me later!

Japan Review Share Kvetch Sounds

What on Earth is this beautiful sound coming from the latest Japan Review single? Immediately my ears filled with these discordant angular riffs, just heavily jangling, bouncing notes off one another to create this dense background of anxiousness. Moments later, synth work rolls into the picture, polishing the song like a fine gem, letting the melodic vocals calm your nerves as drums snap at the mix from below. Every sound works against each other, and in crashing together, they mix and leave you blanketed with this sublime piece of artful noise. I’m totally floored by this tune, and hoping that the whole of their new LP, Kvetch Sounds, lives up to this track; it’s out on October 29th via Reckless Yes.

Missed This New Tune from the Lodger

Having returned with the excellent Cul-de-sac of Love, the Lodger seem to be back in full swing with their songwriting. Last week they released this charming track, a bouncer if you will, jumping right off with a pounding piano and drum stomp. For me, this is something that feels very much like the band are hitting their stride once again, with one foot firmly in the history of Brit pop, and one banging out hook-laden pop as we push forward into the future. Throwing this up, just in case you, like me, missed it a week ago!

Old Man of the Woods Shares Let Me Miss You

When it comes to the softer brand of lo-fi, there are certain things that definitely allow me to immerse myself in the musical element, one of which is a distinctive voice. Miranda Elliott, the songwriter behind Old Man of the Woods, has this way of letting her voice seemingly quiver, rising up and down from syllable to syllable, forcing enchantment on listeners. The music here seems to be made of this jangling strummed loop, naked at first, then adding a further texture to the song to elevate the arrangement; this is the brand that gets me on board! Look for the debut, Votives, on October 15th via Totally Real Records.

Orton Ready Debut EP

Having worked in production for years, Will Crumpton is ready to work out his own tunes on his debut EP as Orton. His lead single from the track seems to detail his journey, with the title “Your Way” referencing how he came to find strength in his own musical decision making. I love the heavy vibe coursing throughout, sort of this deep wash of darkened tones, pushing forth with this cavernous sound that gets occasional accents from distorted atmospherics. Crumpton lets the feathery notes of his voice float in and out, careful to keep the song’s production equal, so the emotive quality is maximized for listeners. Sparring EP will be out on October 29th via Phlexx Records.

Parker Longbough Announces Off Front Street

It’s been a busy year for Parker Longbough, releasing an album and an EP, but we’re not even done yet, so we’re pleased to inform you that he’ll be releasing another record, Off Front Street. One of the great things about Longbough is his storytelling, and its what fills this record (and song), with his lyrical work resembling Doug Martsch to a certain degree, making the mundane leap from the speakers. This track has a circular nature to it, musically speaking, with this guitar ringing in and out of the mix, allowing Longbough to focus on his storytelling while the song buzzes behind him; it’s punctuated by this emphatic drum work, primarily on the cymbals, punching up the hooks as you go through. You can file this tune somewhere between the Pacific Northwest of the late 90s and Elephant 6. Off Front Street drops on October 22nd via Wilderhood Music.

Low Life Announce From Squats to Lots: The Agony and XTC of Low Life

Sorry to inform you that this week is indeed Goner Records week, as the label have announced yet another banger of a tune, along with the announcement of the new Low Life album. This is great news, as we were big fans of Downer Edn, so to know that From Squats to Lots: The Agony and XTC of Low Life is just around the corner makes this a wonderful Friday. When this opens up, the drums are thunderous, furiously rushing us into this tornado of guitar swirls, lifting us and dropping us, lifting us and dropping us. The vocals are rather direct, and almost without emotion, adding to the pseudo-industrial nature of the track. Personally, a few listens through, and I kind of imagine this as a dark-wave response to Les Savy Fav, particularly when you get to the chorus; it just feels very Tim Harrington. The new LP is out on November 5th.

1 369 370 371 372 373 1,017
Social Media Auto Publish Powered By : XYZScripts.com